Database

Corona delle donne o gentil fiore-b

Language: 

it

Lauda: 

O vergin sacra e santa, alma d’amore CapQ (AbbA...)

Music Sources: 
Cantasi Come Sources: 
Ch266

Corona delle donne o gentil fiore-a

Language: 

it

Lauda: 

Corona delle vergine splendore
BaG (XyyX aBaBBccX)

Music Sources: 
Cantasi Come Sources: 
R2896

Cor mio dolente fuggi

Language: 

it

Lauda: 

Venite anime care
CapQ (aAbB cCdD...)

Lauda Poet: 

F[ra] M[auro]?

Notes: 

note: RostirollaB, 691. Dated 1611 in CS1548. Lincoln, 755, identifies it as a madrigal, despite its publication in Gardano’s Il quarto libro delle laudi (1591/3).

Music Sources: 
1591/3
Cantasi Come Sources: 
CS1547
CS1548

Contrari i venti, il mar, la terra abbiano BaG (XyyX AbBBbccX)

Poet: 

Giovan Francesco del Bianco

Language: 

it-carn

Composer: 

Alessandro Coppini

Lauda: 

Venite peccatori, cercando andiamo BaG (XyyX AbaBbccX)

Notes: 

note: carnival song--’Canzona de’ contrarii venti’ or ‘Canzona de’ naviganti’. GhisiCC, 198; CattinR, 23. Music ed. D’AcconeMFR, ii, no.4. Text ed. SingletonCC, 230.

Music Sources: 
BR230
BR337
Cantasi Come Sources: 
R196

Contento in foco sto come Fenice Str:11

Poet: 

Poliziano

Language: 

it-frot

Lauda: 

Ave di cieli santa imperatrice
Son:11

Lauda Poet: 

Leonardo Giustinian

Notes: 

note: see CattinRP, 385; BridgmanM, 208-9; JeppesenF, iii, 176-7 (cc. text ed. 158-9); RubsamenLS, 21. Music ed. w/both texts from P676 (a3) & Panc27 (a4) in LuisiLG, ii, 150-1; JeppesenF, iii, 299-300 (Triv55; a3). Text of ‘Ave di cieli’ (an ‘Ave Maria’ acrostic) ed. LuisiLG, i, 260-1 (as ‘Ave di cieli santa imperatrice’, the more usual form of the title); in P676 w/rubric ‘Pro lauda virginis mariae’ & the lauda incipit above. Text of cc. attr. to Serafino Aquilano in some literary mss. I could not verify the assertion in CattinNR, 308 that the work was also to be found in ModF.9.9, no. 12. JeppesenF, ii, 192 & CattinRP, 385 also report a setting of ‘Contento in foco’ in Pesaro, Biblioteca Oliveriana, MS 1144 (1193), pp. 70-71. There is no conclusive evidence that this lauda and its link were known and sung in Florence, and its inclusion in the database is based solely on Poliziano’s authorship of the cc. text, and the tendency of lauda contrafacta in north Italian sources to have Florentine connections.

Music Sources: 
P676
Panc27
Triv55
Cantasi Come Sources: 
P676

Conosco ben che pel peccato mio-e BaMz (XYX AbAbBCX)

Poet: 

Francesco d’Albizo

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Sempre, anima diletta, per tu’ aiuto BaMz (XYX AbAbBCX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, lauda sent to ‘Jacopo di Luigi de’ Morsi’.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Conosco ben che pel peccato mio-d BaMz (XYX AbAbBCX)

Poet: 

Francesco d’Albizo

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Nessuna cosa al mondo è piu sicura Ba4/7 (XyyX AbAbBCX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, ‘mandata a Messer Lorenzo, prete in Santo Tommaso’.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall4
LA424
Pal120
R196

Conosco ben che pel peccato mio-c BaMz (XYX AbAbBCX)

Poet: 

Francesco d’Albizo

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Mentre ch’ a voi e conceduto ’l tempo BaG (XyyX AbAbBccX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, lauda sent to ‘Luca di Bartolomeo Rinieri’ (also the recipient of another lauda in LA424 without cc., ‘Chi si veste di vano’).

