Database

note: See ‘Giovanetti’ as cc. According to CattinCC,215, ‘Giovanetti’ is parody of the Canzona delle vedove e de’ medici’ (‘Deh, maestri, con fervore)

note: alternate cc. for ‘Deh sappiatevi...da cattive compagnie’ = ‘Deh sappiatevi guardare O garzon di non tor moglie’; see also ‘Sappiatevi guardare’

note: related to settings of ‘Ora mai che fora son’ (see as cc.). Variant arr. of ‘Ora mai’ melody transmitted in Rz1563 with above lauda text; ed. WilsonHM (all 4 versions of ‘Ora mai’ melodic settings); Mancuso, 361-4. See also CattinNR,224-6.

note: FallowsCat, 523-4; CarboniE, 458; CattinS,272-6; WilsonHM re. complex of ‘Ora mai’ songs & texts; CattinNR,224-6. Music ed. in WilsonHM (all); CMM88, no. 53, HanenE, no. 80, and AtlasN, 220 (EscB); CattinS,279-81 (CB & EscB, and facs. of CB). All music sources except EscB transmit Belcari’s lauda text, ‘Ora mai sono in età’. Alternate cc. for ‘Mondo ne non harai’ = ‘Ora mai sono in età’ & ‘Giovanetti con fervore’. The line lengths of the stanzas of ‘Mondo me non harai tu’ (8/8/8/8/8/8/8/7) match those of the related, ‘Hora mai’ complex of youth laude, but the line lengths of the refrain (7/11/11/7) do not. The neapolitan cc. is discussed in the context of a 1465 wedding in Siena when ‘Ora mai che fora son’ accompanied dancing; see E. Southern, A Prima Ballerina of the Fifteenth Century, in «Music and Context: Essays for John M. Ward», ed. A. Shapiro, Cambridge, Harvard Univ. Press 1985, 183-97.

note: Music à4 for ‘Cantar vorrei’ in Q21. Music of EscB (‘Ora gridar’) ed. LuisiLG,ii,276 w/lauda text.

note: see FallowsCat, 522-3 (under variant spelling ‘Hora’); SchavranP, 262-8; CarboniE, 446-7; CattinR, no.94; CattinNR, 226-7. Music ed. ThibaultM (Cord); CMM88, no.58/HanenE, no. 78/ LuisiLG, ii, 276 (EscB); PerkinsM, ii, no.52 (Mel, w/facs., also to be found in JeppesenF, ii, pl.62); SchavranP, ii, p. 29 (Pav362; facs. in LuisiLG, ii, pl.10), ReidemeisterC, no.139 (BerK).

note: print sources (Gall3,Pal120,R196) read ‘Vergine sacra, graziosa e bella’.

note: Cc. text transmitted in BNF, Palatino 213, fol. 120v, where it appears to be a BaMn missing its refrain. It is considered to be among the authentic secular works of Giustinian; BillanovichP, 242; ed. Wiese, 249-52.

note: WilsonSC, 75. Cc. in M130 = ‘Oretta, anima mia, per costei rinvenuta’. Music ed. PMFC4, no.17; lauda text ed. VaraniniRS, 30, 177f.