Database

Signore a questa volta

Language: 

it

Lauda: 

Mort’ è l’anima mia-b
BaMz (xyX AbAbbcX)

Lauda Poet: 

Feo Belcari

Notes: 

note: ‘Signore a questa volta’ is the 2nd line of the poem ‘Non so perchè si sia’, a cc. for Belcari’s ‘Mort’ è l’anima mia’ and many other laude besides, and so probably does not represent a title separate from that of ‘Non so’.

Music Sources: 

Signor nostro da Pavia

Language: 

it

Lauda: 

O regina in ciel Maria/tutti-b
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: Gall4 cc = ‘A cavallo, a caval, Pavia, Pavia’. Cc. penned into Pal117 as an apparently later addition.

Music Sources: 

Signor mio ch’io vo languendo BaG:7/8 (xyxy ababbccy)

Language: 

it

Lauda: 

Jesù mio i’ ti vo caendo-b
BaG (xyyX ABABbccX)

Lauda Poet: 

Vanni di Martino

Notes: 

note: alternate cc. = ‘Giorno perche ‘n mi’ (‘fecie Vanni’). The cc. text is attr. to Jacopone da Todi in 14thc. sources, like BML, Ashburnham 423, fol. 26v.; entered into the Florentine laudario, Florence, BNF, Banco rari 19, no. 19, among many other lauda collections. In BML, Ashburnham 1072, 49r, the reading is ‘Signor mio i’ vo languendo/per te ritrovare’.

Music Sources: 
Cantasi Come Sources: 

Sie benedetto Dio del paradiso

Language: 

it

Lauda: 

Sie benedett’e ringraziato Dio
CapQ (ABbC CDdE...)

Music Sources: 
Cantasi Come Sources: 

Siccome que’ che non sapea niente

Language: 

it

Lauda: 

Vergine madre, figlia del tuo figlio BaMz (XyX ABABBCx)

Lauda Poet: 

Giustinian?

Notes: 

note: rest of lauda refrain = ‘groliosa Maria/guarda questa citta d’ogni periglio’; text of ‘Vergine madre’ ed. LuisiLG, i, 399 is a different lauda.

Music Sources: 
Cantasi Come Sources: 

Siamo stati in Fiorenza BaMn2/8:5/6/7 (xx ababbccx)

Poet: 

Bernardo Giambullari

Language: 

it-carn

Lauda: 

O anima accecata che non trovi
BaMn2/8:5/6/7 (xx ababbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: CattinR, no.119; GhisiCC, 99; MaceyB, 55, 138. Cc. is Giambullari’s carnival song, the Canzona dell’Orso, for which the refrain incipit is ‘Omè, omè, omè’, and ‘Siamo stati’ the incipit of the first strophe. The ‘Omè’ refrain recurs as well at the end of each strophe of Belcari’s lauda text (which is clearly modelled on the carnival song text), and also in the different lauda text preserved with music in Rz1563, ‘O anima accecata tu vai per mala via’, which appears to have been modelled upon Belcari’s text; ed. in Mancuso, 412-14. It is therefore quite likely that Razzi’s setting preserves something of the original music for ‘Siamo stati’. Cc. text ed. SingletonCC, 20-21, and BruscagliTCC, i, 237-8. According to a rubric in M119, this lauda ‘fece la feo balchari e ffu l’u[l[tima’; NosowB, 225 took this to mean that ‘O anima’ was among the last laude Belcari wrote before his death in 1484, but ‘O anima’ belongs to a part of M119 copied by its owner, Bruno di Nicholaio di Matteo Lachi, and bound on Oct. 15, 1481. ‘O anima’, therefore, was probably among Belcari’s most recent poems in 1481. Both carnival song and lauda share the same unusual sequence of line lengths: 6/6 7/7/7/7/7/5/5/6.

Music Sources: 

Siam galanti di Valenza-d BaG:8 (xyyx ababbccx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Viva la congregazione
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Francesco Marzocchini

Notes: 

note: carnival song: Canzona de’ Profumi or Canzona di Valenziana. Music transmitted in Rz1563 w/ text of ‘O maligno e duro core’.

Music Sources: 
Cantasi Come Sources: 

Siam galanti di Valenza-c BaG:8 (xyyx ababbccx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Siam con somma riverenza
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Bernardo Giambullari

Notes: 

note: carnival song: Canzona de’ Profumi (Profumieri) or Valenziana. Music transmitted in Rz1563 w/ text of ‘O maligno e duro core’.

Music Sources: 
Cantasi Come Sources: 

Siam galanti di Valenza-b BaG:8 (xyyx ababbccx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

O Maria Maddalena dolce amica-b
Qr:8 (abba cdcd...)

Notes: 

note: Gall4 cc = ‘e Valenziani’, almost certainly the carnival song, ‘Canzona de’ Valenziana’ or ‘de’ Profumi’. Music transmitted in BR230, & Rz1563 w/ text of ‘O maligno e duro core’.

