Database

J’ay pris amours a ma devise-a R4:8 (abba)

Language: 

fr

Lauda: 

Canti gioiosi e dolce melodia-a
BaMn2/4:11 (xx aaax bbbx...)

Notes: 

note: see FallowsCat, 195-8 (cc. version probably Fallow’s ‘B’, transmitted in Pix as well as many non-Florentine sources); WilsonSC, 19; BrownM, 234; JeppesenL, xvii-xix; CattinCI, 424; CattinPav, 4. Music ed. in ThibaultM, 34 (Cord); HanenE, no. 121 (EscB), LuisiLG, ii, 24-5, 166ff (versions in BR229, M178, Panc27). Possible reworked versions in M176, M178; see MeconiA, passim. See also the older modo proprio setting of ‘Canti gioiosi [zoisi]’ ed. in LuisiLG, ii, 23 (Pav361); CattinPav, 12 (Pav361); Diederichs, 429 (Pav361). Lauda text attrib. to Jacopone da Todi in some sources. Text of ‘Canti gioiosi’ ed. LuisiLG, i, 293-4, and transmitted in Ch266, 224v, which means it was copied around mid-century.

Io ti vorrei trovar, Jesù amore-b BaMz (XyX aBaBBcX)

Language: 

it

Lauda: 

O uom dall sommo Dio creato al mondo BaMz (XyX aBaBBcX)

Notes: 

note: incipit reads ‘Ti vorrei trovar’.

Music Sources: 
Cantasi Come Sources: 

Io ti vorrei trovar, Jesù amore-a BaMz (XyX aBaBBcX)

Language: 

it

Lauda: 

Gloria, honore e laude con diletto
BaMz (XyX aBaBBcX)

Notes: 

note: a fragment of ‘Gloria, honore’ recurs in R2896 w/incipit ‘Laude, honore e diletto...’; complete version in R2896 shows additions & corrections. A lauda in Gall4 (p. 284) with incipit ‘I’ ti vorrei trovare, o Signor mio/sempre t’andró cercando’ is a BaMz. Cc. text entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 

Io ti lascio stolto mondo-e Qr:8 (abba cddc...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Su, su, su, che stiam’ a fare
Qr:8 (abba cdcd effe ghgh)

Music Sources: 
Cantasi Come Sources: 

Io ti lascio stolto mondo-d Qr:8 (abba cddc...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Ringrazianti o Jesù buono
Qr:8 (abba cddc)

Music Sources: 
Cantasi Come Sources: 

Io ti lascio stolto mondo-c Qr:8 (abba cddc...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Quanto è stolto cieco ingrato-b
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 214-15; RostirollaB, 744 (‘Quanto è stolto’); RostirollaLC, 781, 834 (‘Io ti lascio’). Alternate cc. = ‘Giovanetti con fervore’, in turn linked to ‘Ora mai’ music. Music in Anim1577 for ‘Io ti lascio’ and ‘Giovanetti’ adjacent, but different, and neither resembles traditional music of ‘Ora mai’ complex.

Cantasi Come Sources: 

Io ti lascio stolto mondo-b Qr:8 (abba cddc...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

O Maria tu che sapevi
Qr:8 (abba cddc)

Music Sources: 
Cantasi Come Sources: 

Io ti lascio stolto mondo-a Qr:8 (abba cddc...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Al bel fonte sacro e degno di Jesù-a BaG4/6:8 (xyyx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: RostirollaB, 713 (‘Io ti lascio’); RostirollaLC, 781, 834 (‘Io ti lascio’). Music for cc. in Anim1577, w/facs. in RostirollaTL, 31, and in Soto1589 (identical a3 settings). Razzi’s ‘Io ti lascio’ transmitted in Rz1563, but cc. ‘O Maria Diana stella’ (a4, unrelated to Anim1577 & 1589/2 music; unrelated to PetL/i or Anim1570 settings of ‘Al bel fonte’). ‘Al bel fonte’ transmitted in Florentine sources as modo proprio; 1589/2 presents extreme textual variants.

Cantasi Come Sources: 

Io son quella villanella

Language: 

it

Lauda: 

Io son quella pecorella-a
6:8 (ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: Carboni-ZiinoLM, 283, 288; melody ed. 319. CattinCC, 193.

Music Sources: 
Cantasi Come Sources: 

Io son quella pecorella-b 6:8 (ababbx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Io son quella verginella
BaG4/6:8 (xyyx ababbx)

Notes: 

note: lauda re. St. Cecilia

Music Sources: 
Cantasi Come Sources: 

Io son quella pecorella-a 6:8 (ababbx)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Io son quella serafina
BaG4/6:8 (xyyx ababbx)

Notes: 

note: note: Carboni-ZiinoLM, 283, 288; melody ed. 319. CattinCC, 193. Lauda re. St. Catherine of Siena. See also ‘Io son quella villanella’ as cc. for ‘Io son quella pecorella’.

