Database

Donne chi vuole far filare lino o stoppa o ver capechio

Language: 

it-carn?

Lauda: 

Chi salute vuol trovare
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Belcari/
d’Albizo?

Notes: 

note: Gall2, Pal117, et al. attribute the lauda to d’Albizo, but it is not to be found in the authoritative d’Albizo source, LA424. Cc. identified as a carnival song in D’AnconaPP, 481.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196
R1258

Donna, s’io t’ò fallito o d’ altr’ amor BaMz3/9 (xYY AbCBaCdYY)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Donna, s’i’ son partito da Cristo
BaMz3/9 (xYY AbCBaCdYY)

Notes: 

note: R2871: ‘questa va in su donna si te fallito’. See CattinSq, 249; WilsonSC, 74; Diederichs, 63. Music ed. in PMFC4, 1. Given the early date of R2871 (c. late 14thc), the cc. link to Landini’s ballata is likely. However, 15thc. sources regularly cite another cc.: ‘S’io t’ò fallito, donna, mi dispiace’, a different trecento poem (BaMn:11), ed. in CarducciCBSM, 149-150. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

Music Sources: 
Sq
FP
Pit
Lo
PR
Man
Cantasi Come Sources: 
R2871

Donna questi lamenti-d BaMz? (xyZ xyZ abababZ)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Vergine dolce e pia/a te vengo
BaG4/7 (xyyx ababbcX)

Notes: 

note: Gall3 = ‘Donna esto mio lamento, vinitiana’.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall3
Inc34
Pal119
Pal120
R196

Donna questi lamenti-c BaMz? (xyZ xyZ abababZ)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

L’amor a me venendo-a
BaGG:7 (xyyx ababbccx)

Lauda Poet: 

Bianco da Siena?

Notes: 

note: Gall2 = ‘Donna sti mie’ lamenti’. Ed. with both texts, and music from Pav361 (which transmits the text of only ‘L’amor’) in LuisiLG, ii, 225; text of ‘L’amor’ ed. i, 291. See also link to lauda ‘Anima benedetta’ (w/extant musical settings). On the connection between these two texts of the Giustiniana trad., see GhisiUL, 61-4. Both laude serve as cc. for Belcari’s ‘Dolce madre Maria’. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
see ‘L’amor’ as cc.
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196
R1502

Donna questi lamenti-b BaMz? (xyZ xyZ abababZ)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Dolce madre Maria-a
BaG:7

Lauda Poet: 

Feo Belcari

Notes: 

note: CattinR, 33. See links to other laude, esp. ‘Anima benedetta’ and ‘L’amor a me venendo’, both with extant musical settings.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Donna questi lamenti-a BaMz? (xyZ xyZ abababZ)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Anima benedetta dell’alto creatore-a BaG:7 (xyyx ababbccx)

Lauda Poet: 

Leonardo Giustinian?

Notes: 

note: CattinR, 43, n.70 and (re. the cc.), 33, n.40; RostirollaB, 680 (re. ‘Anima benedetta’). There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-7, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Nap1608); see LuisiLG,ii,147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. Cc. text ed. Wiese, 159 (‘Donna, sto mio lamento/piazzate aldire in pace’). Other variants: ‘Donna sti mie’ lamenti’, ‘Donna questi mie’ lamenti’ (see D’AnconaPP, 481). RA2435, pp.102-5 transmits a ‘Donna questi lamenti/piacciati udire in pace’ with the unusual form Ba3+3/7 (xyZ xyZ abababZ). Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Ven
Pal472
Anim1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Donna che d’amor senta non si mova BaG (XYyx AbcAbcCDdX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Laudiam Jesù piatoso in cui si trova BaG4/10 (XYyx AbcAbcCDdX)

Notes: 

Note: CattinSQ, 249; WilsonSC, 74; Diederichs, 70. Music ed. in PMFC4, 82.

Music Sources: 
Sq
Pit
Cantasi Come Sources: 
Ch266
R1764

Dona gentile bella come l’oro BaG:11 (xyyx ababb??a)/R4:11 (abba)

Language: 

it

Composer: 

Dufay

Lauda: 

Se vuo’ gustar el dolce amor-a
Qr:11 (abba cddc...)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 515. Music ed. CMM1, vi, no. 8 & ThibaultM (Cord); PerkinsM, ii, no.33 (Mel); SchavranP, ii, 133 (Pav362). Alternate cc. = ‘Madre che festi’, & ‘Se vo’ sape’ matre’ (‘Se vous scaviés ma tres douce maistresse’). Cc. also cited in quodlibet on ‘Mon seul plaisir’, and as incipit for Isaac’s ‘La morra’ in CG. On the hybrid form of ‘Dona gentile’, and its literary traces of Giustinian’s style, see FallowsLG, 255-7.

Music Sources: 
Cord
Mel
Pav362
Cantasi Come Sources: 
[CorsC33]
CorsD3
M690

Dolor, pianto, e penitenza-f BaG4/6:8 xyyx ababbx

Poet: 

Castellano
Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Virginis Romane laudes (Latin sequence)

Lauda Poet: 

Vincenzo da Perugia

Notes: 

note: ‘Sequentia Sanctae Agnetis’.

