Database

note: JeppesenF, ii. Text of cc. is possibly by G.B. Strozzi il vecchio; see CarboniInc/298, no. 9560. Though the cc. cannot refer to madrigal settings with this incipit from the 1590s by Ingegneri and T. Riccio, it is possible given the frequency of madrigals as cc.s in M365 that the incipit refers to an earlier madrigal.

note: Mancuso, 601-7 edits text and music of Razzi’s lauda. The cantus part of the lauda is based on the melody of ‘La pastorella si leva per tempo’ found in the mid-sixteenth century collection of dance tunes, M108. The single strophe of the cc. text transmitted here is identical in form and rhyme scheme to the lauda. The cc. text is found in Rome, Biblioteca Angelica Ms. 2435, no. 143, where it is organized in 5-line strophes.

note: FallowsCat, 532, where a text source is given as Opere nuove dello altissimo poeto fiorentino (Florence, 1524); fo. A3v; AtlasN, 147. Text and music ed. in AtlasN, 222 (SevP) & Hernon, 419 (Per431, which = SevP w/added CT).

note: cf. ‘Giù per la villa lunga’ as possible original secular model, of which the cc. incipit is the third line. Lauda copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (with facsimile). The remainder of the cc. incipit in some sources (e.g., M1083) is ‘trovo il figliuol mal’.

note: see CattinSq, 250; WilsonSC, 75; Diederichs, 53. Alternate lauda incipit = Perché non piangi. On the tentative identification of ‘Vanni’ as the free-lancing lauda singer Vanni di Martino, see WilsonSC, 76-7. Lauda text entered in R2929, which was copied by 1448.

note: CattinR, 27. Cc. indications for ‘L’orazione’ are ‘Ferrivecchi’ and ‘L’erba buona’. 4-part setting of ‘L’orazione’ in Grey, ed. CattinG, no.31 (‘L’oration’). This is a contrafactum of a well-known Tromboncino frottola, ‘Se ben hor non scopro el foco’, ed. in JeppesenF/iii, 249-50 (Triv55). For more on the frottola, incl. eds., see CattinNF, 204-5. The setting of Belcari’s text in Anim1563 differs from the music found in the other sources; see RostirollaB, 718.

note: PetL/i preserves a setting of Belcari’s lauda, ed. JeppesenL, 145. ‘L’erba buona’ and ‘Ferrivecchi’ also linked as cc sources for ‘L’orazione è sempre buona’, a contrafactum of a Tromboncino frottola (‘Se ben hor non scopro el foco’), and transmitted in Grey w/Belcari’s ‘L’orazione’ text (ed. CattinG, no. 31) and in numerous sources (incl. BR230) w/frottola text. The settings of ‘Chi vuol pace’ in PetL/i and ‘L’orazione è sempre buona’ in Grey are both a4, but differ.

note: lauda title recorded only in the index of R2224, and cc. link is tentative, though likely given that all the laude in this ms. were apparently intended for singing. Lauda text entered in R2929, which was copied by 1448.