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Database

Chi guasta l’altrui cose fa villania-a 7:8/11 (AbAbAbC CdCdCdE...)

Language: 

it

Lauda: 

Chi ama Cristo figliuol di Maria
7:8/11 (AbAbAbC CdCdCdE..)

Notes: 

note: cc. = cited in tenor of quodlibet w/’Fortuna disperata’ in P (Paris, BNF, nouv. acq.fr. 1817, the tenor partbook of CortP; ed. GallicoRM, 61), and in M164-7 (ed. BecheriniT, 91 & JeppesenF, iii, 60). See D’AnconaPP, 478-9. Judging from the form of the lauda with which this cc. is most frequently paired (‘Chi non cerca’ & ‘Tua chiara stella’), the poetic form of ‘Chi guasta’ was probably 7:7/11 (AbAbAbC). CarboniE, 435 notes that this cc. title is the incipit of the 2nd stanza of ‘Quale esso fu lo malo cristiano’, a popular song cited by Boccaccio in Decameron iv, 5. The cc. poem is transmitted in Rome, Biblioteca Angelica 2435, 134, and BML, Ashb. 484, 167r, as well as in the 14thc. ms. BML, XLII.38, fol. 30v. The form of the cc. poem as transmitted in BML Ashburnham 484 (no. 113) is irregular in both line lengths and rhyme sequence, but the rhyme sequence abababc is discernible in much of the poem. For an ed. of the cc., and a discussion of its Neapolitan origins, see R. Coluccia, Tradizione auliche e popolari nella poesia del regno di Napoli in età angioina, «Medioevo Romanzo» II, 1975, 119-21.

Music Sources: 
CortP
M164-7
Cantasi Come Sources: 
Ch266

Chi desia dentro il suo petto

Language: 

it

Lauda: 

Di vermiglie e bianche rose
6:8/5 (AAbbcc DDeeff...)

Music Sources: 
Cantasi Come Sources: 
CS1548

Chi arà mai pietate

Language: 

it

Lauda: 

Amanti del Signore piangete el buon Jesù-a CapQ (aBbA aCcD...)

Lauda Poet: 

Feo Belcari

Music Sources: 
Cantasi Come Sources: 
CorsD3
M119
M690
Rs424

Chi amo la morte

Language: 

it

Lauda: 

Chi amo Maria omè soccorri aita
5:11 (abccc defff...)

Lauda Poet: 

suor Tomasa Martelli

Music Sources: 
Cantasi Come Sources: 
R2988

Che no’ è pazzo, pazzo sia

Language: 

it

Lauda: 

Facciam festa e giulleria-b
BaMn:8 (xx aaax bbbx...)

Lauda Poet: 

Feo Belcari

Notes: 

note: Cantus melody for ‘Facciam’ (Ferr84), ed. in Carboni-ZiinoLM, 318

Music Sources: 
Ferr84
Cantasi Come Sources: 
RC395

Che faralla, che diralla quando la saperà BaMz3/9:irreg (xyy aaYbbYCCY)

Language: 

it-frot

Composer: 

Michele Pesenti

Lauda: 

Che faralla, che diralla quando l’alma al fuoco-a BaMz3/9:irreg
(xxy aaYbbYCCY)

Lauda Poet: 

Clemente
Pandolfini?

Notes: 

note: JeppesenF, ii, 213. Music & text of cc. ed. LuisiFr, no. 26 (notes on 35, 43-4, and text ed. 61-2); EinsteinCS, 52; LuisiMVR, 284-5; SpartiW, 159-60 (& discussion of ‘Che faralla’ as a ballo adaptation on 144-5). Music & lauda text in Rz1563, ed. Mancuso, 542-5, & LuisiFr, 282. The two-part version in Razzi freely adapts the cantus & tenor of Pesenti’s frottola setting. In Pal169, the lauda text is presented with the form Ba4/6:5/8 (xxYy aaYBBY). Text also ed. and discussed in D’AnconaPP, 94-5.

Music Sources: 
PetF/xi
Cap
1513/1
Rz1563
Cantasi Come Sources: 
M365 [Pal169]
RC395

Che farai tu cor mio [tutto ghiacciato]-c BaG (XyyX AbAbBccX)

Poet: 

Battista de’
Malatesti

Language: 

it

Lauda: 

L’uomo, che brama con gloria
BaG (XyyX AbAbBccX)

Music Sources: 
Rz1563 (a2)
Cantasi Come Sources: 
M365

Che farai tu cor mio [tutto ghiacciato]-b BaG (XyyX AbAbBccX)

Poet: 

Battista de’
Malatesti

Language: 

it

Lauda: 

Che farai tu Maria, quando vedrai
BaG (XyyX AbAbBccX)

Lauda Poet: 

Serafino Razzi

Music Sources: 
Rz1563 (a2)
Cantasi Come Sources: 
Rz1563

Che farai tu cor mio [tutto ghiacciato]-a BaG (XyyX AbAbBccX)

Poet: 

Battista de’
Malatesti

Language: 

it

Lauda: 

Che farai tu cor mio, ecco’l tuo amore BaG (XyyX AbAbBccX)

Notes: 

note: music and Malatesti text ed. Mancuso, no. 33.

