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Database

Piangete con Maria-c BaG (xYyX ABABbCcX)

Language: 

it

Lauda: 

I’ son Maria dolente
BaG (xYyX ABABbCcX)

Music Sources: 
Cantasi Come Sources: 

Piangete con Maria-b BaG (xYyX ABABbCcX)

Language: 

it

Lauda: 

Il diletto messaggio fu l’angel Gabriel BaG (xYyX ABABbCcX)

Music Sources: 
Cantasi Come Sources: 

Piangete con Maria-a BaG (xYyX ABABbCcX)

Language: 

it

Lauda: 

Con ogni reverentia-b
BaG (xYyX ABABbCcX)

Lauda Poet: 

Feo Belcari

Notes: 

note: lauda text entered in R2929, which was copied by 1448.

Music Sources: 

Piangeran gli occhi miei Qr:7 (abba)

Language: 

it

Composer: 

Arnolfo Giliardi

Lauda: 

Piangendo gli error’ mia
BaG4/6 (xyyx ababbx)

Notes: 

note: FallowsCat, 555; CattinR, 24-5, D’AcconeSN, 268-71. Music ed. in D’AcconeSN, music ex. no. 1 . BR337 transmits bass part with same incipit but unrelated music from the frottola generation.

Music Sources: 
Cantasi Come Sources: 

Piangendo la mia vita

Language: 

it

Lauda: 

Piangendo i miei peccati
BaG (xYyX ababbCcX)

Notes: 

note: re. a later lauda (c.1595) by Razzi with this same incipit, but a different form, see MaceyS, 102, 230.

Music Sources: 
Cantasi Come Sources: 

Pescatori se voi volete-b

Language: 

it-carn?

Lauda: 

Peccatori, se voi volete
BaG:8 (xyxy ababbccx)

Notes: 

note: GhisiCC, 99 includes this in his list of carnival songs servings as models for laude. 2nd line of cc. title reads, ‘del buon pescie sanza scoglio’

Music Sources: 
Cantasi Come Sources: 

Pescatori se voi volete-a

Language: 

it-carn

Lauda: 

Or che fa’ tu peccatore
BaG:8 (xyyx ababbccx)

Notes: 

note: remainder of cc. incipit in Ch266 is ‘del buon pescie senza scoglio’. GhisiCC, 99 includes this in his list of carnival songs servings as models for laude.

Music Sources: 
Cantasi Come Sources: 

Pescatori a lenza siamo BaG:8 (xyyx abbaaccx)

Poet: 

Michele da Prato

Language: 

it-carn

Lauda: 

Peccatori Maria noi siamo-b
BaMn2/8:8 (xx ababbccx)

Lauda Poet: 

Clemente Pandolfini?

Notes: 

note: lauda linked to ‘modo proprio’ in M365, with music & text ed. Mancuso, 523-9. Almost certainly a contrafactum of a carnival song, which MaceyB, 56-7 proposes to be Michele da Prato’s ‘Pescatori a lenza siamo’ (Canzona de’ pescatori che pigliono ranocchi); ed. SingletonCC, 386-9. For alternative suggestion, see ‘Peccatori Maria’ as lauda with modo proprio.

Music Sources: 
Cantasi Come Sources: 

Perla mia cara o dolce amor 10:8/9/10 (ababcbcddx)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Madre di Dio nostro Signore-b
10:10/8 (ababcdceex)

Lauda Poet: 

Feo Belcari

Notes: 

note: see FallowsCat, 554; PrizerF, 12 (“viniziana”); FallowsLG, 255; HaarCM, 51. Music ed. HaarCM, 175 ; CMM42, no. 4 (Cord); LuisiLG, ii, 266 (Cord); ThibaultM, p. 17 (Cord), & lxxxvi (SevP). Alternate cc. = ‘Guerriera mia’. Text ed.Wiese, 79 (‘Perla mia cara, ay dolce amore’). The text of Cord adapts and alters Giustinian’s text, while P4379 is more faithful to it; ThibaultM, lxxxv-lxxxvi.

Music Sources: 
Cantasi Come Sources: 

Peregrinando vo per mio destino Str

Poet: 

Serafino Aquilano

Language: 

it

Lauda: 

Jesù dolce mio sposo-b
4:7

Lauda Poet: 

Jacopone da Todi

Notes: 

note: see CattinG, xxv; CattinNF, 203; CattinNR, 250. Critical ed. of music with Aquilano’s text in G. La Face Bianconi and A. Rossi, eds., Le rime di Serafino Aquilano in musica, Firenze, Olschki 1999, pp. 255-9, 143-5. The other cc. for this lauda is Aquilano’s ‘Lontan pur me convien’, another strambotto from north Italian sources; BL.Eg3051 derives from Medici circles in Rome sometime just after 1500, and is a repository of music some of it north Italian that made its way to Florence, so it is conceivable that ‘Jesù dolce’ and its singing models came to Florence by the same route.

Music Sources: 
Cantasi Come Sources: 

Perché son io si bella

Language: 

it

Lauda: 

Laudate il sommo Dio
BaMn (xX ABABbX)

Notes: 

note: ‘Laudate’ in Pal117 & Gall2 without cc., but probably a modo proprio, since it serves as a cc. for other laude in both sources. On this lauda, see CummingsP, 143-7 (texts of Belcari’s ‘Cristo ver’ and its cc. ‘Laudate il sommo Dio’ ed. 145, music on 146-7 w/ text of ‘Laudate’). The text and music of ‘Laudate’ are called for in Belcari’s sacra rappresentazione, the Festa di San Felice; according to BecheriniSR, 201, the lauda was also sung in the Rappresentazione dell’Annunciazione attributed to Belcari. Music w/Belcari’s text ed. Mancuso, 416-20. The secular text, ‘Perchè son io si bella’, that serves as a cc. for ‘Laudate il sommo Dio’, may be the original text for the music preserved in Razzi.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--u Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Orate alme divote con virtute-a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to convent of Santa Chiara.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--t Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Ogn’un con divozione e puro-c
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to ‘Messer Jacopo Bonuani, canonico di Sancta Marie del Fiore’; lauda re. ‘venerando pastore San Zenobi’.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--s Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

O sacrasanta e lampeggiante stella BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: Gall4 gives only ‘Perché’ as cc, but ‘Perché l’amor di Dio’ served several d’Albizo laude as a cc. in Gall2 & related sources. LA424: lauda ‘mandata a ser Firenze prete in orto sanmichele (Orsanmichele)’.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--r Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

O infinita carità di Dio-a
BaMn?:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to Fra Domenico Ricci in Santa Maria Novella

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--q Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

O gloriosi in cielo, angeli e santi-c BaMn?:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: LA424--’mandata alle monache delle murate’.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--p Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Laudiam tutti umilmente con fer- vore--a BaMn2/8:11 (xx abababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to Jacopo di Luigi de’ Morsi; lauda re. Santo Igniatio

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--o Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Laudiam San Giorgio cavalier possente--a BaMn:11 (xx ababbcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to Compagnia di San Giorgio.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--n Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Laudiam con divozione quel nome-b BaG:11 (xyyx ababbccx)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to Mona Lucrezia de’ Medici.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--m Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

La carità ch’ ebbe San Martino--a
BaMn:11 (XX ABABCC)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to ‘monache di San Martino’.

Music Sources: 
Cantasi Come Sources: 

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