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Database

Se gustiamo ‘l van diletto-a BaG:8 (xyyx ababbccx)

Language: 

it

Lauda: 

Deh, udite grand’errore
BaG:8

Notes: 

note: see cc. as a lauda with cc. models, in Ch266 and Gall4 & related sources. Cc. text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 
Ch266

Se gli occhi son contenti e consolati Str:11

Poet: 

Poliziano?

Language: 

it-frot

Lauda: 

Se ‘l corpo ne’ piaceri è consolato Str:11

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 559 (where he notes that the attribution of the cc. to Poliziano is no longer tenable); La Face/BianconiGS, 189. Music of cc. not extant, but of the many text sources most appear to be of Florentine provenance. The cc. text was also recorded in BML, Antinori 158, a Florentine collection of poesia per music dating from ca. 1505-8; see PrizerWC.

Music Sources: 
ModF.9.9 (index only)
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Se Dio o ragione de non mi far torto BaMn:11

Language: 

it

Lauda: 

Croce de’ peccatori vero con- forto BaMn:11 (xx abaccx)

Notes: 

note: rubric in R2224 reads, ‘cantasi a modo di quello che dice ‘Se dio o ragione de nomi far torto/uccidimi costei che mi vuol morto’. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 
R2224

Se del signor che nella quinta luce Mad?

Language: 

it

Lauda: 

Maria al tuo figlio ch’ è ’l pietoso duce MadT:11 (aba cdc dd)

Notes: 

note: rubric in Ch266 reads, ‘Apresso segh[u]ita una orazione a nostra donna chessi canta per ragione com’ uno madriale il quale comincia Se del signor che ella quinta lucie’ (fol. 291v).

Music Sources: 
Cantasi Come Sources: 
Ch266

Se ben or non scopro el foco BaG4/6:8 (xyyx cdcddx)

Language: 

it-frot

Composer: 

Bartolomeo
Trombon- cino

Lauda: 

L’orazione è sempre buona-e
BaMn:8 (xx ababbx)

Lauda Poet: 

Feo Belcari

Notes: 

note: CattinNF, 204-5. The 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’) is a contrafactum of this well-known Tromboncino frottola, which is ed. & discussed in PerkinsMAR, 407-9; JeppesenF, iii, 249-50; text ed. 152 (Triv55). Music also ed. in CesariLF, 16 (text in appendix, p. 8).

Music Sources: 
BR230
Triv55
Q18
BL.Eg3051
Panc27
PetF/i Grey
Anim1563
Cantasi Come Sources: 
Grey

Se bem soletto vado Str

Language: 

it-frot

Lauda: 

Jesù quando contemplo il tuo dolore Str:11

Notes: 

note: M121 = ‘Se bem soletto vado’ (a4); see BlackburnTCS, 125, 171-2. Appears in PetrucciF/v, f.17 with text ‘Ben che soletto vado’, and in BL.Eg3051 with text of Serafino’s strambotto, ‘Io mando ognora al ciel’.

Music Sources: 
M121
SG463 (a2)
PetF/v BL.Eg3051
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Saria pur tempo ormai Mad

Language: 

it-mad

Composer: 

C. Festa/
Arcadelt

Lauda: 

Donna del ciel pietosa madre
Mad (ABBcDcDdEE)

Notes: 

note: Fenlon/HaarIM, 152 for concordant sources, and attrib. to Festa, though it cannot be found among the edited complete works of either composer.

Music Sources: 
Brus
M99-102
1539/6
Cantasi Come Sources: 
M365

S’io t’ò fallito, donna, mi dispiace-d BaMn:11

Language: 

it

Lauda: 

S’io t’ ò fallito, Jesù, e mi dispiace BaMn:11

Music Sources: 
Cantasi Come Sources: 
Ch266 [Gall3]
Pal120
R196

S’io t’ò fallito, donna, mi dispiace-c BaMn:11

Language: 

it

Lauda: 

O splendente amor di paradiso-b
BaMn:11 (xx ababbx)

Music Sources: 
Cantasi Come Sources: 
CorsC33

S’io t’ò fallito, donna, mi dispiace-b BaMn:11

Language: 

it

Lauda: 

O corpo sacro del nostro Signore-d BaMn:11

Notes: 

note: cc. differs from the Landini ballata, ‘Donna, s’i t’o fallito o d’altr’amor’. The text is ed. in CarducciCBSM, 149-50.

