Database

Oimè, oimè questo misero CapQ:7/6 (ABBx CBBx DBBx..)

Language: 

it

Lauda: 

Jesù, Jesù ogni mie ben se’ tu
BaMn2/4 (XY abbx cddx...)

Notes: 

note: cc may be same as B. Landini’s ‘Oimè, oimè quanto misero se’ (under this title and modo proprio), with music in Rz1563; ed. Mancuso, 549-55. Lauda in Pal169 is probably a corruption version of the ‘Jesù, Jesù ogni mio ben sei’ in M365 with a form (Qr:7/6 ABBx CDDx...) much closer to that of the cc. given here. LA766 preserves incipit identical to that of Pal169, with cc. ‘Home home.’

Music Sources: 
Rz1563 (a2)?
Cantasi Come Sources: 
LA766
Pal169

Oimè, oimè quanto misero se CapQ:7/6 (ABBx CBBx DBBx...)

Poet: 

Bonifazio Landini

Language: 

it

Lauda: 

E’ll’ardera, l’abrucera-a
CapQ:7/6 (AAAx BBBx...)

Notes: 

note: Carboni-ZiinoLM,282. Music & text of cc. ed. Mancuso, 549-55. See ‘Oimè’ as modo proprio. In Ferr84, alternate cc.= ‘Tambur, tambur’ (cancelled), with music for single part in BR337. The a2 music in Rz1563 for Landini’s text is, in fact, the music for the soprano and tenor parts of ‘Tambur, tambur’ as preserved in M121 (the a4 version in CortP differs in texture, though is based on the same borrowed popular melody); see BlackburnTCS,134-8 (M121 version ed. 154--5); this confirms the direct cc. link between ‘Tambur’ and ‘E’ll’ardera’ entered (though cancelled) in Ferr84.

Music Sources: 
Rz1563 (a2) BR337
M121
CortP
Cantasi Come Sources: 
Ferr84
M365 [Pal169
RC395]

Oimè, oimè dove è il bel viso-b Mad (aBCBCDeeFF)

Language: 

it-mad

Composer: 

Jacob Arcadelt

Lauda: 

Oimè, oimè, dove è il tuo figlio
Mad:11/7/5 (ABAaBCcbccDD)

Lauda Poet: 

Tholosano

Notes: 

note: Rs424 designates cc. as ‘il madrigale’.

Music Sources: 
1539/22
Cantasi Come Sources: 
Rs424

Oimè, oimè dove è il bel viso-a Mad (aBCBCDeeFF)

Language: 

it-mad

Composer: 

Jacob Arcadelt

Lauda: 

Oimè, oimè, dove è il mio core
Mad (ABABCDddEE)

Lauda Poet: 

Fra Hilario
Buoninsegni

Notes: 

note: Fenlon/HaarIM, 173 (concordant sources). Alternate incipit for Arcadelt’s madrigal is ‘Ahimè, dov’è il bel viso’; Lincoln, 27. Music ed. SeayJA, i, no. 1.

Music Sources: 
1539/22
Cantasi Come Sources: 
M365

Oimè, lasso, oimè, oimè-g BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

S’i’ t’aspetto in su la croce
BaG:8 (xyyx ababbyyx)

Music Sources: 
Ferr84
Anim1563
Cantasi Come Sources: 
RC395

Oimè, lasso, oimè, oimè-f BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Oimè che giorn’ è questo
BaG:8 (xyyx ababbyyx)

Music Sources: 
Ferr84
Anim1563
Cantasi Come Sources: 
RC395

Oimè, lasso, oimè, oimè-e BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Ogni giorno tu mi di-c
BaG:7 (xyyx ababbyyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 212; RostirollaB, 730-1. Cf. musical settings of ‘Oimè, lasso, oimè, oimè’. RC395 also lists ‘Ogni giorno’ as cc. for ‘Oimè’! See ‘Ogni giorno’ as cc.for musical settings of this text.

