Database

note: Giustinian’s lauda is a cc. for the paired Ave Maria (‘Ave del verbo’) & Salve Regina in M690, and may be the same as ‘Ave del cielo eterna genitrice’. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto’, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’), all in form CapT:11. See Belcari’s lauda ‘Salve regina’, with musical settings in Grey, Rz1563, & PetL/i, for possible musical settings of ‘Ave del verbo’.

note: CattinR, 35. Music ed. LuisiLG, ii, 254-5 (w/both the above texts, along with Giustinian’s ‘Piangi isventurato amante’, also a cc. for Belcari’s ‘Piangi e sospira’).

note: cc. poem copied in autograph ms. of Florentine cantarino Filippo Scarlatti, LAD759, f.262. PetF/vi transmits settings of ‘Moro di doglia’ (no. 3) and ‘Aimè ch’a torto’ (no. 4), both of which are interior strophes of ‘I’ vedo ben’ (see CattinNR, 284). Music ed. LuisiLG, ii, 254-5 with text of ‘I’ vedo ben’ and Belcari’s ‘Piangi e sospira’ (for which ‘I’ vedo’ is also a cc.). Settings of ‘Aimè ch’a torto’ and ‘Moro di doglia’ ed. and discussed in RubsamenJ and, more recently, HaarPJ. Giustinian text ed. Wiese, 287f.

note: incipit in M30: ‘So ben perché..’ Differs from the ‘I’ ti vorrei trovare, o Signor mio’ in Gall4 (without cc.).

note: CattinRP, 388-9 (where he notes the existence of ‘twin’ poems by Poliziano with the same incipit: ‘I’ seminai il campo e altri miete’, and ‘I’ seminai il campo, un altro miete’); D’AnconaPP,484.

note: see Lincoln, 294 for the listing of Lasso’s 5-part madrigal with this incipit. Unless this particular setting circulated earlier than 1575, and in Florence, the cc. may refer to an earlier madrigal setting of the same text.