Cas794

note: see FallowsCat, 504 (where he suggests, based presumably upon the bipartite musical form in Per431, that the poetic fragment in Per431 is a ballata, but its rhyme scheme and form, as well as the form of the lauda model, suggest otherwise); CattinR, no.100. Music ed. Hernon, 347-51.

note: FallowsCat, 503-4 (‘Aymè’); CarboniE, 456; PrizerF, 12 (‘viniziano’); RubsamenJ, passim; HaarPJ, passim. Music ed. HanenE, no.75 (EscB); E. Southern, CMM88, no.56 (EscB); LuisiLG, ii, 270 (EscB; w/lauda text). Florid version in PetF/vi, ed. LuisiLG, ii, 268-9. Both versions ed. in FerandDI, no.9; RubsamenJ, 180; & HaarPJ, 28-33.

note: Vittore Branca has shown that this cc., often attributed to Lorenzo de’ Medici, is a canzone a ballo that refers to a novella in the Decameron, and that it was already circulating in the late trecento; BrancaP, 403-8. The cc. text is also transmitted in RA2435, pp. 138-40.

note: cc. = carnival song, ‘Temporal fuor di natura’ (Canzona degli uomini d’arme), ed. SingletonCC, 21-2; BruscagliTCC, 1, 238. See also CattinCC, 196-7. Alternate cc. = ‘Peccatori Maria noi siamo’, w/music in Rz1563, (ed. Mancuso, no. 48) an indication that Razzi’s lauda may preserve the music not for the carnival song ‘Pescatori a lenza siamo’ (BaG), as suggested by MaceyB, 57, but for the carnival song ‘Temporal fuor di natura’. Cc. incipit in Rs424 reads, ‘Temporali fuor di misura’.

note: FallowsCat, 560. BR62 & Rz1563 versions closely related but not identical (w/text ‘Se tu donassi’ in Rz). Rz1563 text & music ed. Mancuso, 739-42.

note: alternate cc. = rispetti

note: alternate cc. = rispetti. Lauda re. St. Matthew. See ‘Se mai lo vice Re vien ista terra’ as cc. for ‘Se mai la tua virtù’. The poetic form of the cc. is technically that of a rispetto. According to BecheriniSR, 226, Belcari’s lauda was sung by a chorus of Hebrews after their subjection by Holofernes in the Rappresentazione di Juditha Hebrea.