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall4
LA424
Pal120
R196

Conosco ben che pel peccato mio-b BaMz (XYX AbAbBCX)

Poet: 

Francesco d’Albizo

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Laudiam tutti umilmente il salvatore BaMz (XYX AbAbBCX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, Ascension lauda, sent to Ser Lorenzo, priest in San Tomaso.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Conosco ben che pel peccato mio-a BaMz (XYX AbAbBCX)

Poet: 

Francesco d’Albizo

Language: 

it

Composer: 

Ser Firenze

Lauda: 

Con somma reverenza sia laudato
BaMz (XYX AbAbBCX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: MaceyB, 54, 58, 116 n.54; WilsonSC, 91. Text & music of cc. ed. Mancuso, 721-30. Cc = ‘Et ha modo proprio molto bello facto da Ser Firenze prete’ (Rs424; similar in Gall2). Cc. attr. to Jacopone da Todi in some sources; see D’AnconaPP, 479. In LA424, rubric indicates the lauda sent to ‘Maestro Giovanni Carlli [Caroli], frate in Sancta Maria Novella (on Caroli & music, see WilsonHM, 286-8, & MaceyB, 20, 92). ‘Con somma’ re. St. John the Baptist.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Con lagrime bagnandome nel viso BaG:11/7 (XyyX ABABBccX)

Poet: 

Leonardo Giustinian

Language: 

it

Composer: 

Johannes Ciconia

Lauda: 

Colla ment’e col cor peccator fiso
BaG (XyyX ABABBccX)

Notes: 

note: FallowsCat, 509; NádasL, 41-2, 139; CarboniE, 450-1; WilsonSC, 73; FallowsLG, 251-3; Diederichs, 67. Music ed. in PMFC24, no.29; HoppinAMM, 173; ClercC xii, no.8 (Pit); LuisiLG, ii, 256 (T from P4376). Text and music are edited and discussed in A. Kreutziger-Herr, “Rethinking ‘Con lagrime’: Johannes Ciconia, Leonardo Giustinian and the Musical Text’, in VendrixC, 215-32. 4 intabulations in Bux also ed. in PMFC24, 180ff. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 35; see CilibertiP, 23-34, and NàdasCR. In R1764, cc. text attr. to ‘Messer Franciescho signior di padova’.

Music Sources: 
Man
Pit
Q15
SevP
Bux +1
Cantasi Come Sources: 
Ch266
R1764

Con desiderio io vo cercando BaG:8 (xyyx ababbccx)

Language: 

it

Lauda: 

Tu che puoi quel che tu vuoi-a
Qr:7/8 (abba cddc...)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 508; Diederichs, 90-99. Alternate cc. for ‘Tu che poi’ = ‘La vita della sgalera’ (Gall2). Lauda re. San Lorenzo. The differing versions of the music for ‘Con desiderio’ ed.: LuisiLG, ii, 28-35 (BU, Grey, Panc27, M18); CattinG, no.5 (Grey; w/notes on p. xviii); Diederichs, 296-303 (M18 facs., BU & Panc27). See WilsonMM, 172, 280-1 (BU). A different a3 setting of ‘Con desiderio’ (found in Cord w/lauda text ‘Ben lo sa Dio’ & ed. in ThibaultM, 4-5; see FallowsCat, 504-5) is related to the identical versions in Grey (ed. CattinG, no.22) & Panc27 (LuisiLG, ii, 32 & Diederichs, 302). Text of ‘Con desiderio’ ed. LuisiLG, i, 292-3. Cc. text entered in R2929, which was copied by 1448, and Mgl II.IX.58, copied by ca. 1415.

Music Sources: 
BU
M18
Grey
Panc27
Cantasi Come Sources: 
Cas794
CorsD3
Gall2
Gamb206
Inc34
LA480
LR121
M690
M1163
Pal117
Pal119
Pal120
PM480
R193
R196
Rs424

Con allegro disio [facciamo grande allegrezza] BaG:7 (xyxy ababbccy)

Language: 

it

Lauda: 

Ave, Maria eletta-a
BaG:7 (xyyx ababbccx)

Notes: 

note: alternate cc. = ‘Era tutta soletta’. The text of the cc., a lauda, can be found in R2929, 82v, a ms. copied by 1448.

Music Sources: 
Cantasi Come Sources: 
Ch266

Come tradir pensasti donna mai BaMn:11 (xx ababbx)

Language: 

it

Composer: 

Jacopo Pianelaio

Lauda: 

Come se’ da laudar più ch’altrui-a
BaMn:11 (xx ababbx)

Notes: 

note: Diederichs, 75; D’AnconaPP, 479. Lauda incipit reads ‘...c’altr’assai’. Music ed. PMFC10, 91; MFCI v, 41. 14thc. text ed. in CarducciCBSM, 151-2. 2nd line of cc. rubric is “chi tamava con fe piu c’altrassai.”

Music Sources: 
Lo
Cantasi Come Sources: 
R2224

Come d’un sol color son nostri-c BaG (XyyX ABABBccX)

Poet: 

Giovam-
Battista dell’
Ottonaio

Language: 

it-carn

Lauda: 

Vedete oggi Maria che va cercando

Music Sources: 
Cantasi Come Sources: 
M365

Come d’un sol color son nostri-b BaG (XyyX ABABBccX)

Poet: 

Giovam-
Battista dell’
Ottonaio

Language: 

it-carn

Lauda: 

Da poi che nato è il sol tanto lucente BaG (XyyX ABABBccX)

Lauda Poet: 

Tholosano

Notes: 

note: Lauda rubric in Rs424: ’lauda de’ Magi adoranti Christo...cantasi come il canto de’ soppiactoni [soppiattoni].’

Music Sources: 
Cantasi Come Sources: 
M365
Rs424

Come d’un sol color son nostri-a BaG (XyyX ABABBccX)

Poet: 

Giovam-
Battista dell’
Ottonaio

Language: 

it-carn

Lauda: 

Come d’un sol color son nostri-a
BaG (XyyX ABABBccX)

Lauda Poet: 

Niccolò Fabbroni

Notes: 

note: cc = carnival song of the ‘dissemblers’ (‘Canzona de’ soppiattoni’); text ed. BruscagliTCC, i, 168-70; SingletonCC, 301-2. M365 lists this as lauda by Fabbroni with a modo proprio, but the identity of the 1st line to Ottonaio’s carnival song suggests that the latter is Fabbroni’s ‘modo proprio’.

Music Sources: 
Cantasi Come Sources: 
M365 (see note)

Colui che dà le legge alla natura Mad (ABbAaccDD)

Poet: 

Jacopo Nardi

Language: 

it-carn

Lauda: 

Madre del redemptor vergine e pura/ove per grazia-a Mad (ABbAaccDD)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 203; GhisiCC, 75-7. Carnival song--’Canzona del secol’ d’oro’ = ‘I sette trionfi del secol d’oro’ = ‘Trionfo della Compagnia del Broncone nella venuta di Papa Lione’; written by Nardi for accession of Pope Leo X in 1513. The Compagnia del Broncone was a group of gentlemen under the leadership of Lorenzo de’ Medici (grandson of Magnifico). Music ed. in GallettiFFM, no.12, & GhisiCC, 76. Text ed. SingletonCC, 250; text & music ed. & discussed in more detail in CummingsP, 22-30. Castellani’s lauda not to be confused with Pandolfini’s of very similar title. For a description of Nardi’s float, see GallettiFFM, xv.

Music Sources: 
BR230 (a4)
Cantasi Come Sources: 
R196

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