Database

Jesù, Jesù, Jesù, ogn’un chiami BaMn:7/6 (xx ABABBx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Maria, Maria, Maria, ciascun chiami Maria BaMn:7 (xx ababbx)

Lauda Poet: 

fra Ginozzi Simone [Simone Cinozzi?]

Notes: 

note: for fuller notes, see ‘Jesù, Jesù, Jesù’ as a lauda with the carnival song ‘Visin, visin, visin’ as a cc. MaceyB, 44-47 (+CD); MaceyNC, 158-9 (music ed. 166); CattinR, no.120; RostirollaB, 709; RostirollaLC, 693-6; PrizerL, 176-7. Music ed. in MaceyS, 12-14 (Panc.27; both texts), PrizerL, 177 (Rz1563); Jaenecke, 143 (BerAT30, with errors); Mancuso, 447-50 (Rz1563, w/Belcari’s text). A different musical version is transmitted in Anim1563, and in subsequent non-Florentine sources (where Belcari’s lauda remained very popular); RostirollaLC, 831.

Music Sources: 
Panc27
BR62 Rz1563
Anim1563
BerAT30
Cantasi Come Sources: 
R2988

Jesù splendor del cielo et vivo-b 7:7/11 (AbbABCC)

Poet: 

Girolamo Savonarola

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Spos’ amorose che Jesù amate
7:7/11 (AbbAbCC)

Notes: 

note: see also modo proprio for ‘Jesu splendor’

Music Sources: 
Cantasi Come Sources: 
RC395

Jesù splendor del cielo et vivo-a 7:7/11 (AbbABCC)

Poet: 

Girolamo Savonarola

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Jesù splendor paterno et vero Dio
7:7/11 (AbbAbCC)

Notes: 

note: MaceyB, 115-17, where the 1st stanza is ed. & trans. See also ‘Jesu splendor del cielo’ as a lauda with a modo proprio setting (attr. is Rs424 to Ser Firenze).

Music Sources: 
Cantasi Come Sources: 
RC395

Jesù sommo diletto e vero lume-h BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Su madr’et figli’a questa cena-b
BaMz (XyY AbAbCcY)

Notes: 

note: alternate cc. = ‘In nulla si vuol porre’

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
RC395

Jesù sommo diletto e vero lume-g BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

O Cristian leva gli occhi della mente BaMz (XyY AbAbCcY)

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
R2896

Jesù sommo diletto e vero lume-f BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Maria sommo diletto del mio core
BaMz3/5 (XyX AbAbX)

Lauda Poet: 

Francesco d’Albizo

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Jesù sommo diletto e vero lume-e BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Maria regina de’ beati spiriti
BaMz (XyY AbAbBcY)

Lauda Poet: 

Francesco d’Albizo

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Jesù sommo diletto e vero lume-d BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Jesù sommo conforto et vero amore BaMz (XyY AbAbCcY)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 194-5. Cc in M310 is ‘Sommo diletto e vero amore’, probably a garbled version of Belcari’s title

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall4
M310
Pal120
R196
Rs424

Jesù sommo diletto e vero lume-c BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Jesù dolce conforto e somme bene
BaMz (XyY AbAbCcY)

Lauda Poet: 

Girolamo Savonarola

Notes: 

note: See MaceyB, 109-112; CattinCC, 194-5. Music ed. in MaceyS, 69-70. Savonarola lauda written in 1484 as prayer for church upon death of Pope Sixtus IV. Cf. Leggiadra damigella & Molto m’annoia as cc. sources for Belcari’s Jesù sommo diletto.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
[MaceyB
MaceyS]

Jesù sommo diletto e vero lume-b BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Frati venite a questa cena magna-b BaMz (XyY AbAbCcY)

Notes: 

note: on ‘Frate venite’ see Carboni-ZiinoLM,282, with music ed. in Carboni-ZiinoLM,323 (cantus). Similar melody in a3 setting w/text ‘In nulla si vuol por’ transmitted in Rz1563, which differs from Rz1563 a3 setting of Belcari’s ‘Jesù sommo diletto’.

Music Sources: 
Rz1563 (a3) Ferr84
Cantasi Come Sources: 
Ferr84
M365

Jesù sommo diletto e vero lume-a BaMz (XyY AbAbCcY)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Anima ingrata da poi che vuoi partire-b BaMz (XyX AbAbBcX)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 198. Music & text of cc. ed. Mancuso, 688-93; MaceyS, 68-9. Incipit often cited as ‘O Jesù sommo...’. See MaceyB, 109-112; CattinCC, 194-5. See ‘Leggiadra damigella’ & ‘Molto m’annoia’ as cc. sources for Belcari’s Jesù sommo diletto.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Jesù sommo conforto/tu se’-f 3/4:4/7/10 (abab xxX cdcd..)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Vergine tu mi fai-b
7:4/7/10 (ababccC)

Lauda Poet: 

Michele Chelli

Notes: 

note: the musical settings of ‘Jesù’ in Anim1563, et al. differ from the setting of ‘Vergine tu mi fai’ in Anim1563.

Music Sources: 
Anim1563
Ferr84
PetL/ii
Rz1563 Anim1563
Cantasi Come Sources: 
LCS161 [Gall3]

Jesù sommo conforto/tu se’-e 3/4:4/7/10 (abab xxX cdcd..)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Ogn’un lodi Maria
7:7/4/11 (ababxxX)

Lauda Poet: 

Fra Tomaso
da Napoli

Notes: 

note: re. ‘Ogn’un’, see Carboni-ZiinoLM, 283; text ed. 307-8, w’rubric: ‘Fr. Thomas [de Neapoli] dictabat anno 1558’.

