CorsC33

I’ vedo ben ch’amore è traditore-a CapQ (ABbA ACcD DEeF...)

Poet:

Leonardo Giustinian

Language:

it

Lauda:

I’ sento ‘l buon Jesu dentro nel core CapQ (ABbA ACcD DEeF..)

Lauda Poet:

Feo Belcari

Notes:

note: cc. poem copied in autograph ms. of Florentine cantarino Filippo Scarlatti, LAD759, f.262. PetF/vi transmits settings of ‘Moro di doglia’ (no. 3) and ‘Aimè ch’a torto’ (no. 4), both of which are interior strophes of ‘I’ vedo ben’ (see CattinNR, 284). Music ed. LuisiLG, ii, 254-5 with text of ‘I’ vedo ben’ and Belcari’s ‘Piangi e sospira’ (for which ‘I’ vedo’ is also a cc.). Settings of ‘Aimè ch’a torto’ and ‘Moro di doglia’ ed. and discussed in RubsamenJ and, more recently, HaarPJ. Giustinian text ed. Wiese, 287f.

Music Sources:

PetF/vi

Cantasi Come Sources:

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O donna del mio core-h

Poet:

Leonardo Giustinian

Language:

it

Lauda:

Non ha lo cor gentile-c
BaG (xYyX AbAbbCcX)

Lauda Poet:

Feo Belcari

Notes:

note: alternate cc. = ‘Alma che si gentile/ti fe’

Music Sources:

Cantasi Come Sources:

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Madre che festi colui che ti fece-a Qr:11 (abba cddc...)

Poet:

Leonardo Giustinian

Language:

it

Lauda:

Adnunziata pel divin consiglio-a
BaG:11 (xyyx ababbccx)

Lauda Poet:

Feo Belcari

Notes:

note: WilsonMM, 173-4; Diederichs192ff. Music ed. WilsonMM, 282 (Ven); Diederichs, 380 (Ven); JeppesenL, 126 (PetL/i; music by Innocentius Dammonis); LuisiLG, ii, 60-62 (Ven & PetL/i). Text ed. LuisiLG, i, 260. In most sources, lauda bears rubric ‘facta per la adnuntiata de’ Servi’, that is, intended for performance at the Florentine church of Santissima Annunziata, where polyphonic singing was culitivated during the 15thc. Giustinian text entered in R2929, which was copied by 1448.

Music Sources:

Ven

PetL/i

Cantasi Come Sources: