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Database

Qual è si duro core che Jesù-b BaG (xYyX ABABbCcX)

Language: 

it

Lauda: 

O San Bastian beato-a
BaG (xYyX ABABbCcX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, lauda sent to ‘Fra Domenico Ricci in Santa Maria Novella’.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Qual è sì duro core che Jesù-a BaG (xYyX ABABbCcX)

Language: 

it

Lauda: 

Che scusa anima mia-a
BaG (xYyX ABABbCcX)

Notes: 

note: cc. text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Purità Dio ti mantegna-d BaG:8 (xyyx ababbccx)

Language: 

it

Lauda: 

Se gustiamo il van diletto-b
BaG:8 (xyyx ababbccx)

Notes: 

note: cf. ‘Se gustiamo’ as cc. for ‘De, udite grand’errore’ & ‘Jesu Christo redentore’. 97v: ‘Purità’ has modo proprio

Music Sources: 
Anim1563
Cantasi Come Sources: 
Ch266

Purità Dio ti mantegna-c BaG:8 (xyyx ababbccx)

Language: 

it

Lauda: 

I’ son l’angel buon di Dio-d
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Feo Belcari

Music Sources: 
Anim1563
Cantasi Come Sources: 
Cas794
CorsD3
Gall2
Gamb206
Inc34
M690
Pal117
Pal119
Pal120
R193
R196
Rs424

Purità Dio ti mantegna-b BaG:8 (xyyx ababbccx)

Language: 

it

Lauda: 

Ave mari stella canta-b
BaG:8 (xyyx ababbccx)

Music Sources: 
Anim1563
Cantasi Come Sources: 
Ch266

Purità Dio ti mantegna-a BaG:8 (xyyx ababbccx)

Language: 

it

Lauda: 

Aggio visto il cieco mondo-b
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: RostirollaB, 741. Alternate cc. is ‘Aggio visto ‘l mappamondo’ [lappamondo], with musical setting. Text of ‘Purità’ found in Gall3 without a cc. (suggesting it was already associated with its own modo proprio setting), in R2929 (‘Povertà di Dio’), which was copied by 1448, and BML, Ashburnham 423, which probably predates the 15thc.

Music Sources: 
Anim1563
Cantasi Come Sources: 
Cas794
CorsC33
CorsD3
Gall2
Gamb206
Inc34
LA480
M690
Pal117
Pal119
Pal120
R193
R196
Rs424

Puis que je vis le regard gracieux R4:10 (abba)

Language: 

fr

Lauda: 

Poi che ‘l tuo cor Maria è graziosa
CapQ?:11 (abba ab abba)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 332; PopeM, 644-6; WilsonSC, 88; CattinR, no.106. Music ed. CMM88, 30 & NanenE, no.31 (EscB), PopeM, 474 (MC), PerkinsM, ii, no.53 (Mel). Form and rhyme scheme of lauda closely modeled on the French rondeau; see CattinCI, 428-9, who suggests (along with PopeM, 646) that the lauda was conceived as a rondeau quatrain. Incipit of Fr. text in lauda sources frequently appears as ‘Plus que...’

Music Sources: 
M176
R2356
Pix
SevP
EscB
MC
Mel +3
Cantasi Come Sources: 
Cas794
CorsD3
Gall1
Gamb206
Inc34
M690
Pal117
Pal119
Pal120
R193
R196

Provar lo possa chi non crede-b

Language: 

it

Lauda: 

Più sozza cosa al mondo non si vede BaMn:11 (xx ababbx)

Lauda Poet: 

Neri Pagliaresi

Notes: 

note: WilsonSC, 75. Lauda text ed. VaraniniRS, 32, 182f.

Music Sources: 
Cantasi Come Sources: 
M130

Provar lo possa chi non crede-a

Language: 

it

Lauda: 

Beato el peccatore ch’a Jesù
BaMn:11 (xx ababbx)

Lauda Poet: 

Vanni di Martino

Notes: 

note: On the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7.

Music Sources: 
Cantasi Come Sources: 
Ch266

Povertà, fatiche, stenti BaG4/6:8 (xyyx ababbx)

Poet: 

Fra Bastiano
da Poggibonsi

Language: 

it

Lauda: 

Ricchi siam, lieti et contenti-b
BaG4/6:8 (xyyx ababbx)

Notes: 

note: See MaceyB, 56. Music & text of cc. ed. Mancuso, 466-9. The 2-part setting in Rz1563 preserves the melody of the carnival song, ‘Caritate amore dei’ (the Canto di lanzi pellegrini), with a new tenor part; see ‘Povertà’ as a lauda with cc. = ‘Caritate amore dei’, with music in BR230 (a4), M121, & BR337 (bass only).

Music Sources: 
Rz1563 (a2) M121
BR230
BR337
Cantasi Come Sources: 
LCS161
Rz1563

Pour une suis desconforté B4:7/8 (abab cdcd) = So ys emprentid

Language: 

fr

Composer: 

Bedyngham
or Frye

Lauda: 

Con umil core e riverente exordia
Ba:7/11 (Xxx1 ABBA x1 CDCD x1 EFEF)

Notes: 

note: FallowsCat, 62-4, under original Eng. title, ‘So ys emprentid in my remembrance’; CarboniE, 454. Music ed. HanenE, no.27 (EscB); PopeM, 146 (MC); CMM19, no.3 and PerkinsM, ii, no.45 (Mel). Eng. title cited by Aaron and Ramos de Pareja, and T used in 1 motet & 2 mass cycles. The poetic form of the lauda appears to be quatrains with an interpolated partial refrain line (‘O Maria, o Maria’).