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
Rz1563

Dolor, pianto, e penitenza-e BaG4/6:8 xyyx ababbx

Poet: 

Castellano
Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Virginis Catherinae laudes (Latin
sequence)

Lauda Poet: 

Serafino Razzi

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
Rz1563

Dolor, pianto, e penitenza-d BaG4/6:8 xyyx ababbx

Poet: 

Castellano
Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Laetabundus exultet virginum
(Latin sequence)

Lauda Poet: 

Vincenzo da Perugia

Notes: 

note: ‘Sequentia Sanctae Ceciliae’; ‘cantasi come quella di Natale’.

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
Rz1563

Dolor, pianto, e penitenza-c BaG4/6:8 xyyx ababbx

Poet: 

Castellano
Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Laetabundus exultet iuvenum (Latin sequence)

Lauda Poet: 

Serafino Razzi

Notes: 

note: ‘Sequentia Sancti Vencentii martyris’. Though Razzi’s rubric calls for this Latin sequence (and three others besides) to be sung to the music of ‘Dolor pianto’, the incompatibility of the poetic forms makes this unlikely. Another rubric following the two ‘Laetabundus’ sequences in Razzi calls for them to be ‘cantasi come quella di Natale’, while a rubric sandwiched between two paraphrases of ‘Victimae paschale laudes’ (‘Virginis Catherinae’ & ‘Virginis Romane’) calls for these to be ‘cantasi come quella della resurrezzione di nostro Signore’. Thus each pair draws its music from the more famous Latin sequences for Christmas and Easter (respectively) on which they are textually modeled.

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
Rz1563

Dolor, pianto, e penitenza-b BaG4/6:8 (xyyx ababbx)

Poet: 

Castellano
Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Dolce Dio pien di clementia
BaG4/6:8 (xyyx ababbx)

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
R2896

Dolor, pianto, e penitenza-b BaG4/6:8 (xyyx ababbx)

Poet: 

Castellano
Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Dolor, pianto e penitenza grida
BaG4/6:8 (xyyx ababbx)

Lauda Poet: 

Castellano Castellani

Notes: 

note: Castellani’s lauda is transmitted in R196 without a cc., but Cattin notes the similarity of incipt and rhyme scheme with his own sacred carnival song, most likely the poetic model and assumed cc. source.

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
R196 (see note)

Dolor, pianto, e penitenza-a BaG4/6:8 xyyx ababbx

Poet: 

Castellano Castellani

Language: 

it-carn

Composer: 

Bartolomeo degli Organi?

Lauda: 

Ave virgo gratiosa (Latin sequence) 3/5:8/7 (aax aabbx)

Lauda Poet: 

Serafino Razzi

Notes: 

note: ‘Sequenzia Sanctae Luciae’. Cc. = carnival song ‘Carro della morte’, 1507; for the most recent and thorough discussion of this song, see PrizerLC for full discussion, and ed. of text and music. Text ed. SingletonCC, 238-9. Music ed. GallucciFFM, no. 10 (w/notes on xiv-xv); Mancuso, no.57 (Rz1563). See also MaceyB, 56-7. See ‘Dolor, pianto’ as modo proprio. Of the 5 Latin ‘sequenziae’ that follow ‘Dolor, pianto’ in Razzi’s print, this (the first of them) is the only one that is formally compatible.

Music Sources: 
Rz1563 (a4)
Rz1609
BR337
Cantasi Come Sources: 
Rz1563

Dolce, felice, lieta notte-c CapQ:7/5 (ABBc CDDe...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Venite o voi gentili-a
CapQ:7/5 (ABBc CDDe...)

Lauda Poet: 

Serafino Razzi

Notes: 

note: lauda re. San Paolo

Music Sources: 
Rz1563 (a1)
Anim1577
Cantasi Come Sources: 
Rz1563

Dolce, felice, lieta notte-b CapQ:7/5 (ABBc CDDe...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Salve di Jesù sposa pudica-a
CapQ:7/5 (ABBc CDDe...)

Lauda Poet: 

Niccolò Fabbroni

Notes: 

note: alternate cc. for Fabbroni’s lauda is the frottola ‘Tu te lamenti a torto’.

Music Sources: 
Rz1563 (a1)
Anim1577
Cantasi Come Sources: 
Rz1563

Dolce, felice, e lieta notte-a CapQ:7/5 (ABBc CDDe...)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Levate su pastori-a
CapQ:7/5 (ABBc CDDe...)

Lauda Poet: 

Clemente Pandolfini?

Notes: 

note: RostirollaB, 697-8. Anim1577 transmits a 3-part setting of Razzi’s text, with a melody vaguely similar to that in Rz1563. Rz1563 text & music ed. Mancuso, 441-3; facs. of Anim1577 version in RostirollaTL, 29. Anim1577 setting reprinted in 1583/3, 1585, & 1589/2.

Music Sources: 
Rz1563 (a1)
Anim1577 Anim1577
1583/3
1689/2
Cantasi Come Sources: 
Soto1589

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