Music Sources: 
Rz1563 (a2)
Cantasi Come Sources: 
M365

Che fai qui core BaMn:7/5 (xX ABABBX)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Ecco’l Re forte-b
BaMn:7/5 (xX ABABBX)

Lauda Poet: 

Lucrezia Tornabuoni

Notes: 

note: see MaceyS, 64-5 for a3 setting from Rz1563 w/Savonarola’s text; text ed. & translated on xliv-xlv. See also MaceyB, 104-7. See ‘Che fai’ as a lauda with a variety of cc. links.

Music Sources: 
Rz1563
Pal173
Cantasi Come Sources: 
LCS161

Che deggio mai più fare-b

Language: 

it

Lauda: 

Dolcezza del mio cor-a
BaMn2/3 (xx aaX bbX ccX...)

Lauda Poet: 

Tholosano

Music Sources: 
Cantasi Come Sources: 
Rs424

Che deggio mai più fare-a

Language: 

it

Lauda: 

Che deggio mai più fare altro che
BaG?4/4 (xxxx aaXx bbXx...)

Lauda Poet: 

Bartolomeo di B.

Notes: 

note: although the incipits of lauda and cc. are identical, the cc. is probably a secular model, neither the text nor music of which has survived.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall3
Inc34
Pal119
Pal120
R196

Che deggio far’ amor che mi consigli? Cz (AbCAbCcDdEE)

Poet: 

Petrarch

Language: 

it-mad

Composer: 

Bernardo Pisano

Lauda: 

Che deggio far’ amor che mi consigli CapQ (AbbA CddC..)

Notes: 

note: Fenlon/HaarIM, 159 (concordant sources of Pisano’s setting). Petrarch’s inicipt is ‘Che debb’io far, che mi consigli, Amore?’. Music ed. in D’AcconeMFR, i, no.17 (M164-7). For other settings of poems with identical incipits (including one by Tromboncino in PetF/vii), see Lincoln, 839; and Fenlon/Haar, 142 (anon.), 176 (Tromboncino), and 189 (anon.).

Music Sources: 
M164-7
Bas2440
PetG
Cantasi Come Sources: 
LA766
RC395

Che credi fare amore-c

Language: 

it

Lauda: 

O peccator che fai vuo’ tu-a
BaG (xyyx ababbccx)

Notes: 

note: Luisi transcription = ‘Che chiedi’. Alternate lauda for this cc. = ‘O dolce amor Jesù’, w/music a3 in Rz1563; alternate cc. for this lauda = ‘Levati su omai’, with music a4 in Rz1563.

Music Sources: 
Rz1563?
Cantasi Come Sources: 
Ch266

Che credi fare amore-b

Language: 

it

Lauda: 

O dolce amor Jesù [quando sarò]-a
BaG (XyyX AbAbbccX)

Lauda Poet: 

Giustinian/
Bianco da Siena

Notes: 

note: Music for the similar a2 settings of ‘O dolce amor’ ed. in EynardLP, 76-7 (B207), and Diederichs (diplomatic transcr. of Ven, 401-3). Razzi transmits a vaguely related musical setting; ed. Mancuso, 733-8. Rz1563 & Ven versions ed. LuisiLG, ii, 83-5; text ed. i, 258-9. Cc. indication in Rs424 intended, but not entered. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
B207
Rz1563
Ven
Cantasi Come Sources: 
Ch266 [Rs424
Gall3]

Che credi fare amore-a

Language: 

it

Lauda: 

Che fa’ tu peccatore non vedi tu
BaG:7/5/11 (xyyx aBaBbccx)

Notes: 

note: variants in Ch266; ‘Che tu credi’, ‘Chi chiedi’. Alternate cc. = ‘O dolce amor Jesù’, w/music a3 in Rz1563. See D’AnconaPP, 478. Lauda text entered in R2929, which was copied by 1448.

Music Sources: 
Rz1563?
Cantasi Come Sources: 
Ch266

Che bella vit’ ha ‘l mondo-f Str:11

Language: 

it

Lauda: 

Rettore omnipotente, Dio verace
11:11 (irreg)

Lauda Poet: 

Serafino Razzi

Notes: 

note: rubric in Rz1563: ‘Hinno dell’hora sesta’.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

Che bella vit’ ha ‘l mondo-e Str:11

Language: 

it

Lauda: 

Prima che’l sol nello Oceano intrando 12:11 (irrreg)

Lauda Poet: 

Serafino Razzi

Notes: 

note: rubric in Rz1563: ‘Hinno di Compieta’.

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
Rz1563

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