Music Sources: 
BerK
EscB
M176
Lab
MC
Mel
Pix
Tr90 +1
Cantasi Come Sources: 
R2896

Pour prison, ne pour maladie-e R5:8 (aabba)

Poet: 

Alain Chartier?

Language: 

fr

Composer: 

Binchois

Lauda: 

Vanne mio core al Signor mio-a
5:8 (aabca)

Lauda Poet: 

Feo Belcari

Notes: 

note: CattinR, no.66; CattinCI, 421-2. Alternate cc. = ‘Vaten mon quer’ [‘Va t’en, mon coeur’].

Music Sources: 
Pix
RU1411
EscB
R2794
Lab
Pav362
SevP
Cantasi Come Sources: 
Cas794
CorsD3
Gall1
Gamb206
Inc34
M690
Pal117
Pal119
Pal120
R193
R196

Pour prison, ne pour maladie-d R5:8 (aabba)

Poet: 

Alain Chartier?

Language: 

fr

Composer: 

Binchois

Lauda: 

Signor Jesù tu sia lo ben venuto-a
5:11 (ababa)

Lauda Poet: 

Feo Belcari

Notes: 

note: alternate cc. = ‘Signor leon’ [‘Seigneur Leon’]

Music Sources: 
Pix
RU1411
EscB
R2794
Lab
Pav362
SevP
Cantasi Come Sources: 
Cas794
CorsD3
Gall2
Gamb206
Inc34
M690
Pal117
Pal119
Pal120
R193
R196

Pour prison, ne pour maladie-c R5:8 (aabba)

Poet: 

Alain Chartier?

Language: 

fr

Composer: 

Binchois

Lauda: 

Per buon sentier e retta via
5:9/11? (abbaa)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: CattinCI, 422. LA424--’cantasi come por prisoner, mandata a Ser Firenze, prete’.

Music Sources: 
Pix
RU1411
EscB
R2794
Lab
Pav362
SevP
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Pour prison, ne pour maladie-b R5:8 (aabba)

Poet: 

Alain Chartier?

Language: 

fr

Composer: 

Binchois

Lauda: 

E’ servi tuoi Maria vengono a te-b 5:11 (ababa)

Lauda Poet: 

Belcari

Notes: 

note: alternate cc. = ‘Le serviteur hault guerdonné’.

Music Sources: 
Pix
RU1411
EscB
R2794
Lab
Pav362
SevP
Cantasi Come Sources: 
Cas794
CorsD3
Gall4
M690
Pal120
R196

Pour prison, ne pour maladie-a R5:8 (aabba)

Poet: 

Alain Chartier?

Language: 

fr

Composer: 

Binchois

Lauda: 

Ben venga Jesù l’amor mio-b
5:9 (ababa)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 321-2; CattinR, 30; PlamenacR, 70-1; CattinCI, 421-2. Alternate version of cc. = ‘Pover preson’; alternate cc = ‘Ben vengiant matres’ (‘Bien vegnant ma très redoutée’). Music ed. HanenE, no.32 & RehmB, no.35 (EscB); SchavranP, ii, 52 (Pav362). Quoted by Ockeghem in his ‘La despourveue et la bannye’ (M176 & Pix), and D with new T in SevP with text ‘Passio domini’ (from St. Matthew passion), ed. PlamenacQ, 169.

Music Sources: 
Pix
RU1411
EscB
R2794
Lab
Pav362
SevP
Cantasi Come Sources: 
Cas794
CorsC33
CorsD3
Gall2
Gamb206
Inc34
M30
M690
Pal117
Pal119
Pal120
R193
R196

Pose natura ogni cosa mortale 8:7/11 (AbbAabCC)

Poet: 

Guglielmo Angiolini

Language: 

it-carn

Lauda: 

Madre del sommo ben Jesù-b(?)
8:7/11 (AbbAabCC)

Notes: 

note: CattinR, 25-6 compares the two texts, and proposes that the poetic model for the lauda ‘Madre del sommo ben’ is the carnival song, ‘Pose natura ogni cosa mortale’ (the Trionfo del lauro), by Guglielmo Angiolini, ed. SingletonCC, 223. The two poems share not only identical line lengths and rhyme pattern, but identical rhymes. See also ‘Madre del sommo’ as a modo proprio.

Music Sources: 
Cantasi Come Sources: 
[CattinR
25-6]

Portiàn, donne, per voi questo fagiano BaMn:11

Language: 

it-carn

Lauda: 

O Dio, o sommo bene, or come fai BaMn:11 (xx ababbx)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: carnival song, ‘Canzona del Fagiano’ (‘El fagiano’ in Gall3); text ed. SingletonCC, 130-1; BruscagliTCC, ii, 438. Lorenzo’s lauda text is ed. in ToscaniL, 79-83, and in DucciniL, 162-72, with extensive commentary.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall3
Inc34
Pal119
Pal120
R196

Poichè visto’l tempo abbiàno BaG:8 (xyyx ababbccx)

Language: 

it-carn

Lauda: 

Benchè offeso assai t’abbiamo
BaG4/6:8 (xyyx ababby)

Notes: 

note: cc = carnival song, the ‘Canzona de’ giostranti’, or ‘Canto d’uomini vecchi allegri e goditori’. CattinR, 19 (where excerpts of both texts are edited); GhisiCC, 191. R196 lists ‘Far buon tempo’ as cc. but this turns out to be the 7th line of the 3rd strophe of the ‘Canzona de’ giostranti’, ‘Poichè visto’l tempo’. Music ed. GallucciFFM, no.38; text ed. SingletonCC, 151-2.

Music Sources: 
BR230
BR337
Cantasi Come Sources: 
R196

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