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Quanto più penso amore/alla tua nobiltà-a

Language:

Lauda:

Quanto più penso, o Dio
BaG4/10:6/7 (XyXy
ABcABcCddy)

Lauda Poet:

Feo Belcari

Notes:

note: RostirollaB, 744-5. ‘Quanto piu penso Dio’ (& ‘Arai tu mai piatà) = cc. for ‘Volgi li occhi tuoi in qua’ (Ch266)

Music Sources:

Anim1563

Cantasi Come Sources:

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Quanto più penso amore alla tua nobiltà-b

Language:

Lauda:

Vivo per te Signor col cor sincero-c BaMn:11

Lauda Poet:

Feo Belcari?

Music Sources:

Anim1563

Cantasi Come Sources:

CorsC33

Read more about Quanto più penso amore alla tua nobiltà-b

Quanto più gli occhi mei Str

Language:

Lauda:

Quanto più gli occhi mia versono in pianto-a Str:11

Lauda Poet:

Feo Belcari

Notes:

note: FallowsCat, 557. 3-part setting in MC ed. PopeM, 313, with commentary on 608.

Music Sources:

Cantasi Come Sources:

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Quanti martir verginegli

Language:

it-carn?

Lauda:

Noi siam tutti peccatori-b
BaMn:8/9 (xx ababba)

Notes:

note: GhisiCC, 90 lists both as travestimenti spirituali of the probable carnival song, ‘Agli uccelli, donne’.

Music Sources:

Cantasi Come Sources:

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Quant’è grande la bellezza-b BaG:8 (xyyx ababbccx)

Poet:

Lorenzo de’ Medici

Language:

Lauda:

Tanta et grand’è la bellezza
BaG4/6:8 (xyyx ababby)

Music Sources:

Rz1563(a3)

RC395 (CT)

BR230 (TB only)

Cantasi Come Sources:

A160

Read more about Quant’è grande la bellezza-b BaG:8 (xyyx ababbccx)

Quant’è grande la bellezza-a BaG:8 (xyyx ababbccx)

Poet:

Lorenzo de’ Medici

Language:

Lauda:

Quanto è grande la dolcezza
BaG:8 (xyyx ababbccx)

Lauda Poet:

Bernardo
Giambullari

Notes:

note: MaceyB, 38-40 (text & trans. + secular model for Lorenzo’s lauda, his carnival song ‘Quant’è bella giovinezza’, the Trionfo di Bacco, for the carnival of 1490); RubsamenQ, 163-84; OsthoffT, i, 114-18. Music ed. GallucciFFM, 6-7; OsthoffT, ii, 155-6 (both from Rz1563, but fitted with carnival song text); Mancuso, 304-10 (Rz1563); RubsamenQ, 181-2. Gall3 lists cc. for Lorenzo’s lauda as the ‘Canzona del forese’ (‘Lasse in questo carnasciale’), but the more likely poetic model is Lorenzo’s own secular carnival song. Though Gall4 lacks a cc indication, the close modelling of Giambullari’s lauda upon Lorenzo’s suggest that the former was sung like the latter. Lorenzo’s lauda is ed. in ToscaniL, 84-7. According to BecheriniSR, 208, Giambullari’s lauda was sung in Rappresentazione di Costantino Imperatore, San Silvestro Papa by the mothers celebrating Constantine’s rescue of the their children from sacrifice on pagan altars.

Music Sources:

Rz1563(a3)

RC395 (CT)

BR230 (TB only)

Cantasi Come Sources:

[Gall4]

Read more about Quant’è grande la bellezza-a BaG:8 (xyyx ababbccx)

Quant’è bella giovinezza--see Quant’è grande la bellezza

Language:

it-carn

Music Sources:

Cantasi Come Sources:

Read more about Quant’è bella giovinezza--see Quant’è grande la bellezza

Quant’è bella giovinezza BaG:8 (xyyx ababbccx)

Poet:

Lorenzo de’ Medici

Language:

it-carn

Lauda:

Quant’è grande la bellezza-c
BaG:8 (xyyx ababbyyx)

Lauda Poet:

Lorenzo de’ Medici

Notes:

note: there is no cc. source that specifies Lorenzo’s carnival song a singing model for his lauda, but RC395 transmits the music as well as the cc. indication for a ‘modo proprio’ for his lauda; this can only refer to his carnival song, which is clearly the model for his lauda. Carnival song text ed. OrvietoCC, 80-82. Music ed. with carnival song text in RubsamenQ, 181-2, and GallucciFFM, 6-7. BR230, fol. 150r, transmits untexted T & B parts of ‘Quant’è bella’ (folio with texted cantus part missing from codex).