Music Sources: 
see cc = ‘O vaghe ’
Cantasi Come Sources: 
M30

S’io t’ò fallito, donna, mi dispiace-a BaMn:11

Language: 

it

Lauda: 

Dì, Maria dolce con quanto disio-b BaMn:11

Lauda Poet: 

Neri Pagliaresi

Notes: 

note: inicipt in M30 is ‘O, Maria dolce...’ and is probably the same as Pagliaresi’s ‘Dì, Maria dolce, con quanto disio’. In Pagliaresi’s book (M130) the cc. for this lauda is ‘Deh, luce del mio cuor’. See VaraniniRS, 31-2, 179-81 (ed.); also ed. LuisiLG, i, 385-7. The cc. text is ed. in CarducciCBSM, 149-50.

Music Sources: 
Cantasi Come Sources: 
M30 [Gall3]

S’io non dezo veder più gli occhi

Poet: 

Serafino Aquilano?

Language: 

it

Lauda: 

Discepola di Cristo, Maddalena
Qr:11 (abba cddc...)

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

S’i’ ti sono stato e voglio esser fedele BaMn:11

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Sempre laudata e benedetta sia
BaMn:11

Notes: 

note: CattinSq, 251;WilsonSC ,75. Ed. in PMF, iv, no.16; Diederichs, 63, 284.

Music Sources: 
Sq
FP
Pit
PR
Man
Cantasi Come Sources: 
Ch266

S’avesse forza sdegno quant’amore BaG4/10 (XyyX abCabCCddX)

Language: 

it

Composer: 

Bonaiuto Corsini

Lauda: 

Se vuoi saper qual è el ver amore
BaG4/10 (XyyX abCabCCddX)

Lauda Poet: 

Ruberto Benvenuti

Notes: 

note: music ed. PMFC10, pp. 80-81.

Music Sources: 
Man
Cantasi Come Sources: 
Ch266

S’alla mia trista vita

Language: 

it

Lauda: 

O madre, figlia e sposa
BaMn?2/2:7/11 (Xx aB Cc...)

Lauda Poet: 

F.M[auro]?

Notes: 

note: RostirollaB, 746-7; Lincoln, 807 (‘S’a la mia trista vita’).

Music Sources: 
1599/6 (a3)
Cantasi Come Sources: 
CS1547
CS1548

S’a le’ s’andrà le lagrime e’ sospiri-b BaG4/10 (XyyX AbCAbCCddX

Poet: 

Niccolò Tinucci

Language: 

it

Lauda: 

Se a lei s’andrà, s’a lei s’andrà
BaG4/10? (irreg.)

Notes: 

note: cc. incipit reads: ‘Salysandra salysandra’, but despite what is probably the corrupt version of the lauda text, its modelling upon Tinucci’s poem is clear: Tinucci’s refrain reads: ‘Sa le’ s’andrà le lagrime e’ sospiri/s’a le’ s’andrà ‘l mio core/piangendo il servo more/spero ch’aimpierò e miei disiri;’ while the lauda refrain reads: ‘Se a lei s’andrà, s’a lei s’andrà/humiliando’l core/alla madre del signore/spero che dempiera el buon disio’.

Music Sources: 
Cantasi Come Sources: 
M30

S’a le’ s’andrà le lagrime e’ sospiri-a BaG4/10 (XyyX AbCAbCCddX

Poet: 

Niccolò Tinucci

Language: 

it

Lauda: 

S’amar s’andrà con divoti sospiri
BaG4/10 (XyyX AbCAbCCddX)

Notes: 

note: cc. text by Florentine notary Niccolò Tinucci (1390-1444); ed. Mazzotta, Niccolò Tinucci: Rime, Bologna, Commissione per i Testi di Lingua, 1974, p. 25. The refrain of Tinucci’s poem reads: ‘Sa le’ s’andrà le lagrime e’ sospiri/s’a le’ s’andrà ‘l mio core/piangendo il servo more/spero ch’aimpierò e miei disiri.’ A rubric accompanying the poem reads: ‘ballata fatta per messer Ruberto Adimari ad instanza di Piero de’ Pazzi e per l’Alessandra di messer Palla degli Strozzi. Cc. incipit in Ch266 reads: ‘Sallessandra le lagrime e sospiri’.

Music Sources: 
Cantasi Come Sources: 
Ch266
CorsC33

S’ i’ pensassi vergine al suo parto

Language: 

it-mad?

Composer: 

Philippe Verdelot?

Lauda: 

S’ i’ pensassi al tuo parto alma Maria BaMz (XyX AbAbbcX)

Notes: 

note: incipit for cc. & lauda is ‘Chi pensassi’, both presumably modeled on Belcari’s ‘S’i’ pensassi a’ piacer’. The cc. may allude to the text & music of Verdelot’s madrigal, ‘S’io pensassi madonna che mia morte’, also a ballata, though a BaG (1533/2; Fenlon/HaarIM, 298; Lincoln, 692), or to another lauda modeled upon it.

Music Sources: 
Ferr84
Rz1563 1533/2?
Cantasi Come Sources: 
A160

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