Pal120

note: lauda re. St. Bernard, so probably differs from the ‘Cantiam con dolce canto e voce piena’ sung in the Rappresentazione di un miracolo di S. Maria Maddalena; BecheriniSR, 204-5.

note: although the incipits of lauda and cc. are identical, the cc. is probably a secular model, neither the text nor music of which has survived.

note: RostirollaB, 704. Facs. of Anim1577 in RostirollaTL, 31. See ‘Ora mai sono it età’ as an alternate cc. for this lauda, and WilsonHM.

note: alternate cc. = ‘Ferrivecchi, ramivecchi’. PetL/i preserves setting of Belcari’s lauda, ed. JeppesenL, 145.

note: Lucrezia’s lauda predates her death in 1482.

note: RostirollaB, 716 (‘Laudate Dio’). Version in the Roman sources is an arrangement by Animuccia of the traditional Carnival song melody and Florentine lauda text; facs. in RostirollaTL, 34.