Music Sources:

Rz1563

RC395

BR230

Cantasi Come Sources:

[see note]

Read more about Quant’è bella giovinezza BaG:8 (xyyx ababbccx)

Quando tornate su nel cielo ad Dio

Language:

Lauda:

Ascolta il parlar mio, figliuol-b
BaMn:11

Lauda Poet:

Feo Belcari

Music Sources:

Cantasi Come Sources:

LA480

Read more about Quando tornate su nel cielo ad Dio

Quando ti sguardo in croce, Signor mio BaMz (XyX ABABBcX)

Language:

Lauda:

Quando riguardo el nostro viver rio BaMz (XyX ABABBcX)

Notes:

note: Music & text of cc. ed. Mancuso, 752-7. ‘Quando riguardo’ re. St. Sebastian. Text of ‘Quando ti sguardo’ in Gall3 without a cc., and in R2929, which was copied by 1448. Cc. text in Gall3.

Music Sources:

Rz1563 (a3)

Cantasi Come Sources:

Read more about Quando ti sguardo in croce, Signor mio BaMz (XyX ABABBcX)

Quando ripens’ a’ miei mal Qr: 7/11 (ABbB ABbB...)

Language:

Lauda:

S’ i’ pensassi a’ piacer del para- diso-d BaMz (XyX AbAbBcX)

Lauda Poet:

Feo Belcari

Notes:

note: RostirollaLC, 711-12, 844 (‘S’ i’ pensassi’); 797-8, 842 (‘Quando ripens’).

Music Sources:

1583/4

Como1596 Rz1563

Cantasi Come Sources:

Como1596

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Quando penso al martire

Language:

Lauda:

Quando penso alla fine
CapQ (AaBb CcDd)

Lauda Poet:

suor Tomasa Martelli

Music Sources:

Cantasi Come Sources:

R2988

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Quando madonna io vengo-b Str:11

Poet:

P. Sasso

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Vergin dal mondo per divin consiglio Str:11

Notes:

note: MaceyFS, app. 3, lists another, apparently sacred, madrigal title associated with Verdelot and the above two texts, ‘Quando Maria io vengo a contemplarti.’

Music Sources:

Bas2495

1537/11

Cantasi Come Sources:

M365

Read more about Quando madonna io vengo-b Str:11

Quando madonna io vengo-a Str:11

Poet:

P. Sasso

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Chi sarà mai s’ingrato peccatore
Str:11

Notes:

note: Lincoln, 692; H Colin Slim, ‘An Iconographical Echo of the Unwritten Tradition in a Verdelot Madrigal,’ «Studi Musicali», XVII (1988), 3-54; Verdelot’s madrigal is discussed throughout the article, and ed. on 52-4, as well as in OwensSM, xxx, 22-25.

Music Sources:

Bas2495

1537/11

Cantasi Come Sources:

M365

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Quando le spalle mia-b Str?

Language:

Lauda:

Quando la membra mia l’ultima volta Str:11

Lauda Poet:

Feo Belcari

Music Sources:

Cantasi Come Sources:

Read more about Quando le spalle mia-b Str?

Quando le spalle mia-a Str?

Language:

Lauda:

Noi ti laudiam, Jesù-a
BaMn:11 (xx ababcc)

Lauda Poet:

Francesco d’Albizo

Music Sources:

Cantasi Come Sources:

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Quando Isaac ascende il monte [Str:11]

Language:

Lauda:

Tutto se’ dolce, Iddio, Signore eterno-b Str:11

Lauda Poet:

Belcari

Notes:

note: See CattinS, 271-3. Cc. refers to Belcari’s Rappresentazione d’Abramo e Isacco, 1449, and alternate cc. of ‘ballo’ & ‘gli strambotti’ may be part of a single cc. indication, and may refer to one of the melodic formulas used to recite Florentine strambotti. The lines appear in the play at the moment when Isaac descends from (not ascends) the mountain (lines 393-408 in Belcari’s play).

Music Sources:

Cantasi Come Sources: