Database

Galans et bons compagnons R4:7/9 (aBBa)

Language:

Lauda:

Jesù Cristo amoroso dè fà ch’i t’ami CapQ (aBBA cDDC...)

Notes:

note: FallowsCat,168. Music ed. ReidemeisterC, no.25 (BerK); cc. text ed. p. 99. 14thc. laudarios transmit an older lauda with the same incipit (‘Jesù Cristo amoroso/ralluminam il core’), but a different poetic form (BaG:8/7 [Xyyx Ababbccx).

Music Sources:

Cantasi Come Sources:

R2896(x2)

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Fuor, fuor chi se

Language:

Lauda:

Chi desia trovar dulcore
BaG:8 (xyyx ababbccx)

Notes:

note: lauda re. Nativity

Music Sources:

Cantasi Come Sources:

M365

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Franza, Franza, viva Franza BaMn:8

Language:

it-carn

Lauda:

Non fu mai più dolce amore-a
BaMn:8 (xx ababbx)

Lauda Poet:

Castellano
Castellani

Notes:

note: CattinCC, 194; MaceyB, 55; MaceyNC, 150-2; RostirollaB, 724. Gall4 cc = ‘Franza è Franza’. Carnival song, the ’Canto di Fransegi’; text ed. SingletonCC, 12-13. Alternate cc. = ‘Ogni giorno tu mi di’, for which Rz1563 transmits music. Lauda re. Passion/crucifixion. Related laude that might have been sung to the same cc. are ‘Non fu mai più bel sollazzo’ (G. Benivieni) & ‘Non fu mai più bel convito’ (M365). Music (Rz1563) ed. Mancuso, 493-6; MaceyS, 42-4 with texts of ‘Non fu mai...dolce amor’, Benivieni’s ‘Non fu mai el più bel solazzo’, & ‘Franza, Franza’.

Music Sources:

Rz1563 (a2)

Anim1563 Ferr84

Cantasi Come Sources:

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francese, aria

Language:

Lauda:

Porgimi aita tu-a
BaMn:5/6 (xx abab xx cdcd..)

Music Sources:

Cantasi Come Sources:

CS1548

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francese, aria

Language:

Lauda:

Alma che scorgi tu
6:6/7/5 (aabccb)

Music Sources:

Cantasi Come Sources:

CS1548

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Fortune elas--see Gentil madonna

Music Sources:

Cantasi Come Sources:

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Fortuna desperata Qr:7 (abba acca...)

Language:

Composer:

Felice or Busnoys

Lauda:

Poi che t’ebbi nel core
Qr:7 (abba abba...)

Lauda Poet:

Francesco d’Albizo

Notes:

note: FallowsCat, 518-20; CattinNF, 206 (esp. n.50 for bib.); CattinR, no.108; RostirollaB, 740. 36 versions of ‘Fortuna’ are ed. in MeconiF. Settings a4 of lauda text transmitted in Grey & Panc27 (different music in Anim1563); ed. CattinG, no.35; CG version (w/Felice’s substitute bass) ed. AtlasCG, ii, 38. Panc27 reinforces the cc. link: the music (the original 3-voice song with an added si placet altus part) is underlaid with d’Albizo’s lauda text, but transmits the incipit ‘Fortuna disperata’ as well; ed. in MeconiF, no. 4. Lauda also transmitted in LA424 without cc., but indication that it was ‘sent to Ser Firenze, prete’. See also the Florentine quodlibet built on the ‘Fortuna’ melody in M164-7, ed. BecheriniT; MeconiF, no. 13; quodlibet strands ed. JeppesenF, iii, 56ff.

Music Sources:

Cantasi Come Sources:

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Fora, fora, fora ingrata BaMz3/7:8/11 (xxY ababbxx)

Language:

it-frot

Lauda:

Deh contempla, anima ingrata
BaMz3/7:8/11 (xxY ababbxx)

Lauda Poet:

Castellano
Castellani

Notes:

note: CattinCC, 215; partial transcription 228-9. Music ed. La Face/BianconiGS, 313-16, & text ed. 208-9 (ModF.9.9). Both texts share 11-syllable Latin phrase as 3rd line of refrain: ‘Quam conturbata sunt omnia ossa mea’.

Music Sources:

ModF.9.9 (a4)

Cantasi Come Sources:

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Fin ch’ io vivo e poi la morte/tam- era lo tristo core-c BaG:8 (xyxy ababbx)

Language:

it-frot

Lauda:

Sento Jesù dirmi al core
BaG:8

Music Sources:

Cantasi Come Sources:

Rs424

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Fin ch’ io vivo e poi la morte/tam- era lo tristo core-b BaG:8 (xyxy ababbx)

Language:

it-frot

Lauda:

Maria dentro alla tua corte
BaG:8 (xyxy ababbxxy)

Notes:

note: Gall4 lauda title reads ‘drento’. 4part setting of ‘Maria dentro’ by I. Dammonis in PetL/i, ed. LuisiLG, ii, 338-40.

Music Sources:

Cantasi Come Sources:

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Fin ch’ io vivo e poi la morte/tam- era lo tristo core-a BaG:8 (xyxy ababbx)

Language:

it-frot

Lauda:

Fin ch’io vivo e poi la morte dolce madre BaG:8

Lauda Poet:

Bernardo Giambullari

Notes:

note: no cc. indication in the sources, but identity of form, opening lines and ryhme scheme indicate that the secular song ‘Fin che vivo et poi la morte tamera el tristo core’ was the model for Giambullari’s lauda, and the source of its cc. music. Settings of cc. survive a3 (P676, P1597) & a4 (ModF.9.9 & Per431). Music ed. Hernon, 380-3 (Per431); La Face/BianconiGS, 309-12, and text ed. 207-8 (ModF.9.9; ‘Fin che vivo...’). Cc. text ed. A. Saviotti, Rime inedite del secolo XV (Bologna, 1893), 30.

Music Sources:

Cantasi Come Sources:

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Ferrivecchi, ramivecchi-b BaMn:8 (xx ababbx)

Language:

it-carn

Lauda:

L’orazione è sempre buona-c
BaMn:8 (xx ababbx)

Lauda Poet:

Feo Belcari

Notes:

note: alternate cc = ‘L’erba buona è sempre buona’. ‘Ferrivecchi’ also cc. for ‘Chi vuol pace’, with music in PetL/i (ed. JeppesenL, 145), possibly the original music for this carnival song (‘Canzona de’ Ferrivecchi’). See also ‘L’orazione’ as a lauda with a cc. = ‘Se ben hor non scopro el foco’, a popular frottola by Tromboncino that is transmitted in Grey with Belcari’s lauda text.

Music Sources:

Grey

Anim1563

Cantasi Come Sources:

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Ferrivecchi, ramivecchi-a BaMn:8 (xx ababbx)

Language:

it-carn

Composer:

[Dam-
monis]

Lauda:

Chi vuol pace nel suo core-b
BaMn:8 (xx ababbx)

Lauda Poet:

Feo Belcari

Notes:

note: carnival song--’Canzona de’ Ferravecchi’. CattinR, 27; GhisiCC, 97. Text ed. SingletonCC, 5. PetL/i preserves setting of Belcari’s lauda, ed. JeppesenL,145. Alternate cc. = a ballo.

Music Sources:

PetL/i

Cantasi Come Sources:

Gall2

LCS161(x2)

Pal117

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Fedel’ e bel cagnuolo-g Mad13 (ABaBbCcdDEeFF)

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Salve regina
Mad13 (ABaBbCcdDEeFF)

Lauda Poet:

Ginevra Partini

Notes:

note: rubric for lauda reads ‘composta da S. Ginevra Partini’, so differs from and probably postdates Belcari’s ‘Salve regina di misericordia’.

Music Sources:

Q21

Yale179

1530/1

Cantasi Come Sources:

RC395

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Fedel’ e bel cagnuolo-f Mad13 (ABaBbCcdDEeFF)

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

O madre di Jesù vergine pia
Mad13 (ABaBbCcdDEeFF)

Music Sources:

Q21

Yale179

1530/1

Cantasi Come Sources:

RC395

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Fedel’ e bel cagnuolo-e Mad13 (ABaBbCcdDEeFF)

Language:

it-mad

Composer:

Philippe Verdelot

Lauda:

Jesù dolce conforto e vero amore
13:7/11 (ABbAaCcdDEeFF))

Lauda Poet:

Castellano
Castellani?

Notes:

note: Lauda re. circumcision. Lauda may be related to Savonarola’s ‘Jesù sommo diletto e vero lume’ & Belcari’s ‘Jesù dolce conforto e sommo bene’ (& their musical setting), or may be erroneous version of Castellani’s incipit,‘Jesù sommo conforto e vero amore’, w/music in Rz1563

Music Sources:

Q21

Yale179

1530/1

Cantasi Come Sources:

Pal169