Music Sources: 
Ferr84
Anim1563 Rz1563 (a2)
Ferr84
Anim1563
Cantasi Come Sources: 
RC395

Oimè, lasso, oimè, oimè-d BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Occhi miei di lagrimare/non restate-c Ba4/6 (xyyx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: See ‘Occhi miei’ as modo proprio and as cc. CattinCC, 212-13. Variant incipit: ‘Occhi mia, de lacrimare’.

Music Sources: 
Ferr84
Anim1563 BL.Eg3051
M121
Cantasi Come Sources: 
Ferr84

Oimè, lasso, oimè, oimè-c BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Cor maligno pien di fraude-b
BaG:8 (xyyx ababbcyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: Rz1563 music for ‘Cor maligno’ differs from that of ‘Oimè lasso’ in Ferr84.

Music Sources: 
Ferr84
Anim1563
Rz1563
Cantasi Come Sources: 
Ferr84

Oimè, lasso, oimè, oimè-b BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Cominciam Cristo a laudare-d
BaG4/6:8 (xyyx ababbx)

Notes: 

note: Carboni-ZiinoLM, 282. Cc. cancelled in Ferr84; alternate cc = ‘Benedetta sia quell’ora’. In M365, cc for ‘Cominciamo’ = ‘Occhi miei de lagrimare’ (a4 in BL.Eg3051).

Music Sources: 
Ferr84
Anim1563
Cantasi Come Sources: 
Ferr84

Oimè, lasso, oimè, oimè-a BaG:8 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

A te, virgo, ogn’or clamavi-b
BaG4/6:8

Lauda Poet: 

Bernardo
Giambullari

Notes: 

note: CattinCC, 205, 212; RostirollaB, 731-2; Carboni-ZiinoLM, 279, 289, 302, with melody ed. twice at 318, for both ‘Oimè lasso’ and ‘Occhi miei di lacrimare’ (w/music a4 in BM.Eg3051). Different music for ‘Oimè lasso’ ed. in CattinCC, 226-7, with link to secular cc. (frottola) ‘A la fe’ che la tua fe’ (M365, RC395, Ferr84; music in BR230). Cc. indication cancelled in Ferr84. See ‘Oimè, lasso’ as a lauda with several cc. models, as well.

Music Sources: 
Ferr84
Anim1563
Cantasi Come Sources: 
Ferr84

Ogni uom faccia per sé-c BaMn:5/10 (xX ABABbx)

Poet: 

Niccolò
Soldanieri

Language: 

it

Composer: 

Niccolò da Perugia

Lauda: 

Ogni uom con pura fe’
BaMn (xX ABABbX)

Notes: 

Note: = CattinSq, 250; WilsonSC, 74; Diederichs, 61. Rubric in R2224, ‘Cantasi come quella che dice Ogni huom faccia per se /chi non piu d’altrui c’altri di me’, which alludes more clearly to Soldanieri’s text than the rubric in Ch266: ‘va chome quella chanzona chew dice: Ongni uom faccia per sé, ch’i’ fo per me’, which also includes the alternate incipit ‘Ognium faccia per sé’.

Music Sources: 
Sq
Lo
Pit
Cantasi Come Sources: 
Ch266
R2224

Ogni uom faccia per sé-b BaMn:5/10 (xX ABABbx)

Poet: 

Niccolò Soldanieri

Language: 

it

Composer: 

Niccolò da Perugia

Lauda: 

O peccatore perché non servi
BaMn (xX ABABbX)

Lauda Poet: 

Vanni di Martino

Notes: 

note: in Ch266, ‘O peccatore’ designated as ‘fatta da Vanni [di Martino]’; on the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Sq
Lo
Pit
Cantasi Come Sources: 
Ch266 [Gall3]

Ogni uom faccia per sé-a BaMn:5/10 (xX ABABbx)

Poet: 

Niccolò Soldanieri

Language: 

it

Composer: 

Niccolò da Perugia

Lauda: 

