R196

rispetti-x

Language: 

it

Lauda: 

Vengoti ad visitare anima mia-a
Risp:11 (ababccdd)

Lauda Poet: 

Feo Belcari

Music Sources: 

ballo-e

Language: 

it

Lauda: 

Chi serve a Dio con purità di core-b BaMn:11 (xx ababbx)

Lauda Poet: 

Feo Belcari

Music Sources: 

Ch’il paradiso vuole BaMz (xyZ aBaBbcX)

Poet: 

Gherardo d’Astore

Language: 

it

Lauda: 

Jesù mio dolce Dio-a
BaMz (xyX aBaBbcX)

Lauda Poet: 

Feo Belcari

Notes: 

note: CattinR, no. 67. Music & text of cc. ed. Mancuso, 743-8. Alternate cc. = Giustinian’s ‘Poi ch’i aggio perduta’.

Music Sources: 

Ave tempio di Dio sacrato tanto-f CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Salve regina di misericordia-a
CapT:11 (aba bcb...)

Lauda Poet: 

Feo Belcari

Notes: 

note: See CattinNF, 202. See ‘I’ vedo ben’ as cc. for ‘Ave del cielo’ & ‘Salve regina di misericordia’ for possible musical settings associated with ‘Ave tempio’ (an Ave Maria acrostic). Settings of Belcari’s text ed. CattinG, no.26 & LuisiLG, ii, 152-3 (Grey, but w/cc text underlaid as well); JeppesenL, 136-7 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletti’in suon’e canto’ (the 1st tercet of which uses the same rhymes as ‘Ave tempio’), followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’), all in the form of CapT:11. Belcari’s ‘Ave Maria acrostic and Salve Regina pair are probably modeled on a very similar pairing by Giustinian; see LuisiLG, i, 356-7.

Music Sources: 

L’orazione è sempre buona BaMn:8 (xx ababbx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Questo mondo è fatto a ruote
BaG:8 (xyyx ababbxxy)

Notes: 

note: CattinR, 27. Cc. indications for ‘L’orazione’ are ‘Ferrivecchi’ and ‘L’erba buona’. 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’). This is a contrafactum of a well-known Tromboncino frottola, ‘Se ben hor non scopro el foco’, ed. in JeppesenF/iii, 249-50 (Triv55). For more on the frottola, incl. eds., see CattinNF, 204-5. The setting of Belcari’s text in Anim1563 differs from the music found in the other sources; see RostirollaB, 718.

Cantasi Come Sources: 

modo proprio

Language: 

it-carn?

Lauda: 

Duolti e piangi tua fallenza
BaG4/6:8 (xyyx ababbx)

Notes: 

note: CattinR, 26 notes that this lauda is modeled on the meter and rhyme scheme of Castellani/Alemanni’s sacred carnival song ‘Dolor pianto e penitenza’ (‘Canzona/Carro de’ morti’).

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Jesù donami pace benchè
BaG (xYyX aBaBbCcX)

Notes: 

note: CattinR, 26

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it-carn?

Lauda: 

Madre del sommo ben Jesù-a
8:7/11 (AbbAacCC)

Notes: 

note: CattinR, 25-6 proposes that the poetic model for this lauda is the carnival song, ‘Pose natura ogni cosa mortale’ (the ‘Trionfo del lauro’), by Guglielmo Angiolini, ed. SingletonCC, 223. Cattin edits the first two stanzas of both poems on p. 26.

Music Sources: 
Cantasi Come Sources: 

modo proprio

Language: 

it

Lauda: 

Di promesse e di ben fare, peccator BaG:11 (xyyx ababbyyx)

Notes: 

note: CattinR, 25

Music Sources: 
Cantasi Come Sources: 

Piangeran gli occhi miei Qr:7 (abba)

Language: 

it

Composer: 

Arnolfo Giliardi

Lauda: 

Piangendo gli error’ mia
BaG4/6 (xyyx ababbx)

Notes: 

note: FallowsCat, 555; CattinR, 24-5, D’AcconeSN, 268-71. Music ed. in D’AcconeSN, music ex. no. 1 . BR337 transmits bass part with same incipit but unrelated music from the frottola generation.

Music Sources: 
Cantasi Come Sources: 

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