Database

Read more about Questa sposa diletta-c BaG (xyyX ababbccX)

Questa sposa diletta-b BaG (xyyX ababbccX)

Poet:

Leonardo Giustinian?

Language:

Lauda:

Chi ti vuol seguitare
BaG xyyX ababbccX)

Notes:

note: Ch266 twice lists the lauda ‘Chi ti tuol seguitare’, once with cc = ‘Sposa diletta’, once with cc = ‘Questa sposa diletta’, the latter being the more frequent and correct title.

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Questa sposa diletta-a BaG (xyyX ababbccX)

Poet:

Leonardo Giustinian?

Language:

Lauda:

Amari suspir’ miei
BaG (xyyX ababbccX)

Notes:

note: cc. title is ‘Questa sposa diletta dello spirito santo’, also a lauda in Ch266, R2896 & R1502, with cc = ‘Amor se ti diletta’. Text of cc. ed. LuisiLG, i, 398-9, and is found in pre-1450 laudarios like R2929 and BML, Asbhurnham 423.

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Questa leggiadra stella (=luce?) BaMn:11 (xx ababbx)

Language:

Composer:

Andrea da Firenze?

Lauda:

El desiderio di quella
BaG (xyyX ababbccX)

Lauda Poet:

Neri Pagliaresi

Notes:

note: WilsonSC, 74. Music ed. in PMFC10, 44-5; lauda text ed. VaraniniRS, 29, 164f. Title of Andrea’s ballata is ‘Questa leggiadra luce...’, which taken together with the difference in poetic forms suggests that Andrea’s ballata may not be the intended model for Pagliaresi’s lauda.

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Cantasi Come Sources:

M130

Read more about Questa leggiadra stella (=luce?) BaMn:11 (xx ababbx)

Questa fanciulla amor falla mi BaMn:11 (xx ababbx)

Language:

Composer:

Francesco
Landini

Lauda:

Creata fusti, o vergine Maria
BaMn:11 (xx ababbx)

Notes:

note: FallowsCat, 557; CattinSq, 249; WilsonSC, 73; Diederichs,65. Music ed. PMFC4, no. 97 & HoppinAMM, 162 (Sq); PMFC13, nos. 2, 33; WilkinsC, 70 (Rei).

Music Sources:

Pit

PR +5

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Questa crudel partita BaMn:8

Language:

Lauda:

Questa anima ferita
BaMn:8

Lauda Poet:

Bartolomeo di B.

Notes:

note: the cc. may be identical with the strambotto ‘O partita crudele’ (music in Per431) used as a cc. in the same cc. sources, and with incipit (perhaps inadvertantly) altered to match the lauda title. A more likely version of the text is transmitted in RA2435, p. 91: ‘Questa crudel partita/porrà fine all mia vita’

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Read more about Questa crudel partita BaMn:8

Quest’è, donne, un arber grande

Language:

it-carn?

Lauda:

Questa è quella croce grande
BaG:8 (xyyx ababbccx)

Notes:

note: cc. incipit and probable form (BaG:8) suggest a carnival song, but the text cannot be located in the primary printed sources. This lauda shares an identical form and rhyme scheme with another transmitted in the same sources, ‘Questa tuo pietà si grande’, which has a cc. of ‘L’alboro della ghiande’; it is likely, therefore, that both laude refer to the same song. A setting of the lauda is preserved in PetL/i.

Music Sources:

PetL/i

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Quella che sospirando [ogn’or] Son

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergine madre, e figlia al Signor
Son

Notes:

note: Lincoln, 692; EinsteinIM, i, 248. Music ed. OwensSM, xxx, 43-47.

Music Sources:

Bas2495

M122-5

1530/2

Cantasi Come Sources:

M365

Read more about Quella che sospirando [ogn’or] Son

Quel primo eterno amore, somma iustizia 7:7/11 (ABaBAcC)

Poet:

Giovam-
Battista dell’ Ottonaio?

Language:

it-carn

Lauda:

Quel primo excelso ben somma-b
7:7/11 (ABaBAcC)

Notes:

note: lauda listed as modo proprio in R196, but CattinR,17 identifies the cc. model of this lauda as the carnival song, the ‘Trionfo delle tre Parche’, ‘Quel primo eterno amor, somma iustizia Fiorenza’. Text ed. SingletonCC, 198-9. Music ed. GallucciFFM, no.36.

Music Sources:

BR230

Cantasi Come Sources:

R196

Read more about Quel primo eterno amore, somma iustizia 7:7/11 (ABaBAcC)

Quel glorioso giorno 5:7/11 (abbbC cdddE efffG...)

Language:

Lauda:

Riposo alcun non trovo Jesù benigno amore-c 5:7/11 (abbbC cdddE efffG..)

Lauda Poet:

Angelo Bettini

Notes:

note: lauda and cc. reversed in Ferr84; see modo proprio for ‘Riposo alcun’. On ‘Quel glorioso’ see Carboni-ZiinoLM, 283, text ed. 305-6.

Music Sources:

Rz1563

Ferr84

VallO.32

Cantasi Come Sources:

R1413

Read more about Quel glorioso giorno 5:7/11 (abbbC cdddE efffG...)

Quel dolore [che d’invidia non sofferse]

Language:

Lauda:

Riposo alcun non trovo Jesù benigno amore-b 5:7/11 (abbbC cdddE efffG..)

Lauda Poet:

Angelo Bettini

Notes:

note: see modo proprio for ‘Riposo alcun’.

Music Sources:

Rz1563

Ferr84

VallO.32

Cantasi Come Sources:

M365

Read more about Quel dolore [che d’invidia non sofferse]

Quanto sono in stà cittade-b Qr:8 (abbc cdde effg..)

Language:

Lauda:

Quanto sono in verde etate
Qr:8 (abbc cdde effg..)

Lauda Poet:

Filippo Scarlatti

Notes:

note: ‘Quanto sono in verde etate’ and its cc. indication on fol.382 of LAD759 (autograph ms. of Filippo Scarlatti); dated 1470/1. FerraraV, 7; PasquiniFS, 427, 438, 538 (n. 257, bibliography), 567. Lauda text ed. LanzaLT, ii, 590; partial ed. of cc. in D’AnconaPP, 491.

Music Sources:

Cantasi Come Sources:

LAD759

Read more about Quanto sono in stà cittade-b Qr:8 (abbc cdde effg..)

Quanto sono in stà cittade-a Qr:8 (abbc cdde effg..)

Language:

Lauda:

Deh venitene pastori a veder-b
Qr:8 (abbc cdde effg...)

Lauda Poet:

Lucrezia Tornabuoni

Notes:

note: cc. text tranmitted in LAD759, fol.327, Filippo Scarlatti’s autograph ms., where it is labeled a ‘chanzona ciciliana’; also a cc. for Scarlatti’s lauda, ‘Quanto sono in verde etate’ (fol.382, dated 1470/1), with poetic form CapQ:8 (abbc cdde effg..). See FerraraV, 7; PasquiniFS, 427, 438, 538, 567. For biblography on the lauda, see ‘Deh venitene’ as a cc. The music preserved in Rz1563 is a simple, homophonic 3-part setting with a popular tone that suits the cc. text perfectly, and is probably some version of the original music for this text; ed. Mancuso, 382--3, and first two quatrains of cc. text ed. in D’AnconaPP, 491.

Music Sources:

Rz1563

Anim1563

Cantasi Come Sources:

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Quanto sia lieto il giorno-e Cz (abC abC cDdeE)

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergin gloriosa madre de’ peccatori 8:7/11 (ABABbCDD)

Lauda Poet:

Alessandro
Guglielmi

Notes:

note: EinsteinIM, i, 250-1; Fenlon/HaarIM, 155 (concordant sources). This madrigal à4 appears in the Prologue of Machiavelli’s La Clizia. The story is set in Florence during the 1506 Carnival season, but the play was written and first performed in 1525; see discussion of the dramatic context in PirrottaMT, 128f, with ed. of music on 131-3. Music ed. SlimG, ii, 341-3.

Music Sources:

Cantasi Come Sources:

M365

R2988

Read more about Quanto sia lieto il giorno-e Cz (abC abC cDdeE)

Quanto sia lieto il giorno-d Cz (abC abC cDdeE)

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vasto, diletta terra

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Read more about Quanto sia lieto il giorno-d Cz (abC abC cDdeE)

Quanto sia lieto il giorno-c Cz (abC abC cDdeE)

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Questo dì gloriosi

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Read more about Quanto sia lieto il giorno-c Cz (abC abC cDdeE)

Quanto sia lieto il giorno-b Cz (abC abC cDdeE)

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Quanto sia lieto in cielo

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Read more about Quanto sia lieto il giorno-b Cz (abC abC cDdeE)

Quanto sia lieto il giorno-a Cz (abC abC cDdeE)

Poet:

Niccolò Machiavelli

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Deh venitene angeli

Notes:

note: MaceyFS, 356 notes that Razzi recorded and used the cantus melody of Verdelot’s madrigal for four different laude in his autograph ms., Pal173. For an earlier and probably more complete use of Verdelot’s music, see its link to the lauda ‘Vergin gloriosa madre de’ peccatori.’ In Rz1609, Razzi used the cantus and tenor of Verdelot’s madrigal for two laude: ‘Le Vergin gloriose’ (possibly the same as the preceding text), and, ‘Questo dì glorioso.’

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