Music Sources: 
Cantasi Come Sources: 

Siam galanti di Valenza-a BaG:8 (xyyx ababbccx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

O maligno e duro core-b
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: carnival song (mascherata): ‘Canzona de’ profumi’, or ‘Canzona di Valenziani’. Text ed. BruscagliTCC, i, 5; OrvietoCC, 62-4 (ca. 1474-78). Text attrib. to Jacopo da Bientina in some sources; see CattinNR, 261. Music ed. MaceyS, 3-8 (both texts); MaceyB, 41-4 (text,music,CD); GallucciFFM, 4-5; Mancuso, 39; ed. and discussed in PerkinsMAR, 418-21. In Ferr84, cc. for ‘O maligno’ is ‘Benedetto sia quell’ora’. Rs424 = ‘E galanti di Valenza’.

Music Sources: 

Sia benedetto el dì che’l tuo bel viso

Language: 

it

Lauda: 

Piangi e sospira, poi che tu se’-c
CapQ (ABbC CDdE...)

Lauda Poet: 

Feo Belcari

Music Sources: 

Si, si con acceso il core

Language: 

it

Lauda: 

Pietà, pietà vi prenda
6:5/6/11 (aaBccB)

Music Sources: 
Cantasi Come Sources: 

Si ho ragione amor non mi far torto BaMn:11

Language: 

it

Lauda: 

Antonio santo pretioso e accorto BaMn:11

Notes: 

note: addendum - cc. = ‘S’io ragione amor de non mi far torto’, a cc. for ‘Croce de’ peccatori vero’ in M130, and possibly in R2224 where the cc. incipit, ‘Se Dio o ragione de non mi far torto’, is either a sacred paraphrase of the secular song, or the reflection of a garbled textual tradition.

Music Sources: 
Cantasi Come Sources: 

Si fortemente son tratto d’amore-e BaMz3/9 (XxY ABABABCcY)

Poet: 

Ugo Panziera

Language: 

it

Lauda: 

Venga ciascun devoto et umil core-b BaMz3/9 (XxY ABABABCcY)

Lauda Poet: 

Feo Belcari

Notes: 

note: lauda re. St. Catherine of Siena; alternate cc. ‘O lasso a me tapino’ (in Pagliaresi ms.)

Music Sources: 
Cantasi Come Sources: 

Si fortemente son tratto d’amore-d BaMz3/9 (XxY ABABABCcY)

Poet: 

Ugo Panziera

Language: 

it

Lauda: 

Tanta pietà mi tira e tant’amore-g
BaMz3/9 (XxY ABABABCcX)

Lauda Poet: 

Feo Belcari

Music Sources: 

Si fortemente son tratto d’amore-c BaMz3/9 (XxY ABABABCcY)

Poet: 

Ugo Panziera

Language: 

it

Composer: 

[InnocentiusDammonis]

Lauda: 

O anima che’l mondo vuo’ fuggire
BaMz3/9 (XxY ABABABCcY)

Lauda Poet: 

Feo Belcari

Notes: 

note: Dammonis setting (‘Anima che del mondo vo’ fugire’) ed. LuisiLG, ii, 318-21.

Music Sources: 

Si fortemente son tratto d’amore-b BaMz3/9 (XxY ABABABCcY)

Poet: 

Ugo Panziera

Language: 

it

Lauda: 

Dolce signor Jesù infinito bene-a
BaMz3/9 (XxY ABABABCcY)

Lauda Poet: 

Feo Belcari

Music Sources: 

Si fortemente son tratto d’amore-a BaMz3/9 (XxY ABABABCcY)

Poet: 

Ugo Panziera

Language: 

it

Lauda: 

Chi si veste di me carità pura-b
BaMz (XyY ABABByY)

Lauda Poet: 

Feo Belcari

Notes: 

note: cf. ‘Ben lo sa Dio’, also a cc. for ‘Chi si veste’ (M690, Rs424), with music in Cord, Grey, Panc27, Q18. ‘Si fortemente’ in Gall3 without cc. The cc. text dates from the 14thc or earlier, and is variously attributed to Jacopone da Todi and Ugo Panziera; entered in R2929, which was copied by 1448, and BML, Ashburnham 423, which probably predates the 15thc.

Music Sources: 
Cantasi Come Sources: 

Si ch’ i’ la vo seguire Magdalena-i CapQ (abBA acCA adDA...)

Language: 

it

Composer: 

Razzi/ Layolle, Cara

Lauda: 

Svegliatevi sorelle
CapQ (abBA cdDC...)

Lauda Poet: 

suor Tomasa Martelli

Notes: 

note: lauda ‘per la sveglia’ in R2988.

Music Sources: 
Cantasi Come Sources: 

Si ch’ i’ la vo seguire Magdalena-h CapQ (abBA acCA adDA...)

Language: 

it

Composer: 

Razzi/ Layolle, Cara

Lauda: 

Si che mi piace amare
CapQ (abBA cdDC...)

Notes: 

note: lauda re. St. Catherine martyr

Music Sources: 
Cantasi Come Sources: 

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