Database

note: Rz1563 provides music for ‘I’ mi truovo’, then indicates 5 laude that may be sung to this music: ‘Non si puo imaginar’, ‘Jubili tutto’l mondo al suo signor’ (Bettini), ‘Jubili tutto’l mondo al nascimento’ (Fabbroni), ‘Chi veder brama’, & ‘Ecco’l gran padre’. M365 lists ‘Jubili tutto’l mondo al suo Signore’ with no stated cc. (i.e. as modo proprio in this case), followed by 4 laude (all by Bettini) to be sung ‘come quella di sopra’: ‘Riscalda il verde prato’,’Ecco’l dominator’, ‘Venitene fratelli’, & ‘I’ mi truovo Jesù’. Presumably the music in Rz1563 that serves the texts of both ‘Io mi trovo’ and ‘Jubili tutto’l mondo...signore’ is in fact the music intended for these other texts in M365.

note: RostirollaB, 712; Carboni-ZiinoLM, 279. Music ed. Mancuso, no. 47 (Rz1563); RostirollaTL, 28 (which differs from the setting in Rz1563); RC395 (tenor only, which matches tenor of Rz1563). Cc. in M365 attr. to A. Bettini. ‘Chi veder’ = lauda to San Francesco. Ferr84 melody is a version of Razzi’s melody; both ed. in Carboni-ZiinoLM, 329. 1589/2 transmits a3 setting identical to Anim1577, except with shortened candential melismas for the first stanza, and (as in Rz1563) a musically independent ‘seconda parte’ for the 2nd stanza. See ‘Io mi trovo’ as modo proprio.

note: sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 w/text ‘Se tu donassi il core’, and a slightly varied C & T, different CT). See FallowsCat, 560.

note: music ed. in D’AcconeMFR, iv, no. 43; text ed. xvi. First published in Venticinque canzoni a cinque voci (Lyons, Moderne c. 1538). The lauda is possible identical with the ‘O Maria del ciel regina’ sung by nuns in Castellano Castellani’s Rapresentazione di Santa Eufrasia; BecheriniSR, 210.

note: Music & text of ‘In su...tre bocche’ ed. MaceyS, 66-7; Mancuso, 507-9; discussed in LuisiCB, 433-6, 446-7; MaceyB, 106-7. In Ch266, cc. incipit ‘In su quell’alto monte è la fontana che trabochella drento vi si bagnia bella fantin[ell]a’ suggests an older secular model for Bianco’s 14thc. lauda text (‘In su quell’alto monte vi è una fontana che trabocch’ella d’oro vi son le sponde è d’argento la sua cannella’). Gall2 preserves yet a different cc. incipit for Bianco’s lauda: ‘In su quel monte chiara vi surge la fontanella’. Poet also called ‘Bianco dell’Anciolina Fiorentino, detto da Siena, Ingesuato’ (Gall2, p. 104). There are considerable differences between the texts transmitted in Gall2 & Rz1563. The 3-part setting in Rz1563 appears to be a simple arrangement of an older popular song, and very likely belonged originally to the secular cantasi come text.