M30

È levomi d’una bella mattina/alla stella diana

Language: 

it

Lauda: 

Andiamo ad Jesù Cristo-b
Qr:7 (abab cdcd...)

Lauda Poet: 

Feo Belcari

Notes: 

note: GallicoRM, 80, 202; PirrottaMT, 99-101; D’AnconaPP, 485-6. ‘È levomi una bella matina’ survives as a four-part frottola setting in Ve; ed. LuisiAp, NosowB, and excerpt ed. in PirrottaMT, 100-01. This probably is not the Florentine cc. musical source. Cc. incipit may be related to Catalan song ‘M’y levay par ung matin’ (verse, with refrain ‘Dindiridin’; see this title as a cc.). See complex of loosely related melodies in JeppesenF, iii, 27-31, & discussion in BrownM, 261 & LuisiAp, lxxv-lxxix. For two later settings of ‘M’y levay par ung matin’ by Guyard & Janequin, see BrownTC, 157-63. Lacking attribution to Belcari in Gall3.

Music Sources: 

I’ so ben perché m’ ai lasciato amore-a

Language: 

it

Lauda: 

Io ti vorrei trovare Jesù amore-b
BaMz (XyX aBaBBcX)

Notes: 

note: incipit in M30: ‘So ben perché..’ Differs from the ‘I’ ti vorrei trovare, o Signor mio’ in Gall4 (without cc.).

Music Sources: 
Cantasi Come Sources: 

Invidia nimicha de ciascun virtuoso BaG:7 (xyyx ababbccx)

Language: 

it

Composer: 

Dufay

Lauda: 

La carne m’ è nimica
BaG:7/5

Notes: 

note: cc. title is ‘Invidia al ciel nimicha’, but FallowsCat, 525-6 argues for the close connection between these two versions of the cc. title. Incipit echoes Petrarch’s sonnet ‘O invidia nimica di vertute’. Music ed. in DuffinD, 60 and CMM1/vi(r), no. 2 (Ox); earlier CMM1/vi unreliable for this piece.

Music Sources: 
Cantasi Come Sources: 

Insegnatemi Jesù Cristo-c BaG4/6:7 (xyyz ababbz)

Poet: 

Jacopone da Todi?

Language: 

it

Lauda: 

Se tu donassi il core-a
BaG4/6:7 (xyyx ababbx)

Lauda Poet: 

Feo Belcari

Notes: 

note: RostirollaB, 749-50 (re. ‘Se tu donassi’). Sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 with text ‘Se tu donassi il core’, with slightly varied C & T, and a different CT). See FallowsCat, 560. Rz1563 text & music ed. Mancuso, 739-42, and appears to differ from the music in Anim1570 (see incipit in RostirollaB, 750).

Music Sources: 

Galantina morosina-b

Language: 

it

Lauda: 

Gloriosa Chaterina vergine-a
BaG4/6?:8

Notes: 

note: each stanza followed by incipit ‘O Katerina’, which may refer to a further two lines (making the poem a BaG).

Music Sources: 
Cantasi Come Sources: 

Galantina morosina-a

Language: 

it

Lauda: 

Ave vergine gloriosa
BaG?:8

Notes: 

note: M30 transmits only the stanzas, and the incipit of a refrain , ‘Virgo Maria...’ possibly a reference to the refrain of a BaG:7 on fol. 55: ‘Virgho Maria beata de pecchator conforto’.

Music Sources: 
Cantasi Come Sources: 

Leggiadra damigella, o segnor mio-h BaMz (XyX AbAbBcX)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

O creatore eterno, o Jesu pio
BaMz (XyX AbAcCdX)

Music Sources: 
Cantasi Come Sources: 

Leggiadra damigella, o segnor mio-e BaMz (XyX AbABcX)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

In nulla si vuol por la sua speranza-d BaMz (XyY AbAbCcY)

Lauda Poet: 

Belcari/
Giovanni da San Piero

Notes: 

note: see CattinCC, 42. Alternate cc. = ‘Già fui contento d’ogni mio desio’ (R196). See ‘In nulla’ as cc.

Music Sources: 
Cantasi Come Sources: 

Non à lo cor gentile-b BaG (xYyX AbAbbCcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Amanti del Signore piangete mecum Dio CapQ (aBbA aCcD dEeF...)

Notes: 

note: lauda apparently not Belcari’s ‘Amanti del Signore piangete el buon Gesu’(cc. ‘O rosa mia gentile’ in Gall1, and ‘Chi arà mai pietate ‘ in M690), though ‘O rosa’ is an alternate cc. for all laude with ‘Non n’à’ as a cc.

Music Sources: 
Cantasi Come Sources: 

Guerriera mia consentimi-c 10:8/9/10 (ababcbcddx)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Madre di Dio nostro Signore-a
10:10/8 (ababcdceex)

Lauda Poet: 

Feo Belcari

Notes: 

note: lauda rubric: delle cinque lettere; cf. ‘Perla mia cara’ alternate cc. for ‘Madre di Dio’ w/music in Cord & SevP.

Music Sources: 
Cantasi Come Sources: 

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