Music Sources: 
Cantasi Come Sources: 

Io son più perfida ingrata che mai fussi donna alcuna

Language: 

it-carn?

Lauda: 

Io son più perfida ingrata che mai fussi anima alcuna-b BaG4/6:8

Music Sources: 
Cantasi Come Sources: 

Io son più mal maritata-b BaG4/6:8 (xyyx ababbx)

Language: 

it-carn?

Lauda: 

Pecorelle pien d’errore ritornate
BaG4/6:8 (xyyx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: RostirollaB, 736; PrizerG, 30-32; CattinCC, 192, where he speculates that ‘Io son più perfida ingrata’ (Gall4, no. 341, w/out cc.) might be sung to the same cc. since it resembles ‘Pecorelle’ in rhyme & meter. Music, w/both lauda and cc. texts, ed. CattinCC, 219-20. GhisiCC, 98 lists this pair among his carnival songs paired with laude, and calls the cc. the ‘canto della malmaritata’.

Music Sources: 
Cantasi Come Sources: 

Io son più mal maritata-a BaG4/6:8 (xyyx ababbx)

Language: 

it-carn?

Lauda: 

Io son più perfida ingrata che mai fussi anima alcuna-a BaG4/6:8

Notes: 

note: CattinCC, 192, where he speculates that ‘Io son più perfida ingrata’ (Gall4, no. 341, w/out cc.) might be sung to the same cc. since it resembles ‘Pecorelle’ in rhyme & meter. Music, w/both lauda and cc. texts, ed. CattinCC, 219-20. Cc. also linked to ‘Pecorelle pien d’errore’, with music in Anim1570. The cc. text is edited, translated, and discussed in PrizerG, 30-32.

Music Sources: 
Cantasi Come Sources: 

Io son la Magdalena la qual dolente BaG (XxxY aBaBbCcY)

Language: 

it

Lauda: 

O peccator’ venite a riguardare
BaG (xYyZ aBaBbCcZ)

Notes: 

note: see ‘Io son la Magdalena’ as a lauda with cc. = ‘Ch’ i’ m’ero adormentato’ in R2224.

Music Sources: 
Cantasi Come Sources: 

Io son l’uccel che sopra rami d’oro Str:11

Language: 

it-frot

Composer: 

Marchetto Cara?

Lauda: 

Io son Jesù che sopra i rami d’oro
Str:11

Notes: 

note: see PrizerF, 24-5, where he cites 1494 letter from Don Acteon to Francesco Gonzaga re. having learned ‘L’ocelo da le rame d’oro’ from Pietrobono. Part of a complex of ‘bird-song strambotti’ within the frottola repertory. Popular text and tune set by Cara (& tenor also included in Pesenti’s ‘Io son l’ocel che con le debil ali’, in PetF/viii). Music ed. SchwarzOP, 45, 100; and transmitted in Rz1563 w/anon. lauda text, ed. Mancuso,702-5. See also PrizerI, 28-9 and LockwoodMRF, 107-8.

Music Sources: 
Cantasi Come Sources: 

Io sento al cor conforto CapQ:7/5 (ABBc CDDe..)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Oggi lieto e giocondo-a
CapQ:7/5 (ABBc CDDe..)

Lauda Poet: 

Serafino Razzi

Notes: 

note: alternate cc. = ‘Levate su pastori’ (M365), w/music in Anim1577 related to two settings in Rz1563: ‘Io sento al cor’ (ed. Mancuso, no. 19) & ‘Leviam’ i nostri cori’ (ed. Mancuso, no. 31). Rz1563 incipit is ‘Hoggi’, but transmitted here as a cc. for music w/text of ‘I ‘ sent’al cor’ underlaid. An apparent variant of Razzi’s text, honoring San Lorenzo instead of San Vincenzo, is transmitted in later non-Florentine lauda prints with different music; RostirollaLC, 713, 833.

Music Sources: 
Cantasi Come Sources: 

Io mi trovo Jesù da te lontano-m BaG (XyyX AbAbbccX)

Poet: 

Angelo Bettini

Language: 

it

Lauda: 

Vita del viver mio se nel tuo core
CapQ (AbbA CddC)

Cantasi Come Sources: 

Io mi trovo Jesù da te lontano-l BaG (XyyX AbAbbccX)

Poet: 

Angelo Bettini

Language: 

it

Lauda: 

Vergine che di lume puro e santo
CapQ (AbbA CddC)

Cantasi Come Sources: 

Io mi trovo Jesù da te lontano-k BaG (XyyX AbAbbccX)

Poet: 

Angelo Bettini

Language: 

it

Lauda: 

Tu più pura di me parte megliore
CapQ (AbbA CddC)

Cantasi Come Sources: 

Pages