Music Sources: 
Anim1563
Ferr84
PetL/ii
Rz1563
Cantasi Come Sources: 
Ferr84

Jesù sommo conforto/tu se’-d 3/4:4/7/10 (abab xxX cdcd..)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

O dolce e buon pastore/Ignatio
6:7/11 (ababcX)

Lauda Poet: 

suor Tomasa
Martelli

Music Sources: 
Anim1563
Ferr84
PetL/ii
Rz1563
Cantasi Come Sources: 
R2988

Jesù sommo conforto/tu se’-c 3/4:4/7/10 (abab xxX cdcd..)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Nuov’angiolettin terra
2/4:7/8/10 (abab XX cdccd..)

Music Sources: 
Anim1563
Ferr84
PetL/ii
Rz1563
Cantasi Come Sources: 
LCS161

Jesù sommo conforto/tu se’-b 3/4:4/7/10 (abab xxX cdcd..)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Jesù nostro diletto
2/4:8/10/7 (abab XX cdcd..)

Lauda Poet: 

Serafino Razzi

Music Sources: 
Anim1563
Ferr84
PetL/ii
Rz1563
Cantasi Come Sources: 
Rz1563

Jesù sommo conforto/tu se’-a 3/4:4/7/10 (abab xxX cdcd..)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Angelo mio diletto che mi sei-a
2/4:7/8/10 (abab XX cdcd..)

Lauda Poet: 

Serafino Razzi

Notes: 

note: MaceyB,99-105; RostirollaB, 710; PerkinsMAR, 449-52 (w/Rz1563 setting ed. p.451). Settings by Paulus Scotus (a4; PetL/ii; ed. JeppesenL, no. 22), Animuccia (Anim1563), Razzi (Rz1563; ed. Mancuso, no. 3), & Verovio (Rome,1586; w/lute & keybd. intab.) The Razzi and Animuccia settings are musically related. All extant settings ed. in MaceyS, 53-60, and Savonarola’s text is translated on xlii-xliii. Razzi cantus is transcribed in Carboni-ZiinoLM, 322 (Ferr84 transmit music w/ text ‘Ogn’un lodi Maria’). Savonarola’s lauda set in Rz1563 (a3), which transmits a separate 3-part setting of Belcari’s ‘Jesù sommo diletto e vero lume’ (a cc. for Savonarola’s lauda in many sources). The form of Savonarola’s lauda could be construed as Ca2/4: 7/8/10 (abab XX cdcd...) if the two four-syllable lines (xx) are treated as a single line; in other words, his lauda is formally compatible with all laude in this form. As it is, the sequence of line lengths is: 7/7/7/7/4/4/10.
See ‘Jesù sommo conforto’ as modo proprio, and see ‘Angela tu mi fai’ as the original secular model for both Savonarola’s lauda, and Chelli’s ‘Vergine tu mi fai’.

Music Sources: 
Anim1563
Ferr84
PetL/ii
Rz1563
Cantasi Come Sources: 
Rz1563

Jesù nostro riscatto-c Qr:7 (abba cddc...)

Language: 

it

Lauda: 

Signor per la tua fe, morir voglio-a 3/5:6/7 (aabbX XXy ccddX XXy...)

Lauda Poet: 

Serafino Razzi

Notes: 

note: see ‘Signor per la tua fe’ as a modo proprio.

Music Sources: 
Anim1577
1583/3
1589/2 Rz1563
Anim1577
Gard1583
Cantasi Come Sources: 
Soto1589

Jesù nostro riscatto-b Qr:7 (abba cddc...)

Language: 

it

Lauda: 

Ogni giorno tu mi di-a
BaG:7 (xyyx ababbyyx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 205; RostirollaB, 730 (‘Ogni giorno’). Setting a3 in Anim1577 (facs. in RostirollaTL, 23) & 1589/2 appears to be unrelated to the a2 setting of ‘Ogni giorno’ in Rz1563 (ed. Mancuso, no. 42). See ‘Ogni giorno’ as cc. 1589/2 lists 12 other lauda texts to be sung to the music of ‘Jesù nostro riscatto’, among them ‘Ogni giorno tu mi di’ & ‘Anima benedetta da l’alto creatore’.

Music Sources: 
Anim1577
1583/3
1589/2 Rz1563 (a2)
Ferr84
Anim1563
Cantasi Come Sources: 
Soto1589

Jesù nostro riscatto-a Qr:7 (abba cddc...)

Language: 

it

Lauda: 

Anima benedetta dell’alto creatore-b BaG:7 (xyyx ababbccx)

Lauda Poet: 

Leonardo Giustinian?

Notes: 

note: CattinR, 43, no.70; RostirollaB, 703-4; RostirollaLC, 774 . There is a monodic setting of ‘Anima benedetta’ in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7. 1589/2 lists 12 lauda texts to be sung to the music of ‘Jesù nostro riscatto’ (which is unrelated to the extant settings of ‘Anima benedetta’), among them ‘Ogni giorno tu mi di’ & ‘Anima benedetta da l’alto creatore’.

Music Sources: 
Anim1577
Gard1585
1589 /2
Cantasi Come Sources: 
Soto1589

Pages