Database

Perché l’amor di Dio tanto mi tira--l Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Divotamente sia sempre laudata
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. St. Agata. In LA424--sent to ‘monache di Sancta Agata’

Music Sources: 

Perché l’amor di Dio tanto mi tira--k Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Divotamente il gran dottor--a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. Sancto Ambrogio. In LA424, sent to ‘monache di Santo Ambrogio’

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--j Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuole in terra fare del cielo-a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: cc. & lauda attr. to d’Albizo in CS1544 & Gall2 (no cc.)

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--i Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuol nel divin regnia al fin-a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to ‘monache di Sancta Vergine diana’.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--h Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuol gustare il ben del ciel--a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to the ‘Maestro Gabriello in Santa Maria Novella’

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--g Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuol grazia nel ciel del
fallir-a BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to the ‘monache di San Piero Maggiore’ (d’Albizo’s family church).

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--f Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuol aver da Dio-a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to Messer Lorenzo, prete in Santo Tommaso.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--e Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi vuol andar per santa e retta via-a BaMn:11 (xx ababcc)

Music Sources: 

Perché l’amor di Dio tanto mi tira--d Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Chi dell’ inferno vuol fuggir
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. Mary Magdalen. In LA424, sent to ‘Don Ghido [Guido] monaco in cestello [San Frediano in Cestello?].

Music Sources: 

Perché l’amor di Dio tanto mi tira--c Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Anime che salute aver volete--a
BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to ‘Jacopo di Piero Berardi’; lauda re. Santo Jacopo minore.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--b Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Alme divote che le laude udite-a
BaMn:11 (xx ababbcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424--lauda sent to Antonio di Giovanni Spini; re. Santo Antonio abbate. ‘Alme divote’ transmitted in Gall2 without cc.

Music Sources: 
Cantasi Come Sources: 

Perché l’amor di Dio tanto mi tira--a Str:11

Poet: 

Francesco d’Albizo

Language: 

it

Lauda: 

Adoriam tutti con somma virtu- te-a BaMn:11 (xx ababcc)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, ‘della sanctissima croce’; sent to Maestro Bernardino frate in Sancta Croce.

Music Sources: 

Perchè al viso d’amor Mad:11 (aba cbc dede)

Poet: 

Petrarch

Language: 

it-mad

Composer: 

S. Festa/
J. Arcadelt, et al.

Lauda: 

Già dell’ amor di Dio portavo
Mad:11 (aba cbc dede)

Notes: 

note: CattinNR, 267; RubsamenLS, 35; HaarCM, 70, 96. Music ed. RubsamenLS, 66-8; SeayJA, vii, no. 6. Lincoln, 870-1 lists 5 settings in 16thc. prints attributed to: Arcadelt (1540/18, 1549/32), Lupacchino, Monte, Palestrina, & Spalenza, but Festa’s earlier setting in a Florentine source (M164-7; found also in Q21 & 1521/6) is the most likely cc. candidate.

Cantasi Come Sources: 

Per un verde boschetto BaMn (xX aBaBbX)

Language: 

it

Composer: 

Bartolino da Padova

Lauda: 

Seguita all’arma d’un gentil bracchetto 7 (AbCbAcA)

Notes: 

note: CattinSq, 251, where he lists the lauda as ‘Seguite per via d’un gentil bracchetto; WilsonSC, 75; Diederichs, 58-9. Music ed. in PMFC9, nos. 23a-b (versions a2 & a3). The first line of the lauda is closely modeled on the second line of the secular ballata (‘Seguito l’orma d’un gentil brachetto’), and formally lines 1-7 of the lauda match closely lines 2-8 of the cc. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 25; see CilibertiP, 23-34, and NàdasCR.

Music Sources: 
Cantasi Come Sources: 

Per non trovar la più sicura fede BaG (XyyX ABABbCcX)

Poet: 

[Giovam-
Battista dell’
Ottonaio]

Language: 

it-carn

Composer: 

Giovanni Serragli

Lauda: 

Per non trovar il più sicuro amore
BaG (XyyX ABABbCcX)

Lauda Poet: 

G.B. dell’
Ottonaio

Notes: 

note: cc = carnival song, the ‘Canzona de’ Giudei battezzati’. CattinR, 14; CattinNR, 259. Music of cc. ed. D’AcconeMFR, ii, no.26; text ed. SingletonCC, 294. Cattin proposes G.B. Ottonaio as author of both texts; he was the last herald of the Signoria, and son of Cristofano Ottonaio.

Music Sources: 
Cantasi Come Sources: 

Per me l’ora è venuta BaG (xYyX AbAbbCcX)

Language: 

it

Lauda: 

O benigno Signore-b
BaG (xYyX AbAbbCcX)

Lauda Poet: 

Antonio di
Guido

Notes: 

note: see modo proprio for ‘Deh dolce redentor’ as possible source of music for ‘O benigno’. Cc. text is transmitted in RA2435, pp. 132-3, ‘Per me l’ora è venuta/che senza te gentil donna rimango/la notte, el giorno piango/considerando al ben, ch’io t’ò voluto’.

Music Sources: 
Cantasi Come Sources: 

Per l’umiltà che’n te Maria trovai BaMn:11

Language: 

it

Lauda: 

Contemplate or, cristiani

Notes: 

note: see same cc. as lauda with modo proprio. Cc. text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

Per grazia pellegrini

Language: 

it

Lauda: 

Per grazia a te Maria tutti vegniamo BaG4/9 (XYyX AbABbCDEX)

Music Sources: 
Cantasi Come Sources: 

Per crudel donna vo strugendo ‘l core

Language: 

it

Lauda: 

A te ritorna piangendo o Signore
CapQ (AabA AabA)

Notes: 

note: LuisiLG, i, 232 erroneously indicates ‘Creature la plus belle’ and ‘Cosa crudel’ as cc. for ‘A te ritorna’. Ch266 calls cc. a ballata.

Music Sources: 
Cantasi Come Sources: 

Per allegrezza del parlar d’amore-b BaG (XYyX ABABBCcX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Per l’allegrezza del nostro
Signore BaG (XYyX ABABBCcX)

Lauda Poet: 

Angelo da Camerino

Notes: 

note: see CattinSq, 250; WilsonSC, 7; Diederichs, 71, 291-3, where music & both texts are edited. The lauda text is found in 14thc. laudarios, like BML, Ashburnham 423, vol. 132r (where there is an attribution to Maestro Agnolo di Santo Spirito), and in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

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