O Jesù Cristo, padre e salvatore-a
Str:11

Notes: 

note: music & text of cc. ed. PMFC8, 107-8. Variant incipit = ‘Ciascun faccia per se’, according to CattinSq, 250 where the cc.link cannot be verified in the sources (nor are the poetic forms compatible); Cattin cites R2224, 18v, but here the cc. for ‘O Jesù Cristo’ is ‘Partiti messere’, whereas ‘Ogni huom faccia’ is the cc. for ‘Ogni huom con pura fe’ on the same folio of this source. ‘O Jesù Cristo’ is transmitted in Ch266, but without a cc. WilsonSC, 74. In CattinSq, the music is ascribed to Paolo Tenorista & the text to Niccolò Soldanieri, whereas in PMFC8, 107 & 206, the music is attributed to Niccolò da Perugia and the text is considered to be anonyomous. The cc. poem appears in Giovanni Sercambi’s Novelliere (ca.1400); see CilibertiP, 13-15, where the cc. poem is attributed to Antonio Pucci.

Music Sources: 
Sq
Lo
Pit
Cantasi Come Sources: 
[R2224]

Ogni piacere [i’o amando te] Qr:11 (abba acca adda)

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Col cor devoto el tuo nome chiamiamo Qr:11 (abba acca...)

Notes: 

note: see ‘Ogni piacere’ as lauda w/cc. = ‘Mon seul plaisir’ & ‘Madre che festi’

Music Sources: 
Cantasi Come Sources: 
R2896

Ogni giorno tu mi di-f BaG:7 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it-carn?

Lauda: 

Oimè, lasso, oimè, oimè-c
BaG:7 (xyyx ababbyyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC,212. Alternate cc. = ‘A la fe’ che la tua fe’. See ‘Oimè, lasso, oimè’ as cc. and modo proprio with settings in Ferr84 & [BL.Eg3051]. RC395 also lists ‘Oimè’ as cc. for ‘Ogni giorno’!

Music Sources: 
Rz1563 (a2)
Ferr84
Anim1563
Cantasi Come Sources: 
RC395

Ogni giorno tu mi di-e BaG:7 (xyyx ababbyyx)

Poet: 

Castellano Castellani

Language: 

it-carn?

Lauda: 

Ogni giorno io t’amo più
BaG:7 (xyyx ababbyyx)

Lauda Poet: 

Serafino Razzi

Notes: 

note: lauda re. St. Catherine, martyr

Music Sources: 
Rz1563 (a2)
Ferr84
Anim1563
Cantasi Come Sources: 
M365
Rz1563

Ogni giorno tu mi di-d BaG:7 (xyyx ababbyy)

Poet: 

Castellano Castellani

Language: 

it-carn?

Lauda: 

Non fu mai più dolce amore-b
BaMn:8 (xx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC,194; alternate cc. = the carnival song ‘Franza è Franza [Franza, Franza, viva Franza] (Gall4). Lauda re. Passion/crucifixion; see MaceyB,55. Music (Rz1563) ed. Mancuso, 493-6; MaceyS,42-4 with texts of ‘Non fu mai...dolce amor’, Benivieni’s ‘Non fu mai el più bel solazzo’, & ‘Franza, Franza’.

Music Sources: 
Rz1563 (a2)
Ferr84
Anim1563
Cantasi Come Sources: 
Pal169

Ogni giorno tu mi di-c BaG:7 (xyyx ababbccx)

Poet: 

Castellano Castellani

Language: 

it-carn?

Lauda: 

Non fu mai el più bel solazzo
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Girolamo Benivieni

Notes: 

note: RostirollaB, 724; D’AnconaPP, 57--8 (re. lauda text). Music (Rz1563) ed. in MaceyS, 42-4 with texts of ‘Non fu mai...dolce amor’, Benivieni’s ‘Non fu mai el più bel solazzo’, & ‘Franza, Franza’. See MaceyS,225, where he proposes the cc. link based on an interrated chain of cc. links involving the above laude & carnival song. Benivieni’s lauda is also the poetic model for ‘Non fu mai più bel convito/lieto dolce, e dilettoso’ in M365, which suggests a musical link for this anonymous lauda.

Music Sources: 
Rz1563 (a2)
Ferr84
Anim1563
Cantasi Come Sources: 
[MaceyS
225]

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