Database

Le nocciole

Language: 

it-carn?

Lauda: 

Giù veggiam pe’ nostri errori
BaG:8 (xyyx ababbccx)

Notes: 

note: GhisiCC, 95, where the title is the ‘Canzone delle nocciole’. The poetic form and first-person plural of the lauda title suggest that it was indeed modeled on a carnival song.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Le cose al contrario vanno-d BaG4/6:8 (xyyx ababbx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Ricorriamo a te, Maria
BaG4/6:8 (xyyx ababbx)

Lauda Poet: 
Music Sources: 
BR230
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Le cose al contrario vanno-c BaG4/6:8 (xyyx ababbx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Peccator, su tutti quanti
BaG4/6:8 (xyyx ababbx)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: Lorenzo’s lauda is ed. in ToscaniL, 90-92 (on p. 33 he suggests the lauda was composed in 1491), and in DucciniL, 184-90, with extensive commentary.

Music Sources: 
BR230
Cantasi Come Sources: 
Cas794
Gall3
Gall4
Inc34
Pal119
Pal120
R196 [M310]

Le cose al contrario vanno-b BaG4/6:8 (xyyx ababbx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Ciascheduno esulti, e canti
BaG4/6:8

Notes: 

note: On this link, see MaceyB, 144-5; MaceyLC, 477-8.

Music Sources: 
BR230
Cantasi Come Sources: 
[MaceyLC
477-8]

Le cose al contrario vanno-a BaG4/6:8 (xyyx ababbx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Ave Maria stella matutina
BaG:11 (xyyx ababbccx)

Notes: 

note: ‘La canzona de’ visi addietro’, Laurentian carnival song for 1490. MaceyB, 33, 38,145; MaceyLC, 477-8. Text ed. BruscagliTCC, i, 23-4; OrvietoCC, 85-6 (where title is ‘Canzona de’visi addrieto’, and incipit ‘Le cose al contradio vanno’). Penned into the margin of R196 is ‘f. mascherata’. The music and text in BR230 occupies the last extant folio, and is mutilated (some text, and music for the soprano part remain); both BecheriniCCat, 67-8 and GhisiCC, 96, 190 identified this song as Jacopo da Bientina’s ‘Canto di uomini che vanno col viso volto di dietro’, but from the remaining text it is possible to identify this as Lorenzo’s Canzona de’ visi addrieto’.

Music Sources: 
BR230
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Laudato Iddio ch’i’ son fuor di tue trame Str:11

Language: 

it-frot

Lauda: 

Laudato Dio ch’io son fuor de’legami Str:11

Notes: 

note: Music ed. La Face/BianconiGS, 363-5, & text ed. 219 (ModF.9.9). Incipit in ModF.9.9 is ‘Laudato idio die usi [usci?] de le tue trame/o bella cosa che è la libertade’, and the similarity of rhyme, form and subject matter suggest that this secular poem was the model for the lauda, and its music the intended cc. source. La Face/BianconiGS, 291 lists a title in a concordant literary source as ‘Laudato Dio che son fuor di toi trame’, much closer to that given in the Florentine cc. sources.

Music Sources: 
ModF.9.9
PetK?
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Laudate il sommo Dio-h BaMn (xX ABABbX)

Language: 

it

Lauda: 

Poi ch’ i’ lascia il mio Dio
BaMn (xX ABABbX)

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Laudate il sommo Dio-g BaMn (xX ABABbX)

Language: 

it

Lauda: 

Ogn’un s’infiammi il core
BaMn (xX ABABbX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: according to LA424 rubric, d’Albizo’s lauda sent to nuns at Santa Chiara.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall4
LA424
Pal120
R196

Laudate il sommo Dio-f BaMn (xX ABABbX)

Language: 

it

Lauda: 

O Jesù dolce Dio a te vegnam
BaMn (xX ABABbX)

Music Sources: 
Rz1563
Cantasi Come Sources: 
RA2274

Laudate il sommo Dio-e BaMn (xX ABABbX)

Language: 

it

Lauda: 

Laudiam con puro core Maria
BaMn (xX ABABbX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: LA424: lauda sent to ‘monache di Sancta Chiara’, a Franciscan convent in the Oltrarno to which d’Albizo sent a number of his laude. Rz1563 & M365 transmit a different lauda (BaG) with similar incipit (‘Lodian col puro core, e con la mente/Cecilia sacra’ attributed to Fra. Hilario Buoninsegni da Siena.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
LA424
Pal120
R196

Laudate il sommo Dio-d BaMn (xX ABABbX)

Language: 

it

Lauda: 

Laudiam con gran fervore
BaMn (xX ABABbX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. St. Francis. In LA424, lauda sent to ‘Frate Francesco Brandi, fra minore observanto’.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Laudate il sommo Dio-c BaMn (xX ABABbX)

