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Database

Dammi il tuo amor, Jesù benigno e pio-b 5:11/7 (ABBAx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

L’amor ti mosse a crearmi se bella
5:7/11 (ABBAx)

Lauda Poet: 

Ser Antonio Lippi

Music Sources: 
Cantasi Come Sources: 

Dammi il tuo amor, Jesù benigno e pio-a 5:11/7 (ABBAx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Fate brigha di tornare-a
BaMn:8

Music Sources: 
Cantasi Come Sources: 

Dalla più alta stella disces’in terra 7:7/11 (aBcBccA)

Language: 

it-carn?

Lauda: 

Dall’alta et somma luce
7:7/11 (aBcBccA)

Lauda Poet: 

Tholosano

Notes: 

note: Rs424 rubric = ‘lauda di San Vincentio martire et levita per la festa de’ giovani’. Given the association of the latter sections of Rs424 with the Convent of San Marco & Savonarola, this lauda must belong to a group of youth laude associated with the Savonarolan ‘fanciulli’, and with the Company of the Purification in particular; see WilsonHM, 292-7. The model for Lorenzo’s lauda is Divizio’s carnival song, the ‘Trionfo della dea Minerva’, ‘Dalla più alta stella discende a celebrare’, music ed. in GallucciFFM, no. 8; Mancuso, no. 82.

Music Sources: 
Cantasi Come Sources: 

Dalla più alta stella discende a celebrare 7:11/7 (aBcBccA)

Poet: 

Agnolo Divizio
da Bibbiena

Language: 

it-carn

Lauda: 

Dalla più alta stella disces’in terra-a 7:7/11 (aBcBccA)

Lauda Poet: 

Lorenzo de’ Medici?

Notes: 

note: cc = carnival song, ‘Trionfo della dea Minerva’. Text ed. SingletonCC, 213-14. Music ed. GallucciFFM, 14-15. See also MaceyB, 56-7. M310 & Gall4 list both lauda and cc as ‘Dalla più alta stella’. Lauda attr. to Lorenzo in the cc. sources, but excluded from Toscani’s edition. Cc. text once attr. to Poliziano; CattinNR, 260; CattinRP, 391. PrizerM, 29 suggests a date of ca. 1492 for the carnival song, which celebrates Giovanni de’ Medici’s cardinal’s hat, and very likely his subsequent grand entrance into Florence from Fiesole in March, 1492.

Music Sources: 
Cantasi Come Sources: 

Dall’ infelice grotte dove giorno 7:7/11 (aBaBcbC)

Poet: 

Guglielmo ‘il Giuggiola’

Language: 

it-carn

Composer: 

Alessandro Coppini

Lauda: 

Giù nelle infernal grotte morte
7:7/11 (aBaBcbC)

Notes: 

note: CattinR, 18-19 (with excerpts of both texts); CattinNR, 257. Cc = ‘Trionfo de’ Diavoli’. Lauda listed in R196 as modo proprio, but CattinR, 18-19 compares the two texts and identifies the model as a carnival song, the ‘Trionfo de’ diavoli’. Music ed. D’AcconeMFR, ii, no.5, & GallucciFFM, no.18; text ed. SingletonCC, 290. See the Canzona de’ diavoli ‘Già fummo’, as the cc. source for a different lauda.

Music Sources: 
Cantasi Come Sources: 

Dal greggie la smarrita pecorella

Language: 

it

Lauda: 

Dal sommo cielo el verbo eterno-a 7:7/11 (ABbAaCC)

Lauda Poet: 

Tholosano

Notes: 

note: alternate cc. = ‘Sybille sian di pudicitia ornate’

Music Sources: 
Cantasi Come Sources: 

Dal grave error da cui

Language: 

it

Lauda: 

Dal mio peccato et grave error commesso Ba4/12 (XYyX AbbACcdDEeXX)

Music Sources: 
Cantasi Come Sources: 

Dal giardino

Language: 

it

Lauda: 

Maria dolce che fai
Ba4/10:7 (xxxy abcabccddy)

Lauda Poet: 

Giannozzo Sacchetti

Notes: 

note: D’AnconaPP, 480 proposes that cc. might be ‘Vidila in un giardino ch’ella s’andava’. Text of ‘Maria dolce’ ed. Luisi, i, 306-8 (‘Madre dolce che fay’); it is an older text, found in (probably) pre-15thc. laudarios like BML, Ashburnham 423, fol. 183, and often attributed to Jacopone da Todi.

