Database

Senno mi pare è cortesia-b BaMn:8 (xx aaax bbbx...)

Poet: 

Jacopone da Todi

Language: 

it

Lauda: 

Colla mente facciam festa-a
BaMn (xy aaay bbby...)

Notes: 

note: lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

Senno mi pare è cortesia-a BaMn:8 (xx aaax bbbx...)

Poet: 

Jacopone da Todi

Language: 

it

Lauda: 

Alla pazia, alla pazia-a
BaMn:8 (xx aaax bbbx...)

Notes: 

note: cc. text entered in R2929, which was copied by 1448, but is much older, and found in pre-15thc. sources like BML, Ashburnham 423.

Music Sources: 
Cantasi Come Sources: 

Sempre perfetto

Language: 

it

Lauda: 

Sempre sei stata nostra avvocata
CapQ:5/4 (AAAb CCCd EEEf...)

Lauda Poet: 

F.M[auro]?

Music Sources: 
Cantasi Come Sources: 

Sempre nel core arò ferma speranza

Language: 

it

Lauda: 

Cristo Jesù tu se la mia speranza
CapQ (AbbA AccA AddA...)

Lauda Poet: 

Feo Belcari

Notes: 

note: in M119 cc. incipit is ‘Sempre aro nel chor .’

Music Sources: 

Sempre mi ride sta [donna]

Language: 

it-mad

Composer: 

Adrian Willaert?

Lauda: 

Mi sento amor Jesù di te ferito
Mad (ABCdEDED)

Notes: 

note: Lincoln, 732. It is possible that Willaert’s setting of this text, if not an earlier, Florentine setting, was known to the nuns who compiled R2988 in mid-16thc. Florence.

Music Sources: 
Cantasi Come Sources: 

Seigneur Leon vous soyés bien venus R5:10 (aabba)

Language: 

fr

Composer: 

Dufay

Lauda: 

Signor Jesù tu sia lo ben venuto-b
5:11 (ababa)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 357; WilsonSC, 88; CattinCI, 422-3. Music ed. CMM1/vi, no.85 (R2356); PlamenacU, 83 (Pix; facs. of Pix & BerK). Alternate text of cc. = ‘Benedictus qui venit’. Song for accession of Leonello d’Este as Marquis of Ferrara, c. 1441? (FallowsD, 62-3). Alternate cc. = ‘Pour preson’.

Music Sources: 

Seguendo la biltà che’n te dimora

Language: 

it

Lauda: 

Si grave pena el cor m’afligge ogn’ora BaG4/10 (XyyX AbCAbCCddX)

Notes: 

note: rubric in Ch266 indicates cc. = ‘una ballata’

Music Sources: 
Cantasi Come Sources: 

Se vous scaviés ma tres douce maistresse R4:10 (abba)

Language: 

fr

Composer: 

J. Cesaris/
Passet

Lauda: 

Se vuo’ gustar el dolce amor-c
Qr:11 (abba cddc...)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 370; CattinCI, 419-20 (with a comparison of edited texts). Music ed. G. Reaney, CMM11/i, 26. Ch266: ‘canzona franzese’. In most sources the incipit is ‘Se vo’ sape (savé) matre’.

Music Sources: 

Se tuo servo amor me fe’ BaG:8 (xyyx ababbyyx)

Language: 

it

Lauda: 

S’io mori in croce per te-b
BaG:8 (xyyx ababbyyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 204, where he edits both texts, and speculates that the close poetic compatibility & matching rhyme scheme of lauda and cc. suggest that the music of ‘Se tuo servo’ may be the modo proprio setting of ‘S’io mori’ called for in R196. Music ed. w/both texts in CattinCC, 224-6.

Music Sources: 
Cantasi Come Sources: 

Se poi che vi partisti

Lauda: 

O fonte di pietà, madre celeste
BaMn:11 (xx ababcc)

Notes: 

note: lauda a prayer to the Virgin for protection of the Florentine people from war, famine & disease.

Music Sources: 
Cantasi Come Sources: 

Se per durezza tu morir me fai BaMn?:11 (xx ab[abbx])

Language: 

it

Lauda: 

Se tu l’iniquità osservarai
BaMn:11

Lauda Poet: 

Neri Pagliaresi

Notes: 

note: WilsonSC, 76. Music ed. in PMFC11, no. 71; text for second piede and volta appear to be missing. Lauda text ed. VaraniniRS, 28-9, 155f. In Ch266 without cc.

Music Sources: 
Cantasi Come Sources: 

Se per diletto amor cercando vai BaMn:11

Language: 

it

Composer: 

Innocentius
Dammonis

Lauda: 

Come dinanzi a Cristo fuggirai-b
BaMn:11

Lauda Poet: 

Leonardo Giustinian?

Notes: 

Note: music ed. LuisiLG, ii, 26-7 (‘Come dinanzi a Christo fuzirai’); text of cc. ed. i, 302, with incipit ‘Se per dileto tu cercando vay’. Cc. text also in Gall3. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

Se non ti guardi amore-b R4:7

Language: 

it

Composer: 
Lauda: 

Se tu donassi il core-b
BaG4/6:7 (xyyx ababbx)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 560. BR62 & Rz1563 versions closely related but not identical (w/text ‘Se tu donassi’ in Rz). Rz1563 text & music ed. Mancuso, 739-42.

Music Sources: 

Se non ti guardi amore-a R4:7

Language: 

it

Composer: 
Lauda: 

Se pensassi l’errore-b
BaG4/6:7 (xyyx ababbx)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 560. BR62 & Rz1563 (w/text ‘Se tu donassi il core’) versions closely related but not identical. Rz1563 text & music ed. Mancuso, 739-42.

Music Sources: 

Se mai s’andrà per pietà costei-c

Language: 

it

Lauda: 

O madre pia, cagion de ben’ miei
BaMn:11

Music Sources: 
Cantasi Come Sources: 

Se mai s’andrà per pietà costei-b

Language: 

it

Lauda: 

Ogni anima che vuol di Dio l’amore BaMn:11

Music Sources: 
Cantasi Come Sources: 

Se mai s’andrà per pietà costei-a

Language: 

it

Lauda: 

Mai non resterò gridare omei
BaMn:11

Music Sources: 
Cantasi Come Sources: 

Se mai provasti donna qual sia amore-c Mad (ABbAaCC)

Language: 

it-mad

Composer: 

Philippe Verdelot

Lauda: 

Se tu hai Jesù mio dolce Signor
7 (ABbAaCC)

Notes: 

note: Fenlon/Haar, 140 (concordant sources); JeppesenF, ii; Lincoln, 693 (incipits).

Cantasi Come Sources: 

Se mai provasti donna qual sia amore-b Mad (ABbAaCC)

Language: 

it-mad

Composer: 

Philippe Verdelot

Lauda: 

Se mai pietà timosse ad mio Signore 7 (ABbAaCC)

Notes: 

note: Fenlon/Haar, 140 (concordant sources); JeppesenF, ii; Lincoln, 693 (incipits).

Cantasi Come Sources: 

Se mai provasti donna qual sia amore-a Mad (ABbAaCC)

Language: 

it-mad

Composer: 

Philippe Verdelot

Lauda: 

Fammi languire Jesù del tuo amore 7 (ABbAaCC)

Notes: 

note: Fenlon/Haar, 140 (concordant sources); JeppesenF, ii; Lincoln, 693 (incipits). Music ed. OwensSM, xxx, 87-89.

Cantasi Come Sources: 

Pages