Language: 

it

Lauda: 

Da poi ch’ io ti lascio
BaMn (xX ABABbX)

Notes: 

note: text of lauda differs from the ‘Poich ’i lascia’ il mio Dio’ in Gall2. ‘Da poi ch’io ti lasciai’ found in 14thc. sources, like BML, Ashburnham 423, fol. 156v.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Laudate il sommo Dio-b BaMn (xX ABABbX)

Language: 

it

Lauda: 

Cristo ver uomo e Dio-b
BaMn (xX ABABbX)

Lauda Poet: 

Feo Belcari

Notes: 

note: see ‘Cristo ver’ as cc. in later sources. On this cc. link, see CummingsP, 143-7 (both texts ed. 145, music of ‘Cristo ver’ on 146-7). The text and music of ‘Laudate’ are called for in Belcari’s sacra rappresentazione, the Festa di San Felice. Music w/Belcari’s text transmitted in Rz1563, and ed. Mancuso, 416-20.

Music Sources: 
Rz1563
Cantasi Come Sources: 
CorsD3
Gall1
M690
Pal120
R196

Laudate il sommo Dio-a BaMn (xX ABABbX)

Lauda: 

Con giubilante core
BaMn (xX ABABbX)

Lauda Poet: 

Don Antonio da Siena ingesuato

Notes: 

note: cc. also ‘Laudate’ as cc. for ‘Cristo ver’, w/music in Rz1563, ed. Mancuso, 416-20. The secular text, ‘Perchè son io si bella’, that serves as a cc. for ‘Laudate il sommo Dio’, may be the original text for the music preserved in Razzi.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Lasso, come far aggio sventurato

Language: 

it

Lauda: 

Ben hai il core indurato
BaG (xYyX ABABbCcX)

Music Sources: 
Cantasi Come Sources: 
Ch266

Lasso quanto son io

Language: 

it

Lauda: 

Chi ‘l paradiso vuole-a
BaMz (xyZ aBaBbcX)

Lauda Poet: 

Gherardo d’Astore

Notes: 

note: music and text of lauda ed. in Mancuso, 743-8. The setting in Rz1563 may preserve something of the original music belonging to the cc. text.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Lasse in questo carnasciale-b BaG:8 (xyyx ababbccx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

Quant’è grande la bellezza-a
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: on Lorenzo’s text and its musical settings, see RubsamenQ, 163-84. Carnival song--Canzona delle Forese; text ed. BruscagliTCC, i, 15. Lorenzo’s lauda text ed. ToscaniL, 84-7 (on p. 33 he suggests it was composed in 1491), and in DucciniL, 172-9, with extensive commentary. See ‘Quant’è grande‘ as cc. and as modo proprio for bibliography re. editions, etc.

Music Sources: 
Rz1563
RC395
BR230
Cantasi Come Sources: 
Cas794
Gall3
Inc34
Pal119

Lasse in questo carnasciale-a BaG:8 (xyyx ababbccx)

Poet: 

Lorenzo de’ Medici

Language: 

it-carn

Lauda: 

O peccatore, io sono Dio eterno-a
BaMn:11 (XX AAAX BBBX...)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: Carnival song (mascherata)--’Canzona delle forese [di Narcetri]’. Carnival song ed. BruscagliTCC, i, 15-17; OrvietoCC, 73-5 (ca. 1474-78). Carnival song linked also to Lorenzo’s ‘Quant’è grande’ and possibly the latter’s music in Rz1563 & RC395. Lorenzo’s lauda is ed. in ToscaniL, 93-4, and in DucciniL, 190-95, with extensive commentary. GhisiCC, 93-4, appears to distinguish between two ‘forese’ carnival songs, an anon. ‘Canzona della forese’ as the cc. for ‘O peccatore’, and Lorenzo’s ‘Canzona delle forese di Narcetri’ as the cc. for Lorenzo’s ‘Quant’è grande la bellezza’; this is possible, given the formal compatibility of the latter pair, and the formal incompatibility of Lorenzo’s carnival song and his ‘O peccatore’. It is possible that the related prints Pal120 and R196 mistakenly provided ‘forese’ instead of ‘fornai’ as the cc. indication.

Music Sources: 
see Quant’è grande
Cantasi Come Sources: 
Pal120
R196

Lanzi maestri di trombone BaG:7/8 (xyyx AbAbbccx)

Poet: 

G.B. dell’ Ottonaio

Language: 

it-carn

Lauda: 

Servi siam’ del buon Jesù
BaG

Notes: 

note: cc. in M365 = ‘Canto de’ tromboni’, presumably the carnival song ‘Canzona de’ lanzi tromboni’. Music (bass only) ed. GhisiCC, 107; text ed. BruscagliTCC, i, 204-6. See also CattinNR, 263.

Music Sources: 
BR337
Cantasi Come Sources: 
M365

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