R193

note: alternate version in Gall1 = ‘Com’haggio perduto/la dolce mia fatica’. Alternate cc. = ‘Ch’il paradiso vuole’ (d’Astore; R196); see CattinR, no. 67. Belcari’s lauda differs from the ‘Jesù mio dolce Dio i’ ti vo chiamando’ in Gall4 (without cc.).

note: see FallowsCat, 545-50; CarboniE, 447-8. Due to late 15th. date of cc. sources, this cc. (vs. Ch266 for ‘O sacra stella’) may refer to the more famous and widely diffused Bedyngham/Dunstable setting, w/music in several Florentine sources (BerK, Pix, RU1411; see FallowsCat, 545f., for a complete list of sources). However, the fact that this lauda is directly modeled upon an older one, ‘O sacra stella’, in Ch266, with an ‘O rosa bella’ cc. rubric that must refer to Ciconia’s music, suggests that his music continued to serve both laude throughout the 15thc. Bedyngham/Dunstable music ed. in LuisiLG, ii, 248-54 (EscB, Pav362, Per431, where both texts are underlaid; PopeM, 310 (MC); ThibaultM, 13 (Cord), HanenE, no.29a (EscB); facs. in LuisiLG, ii, plates xix-xxix (Pix, EscB, SevP, Cord, Porto, Per431). See also FallowsOR for his argument in favor of Bedyngham as composer of the later musical setting. For bibliographic information on Ciconia’s setting, see the lauda ‘O sacra stella’ (cc. ‘O rosa bella’). The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR.

note: Music à4 for ‘Cantar vorrei’ in Q21. Music of EscB (‘Ora gridar’) ed. LuisiLG,ii,276 w/lauda text.

note: according to BecheriniSR, 207, this lauda was sung in the Rappresentazione di Santa Margherita.

note: alternate cc. = ballo. Lauda re. St. Francis. Alternate cc. = Belcari’s ‘Chi serve a Dio’, w/music a3 in Panc27. Both texts entered in R2929, which was copied by 1448.

note: alternate cc. = ‘O vaghe montanine’ (w/music), rispetti, and ‘S’io t’ò fallito’. Some lauda incipits omit ‘sacro’. Lauda text entered in R2929, which was copied by 1448.

note: CattinR,33. Full cc. incipit in M690 reads: ‘Non so perché si sia/signor a questa volta’.