Music Sources: 
Cantasi Come Sources: 

Dai dolci camp’Elisi Mad (ABBbCDdCCEE)

Language: 

it-mad

Composer: 

Jacob Arcadelt

Lauda: 

Deh dolce madre di noi peccatori
Mad (ABBbAccDDEE)

Notes: 

note: M365 incipit = ‘Da’ dolci campi Elisei’. Lincoln, 31; EinsteinIM, i, 160, where Einstein prints the text of the madrigal, and assigns the madrigals of Arcadelt’s third book to his years in Florence (c. 1532-7?). See also Fenlon/HaarIM, 151 (concordant sources), and 62, where it is suggested that this madrigal may have been a part of the theatrical music for a performance of Lorenzino de’ Medici’s L’Aridosio at the wedding festivities for Alessandro de’ Medici in 1536. Music ed. SeayJA, iii, no. 17.

Cantasi Come Sources: 

Da poi che’l mio messere

Language: 

it

Lauda: 

Da poi che ’l mondo rio-b
BaMz (xyZ ABABbcZ)

Notes: 

note: alternate cc.= ‘canti di ghalea quando si vogha’

Music Sources: 
Cantasi Come Sources: 

Da poi ch’ io ti lascio BaMn (xX ABABbX)

Poet: 

Giovanni da Terra Nuova

Language: 

it

Lauda: 

Cristo ver uomo e Dio-a
BaMn (xX ABABbX)

Lauda Poet: 

Feo Belcari

Notes: 

note: see ‘Cristo ver’ as cc. in later sources. On ‘Cristo ver’, see CummingsP, 143-7 (texts of both ‘Cristo ver’, and its cc. ‘Laudate il sommo dio’ ed. 145, music on 146-7); RostirollaLC, 699-700, 758. Music w/Belcari’s text ed. Mancuso, 416-20. See also ‘Da poi’ as lauda in Gall4 (‘lasciai’) with cc. = ‘Laudate il sommo dio’. Text of cc. transmitted in Ch266 with attribution to Giovanni da Terra Nuova, but without cc.; full title of incipit there is ‘Dappoi ch’io ti lasciai Christo Jesù di quor non mallegrai’. The cc. text is found in earlier sources, like the (probably) pre-15thc. laudario BML, Ashburnham 423. 4-part, frottola-like setting in PetL/i ed. in LiuzziLG, ii, 328-9; this is musically unrelated to the 3-part setting in Rz1564 of ‘Laudate il sommo Dio’.

Music Sources: 
Cantasi Come Sources: 

Da colei ch’è sol mio bene

Language: 

it-mad

Lauda: 

A Jesù ch’è’ sol’ mio Dio
Ba2/4:8 (xx aaax bbbx...)

Lauda Poet: 

suor Tomasa Martelli

Notes: 

note: see Haar/FenlonIM, 141, 182. Besides Q21, the other source for this madrigal is New Haven, Yale University, John Herrick Jackson Music Library Misc. MS 179

Music Sources: 
Cantasi Come Sources: 

Da che tu m’hai Iddio il cor ferito-l BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Vien’a Jesù figliuola con fervore
BaG:11 (xyyx ababbccx)

Music Sources: 
Cantasi Come Sources: 

Da che tu m’hai Iddio il cor ferito-k BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Quando ti desterai anima stolta-a
BaG:11 (xyyx ababbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: Lauda incipit in RA2274 reads ‘Quando ti desterai, o alma stolta’.

Music Sources: 
Cantasi Come Sources: 

Da che tu m’hai Iddio il cor ferito-j BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Qualunque sente dell’amor-a
BaG:11 (xyyx ababbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: lauda re. St. Bernardino.

Music Sources: 

Da che tu m’hai Iddio il cor ferito-i BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

O luce della Spagna, o gran bellezza BaG:11 (xyyx ababbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: lauda re. St. James the Greater

Music Sources: 

Da che tu m’hai Iddio il cor ferito-h BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Laudiam con divozione quel nome-a BaG:11 (xyyx ababbccx)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: lauda re. St. Anne

Music Sources: 

Da che tu m’hai Iddio il cor ferito-g BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Eterno Dio che per voler
BaG:11

Lauda Poet: 

Benedetto
Luschino

Notes: 

note: lauda re. Savonarola; entire Luschino text ed. & trans. in MaceyS, lvi-lvii; music ed. 90-3. See also MaceyB, 131f, where he proposes a link to Catherina de’ Ricci’s Savonarolan lauda, ‘Da che tu m’hai dimostro tanto amore’, which is clearly modeled on Belcari’s ‘Da che tu m’hai Iddio’.

Music Sources: 
Cantasi Come Sources: 

Da che tu m’hai Iddio il cor ferito-f BaG:11 (xyyx ababbccx)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Diva gemma del cielo alma puella-b BaG:11 (xyyx ababbccx)

Lauda Poet: 

Antonio di Guido

Music Sources: 

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