Database

Diletto non ispero d’aver ma’

Language: 

it

Lauda: 

Chi serve a Dio con purità di core-c BaMn:11 (xx ababbx)

Lauda Poet: 

Feo Belcari

Notes: 

note: see D’AnconaPP, 480.

Music Sources: 
Panc27
Cantasi Come Sources: 
Ch266
M690
Rs424

Diletto Jesù Cristo chi ben t’ama Qr:11 (aaax bbbx...)

Poet: 

Leonardo Giustinian?

Language: 

it

Lauda: 

Amor Jesù dolce mio salvatore
Qr:11 (aaax bbbx cccx...)

Notes: 

note: Diederichs, 101f.; music ed. 306-9. Text of cc. ed. LuisiLG, i, 297; music ed. ii, 40 (Q15) and 41 (Pav361). Cc. text in Gall3.

Music Sources: 
Q15
Pav361
Cantasi Come Sources: 
Cas794
Ch266
Inc34
Pal119
Pal120
R196

Dí, perché non ti piace

Language: 

it

Lauda: 

Servirti, Signor mio, con puro affetto BaMn:11

Lauda Poet: 

Neri Pagliaresi

Notes: 

note: WilsonSC, 75. Lauda text ed. VaraniniRS, 29, 160f.

Music Sources: 
Cantasi Come Sources: 
M130

Di ben morire

Language: 

it

Lauda: 

Quanto è dolce e soave e bel morire CapQ:7/11 (ABBA cdcd DEEA fgfg...)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: also in LA424, with indication that the lauda was ‘sent to Giovanni di Jacopo vaiaio’. Rubric in Gall4 = ‘cantasi come--di ben morire’, though this sounds more like a topical rubric (which it appears to be in LA424).

Music Sources: 
Cantasi Come Sources: 
Cas794
[Gall4]
LA424
Pal120
R196

Destati o peccatore-b BaG (xYyX AbAbbCcX)

Poet: 

Bianco da Siena?

Language: 

it

Lauda: 

O peccatori piangete la passione
BaG (xYyX aBaBbCcX)

Music Sources: 
Cantasi Come Sources: 
Ch266

Destati o peccatore-a BaG (xYyX AbAbbCcX)

Poet: 

Bianco da Siena?

Language: 

it

Lauda: 

Ecco il nostro Signore
BaG

Notes: 

note: both texts entered in R2929, which was copied by 1448.

Music Sources: 
Cantasi Come Sources: 
M119

Della ingratitudine de’ peccatori

Language: 

it

Lauda: 

O ingrato peccatore che dormi
BaG (xyyX XAAXxbbX)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: Gall4 & related sources transmit ‘cantasi come---Della ingratitudine de’ peccatori’, but this is probably an erroneous transmission from an earlier ms. source of the topical rubric, mistaken in the later printed sources as a cc. title. In LA424, the lauda is transmitted with this topical rubric, but no cc. indication, and a rubric explaining that this lauda was ‘mandata a uno amico optimo’.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Deh, porgete un po’ gli orecchi-b BaMn:8 (xx ababbx)

Language: 

it-carn

Lauda: 

I’ non vo’ più teco stare
6:8 (ababba)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: Lauda possibly related to ‘Ora mai’ complex of songs advocating the monastic retreat of young Florentines (see WilsonHM), and intended primarily for performance in the Company of the Purification at San Marco. The related subject of the carnival song model, the ‘Canzona delle ninfe e de’ vecchi’ is a dialogue between young and old.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Deh, porgete un po’ gli orecchi-a BaMn:8 (xx ababbx)

Language: 

it-carn

Lauda: 

Deh, volgete ogn’un l’affetto
BaMn:8 (xx ababbx)

Notes: 

note: carnival song, ’Canzona de’ Vecchi’ (rubric in Gall4: ‘cantasi come la canzona de’ vecchi, cioè: Deh guardate in quanti affanni’). The actual carnival song is very likely the ‘Canzona delle ninfe e de’ vecchi’, ‘Deh, porgete un po’ gli orecchi’, the first stanza of which begins ‘Risguardate in quant’affanni’. The poetic form of the carnival song is compatible with both laude that adopt it as a cc., ‘Deh volgete’, and d’Albizo’s ‘I’ non vo’ più teco stare’ (6:8 ababba). This link was first suggested by G. Ciappelli, Carnevale e Quaresima, Rome, Ed. di Storia e Letteratura 1997, 199n. The carnival song text is ed. in SingletonCC, 23-4.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Deh volgi gli occhi tuoi piatosi-b BaMn (xx ababab)

Language: 

it

Lauda: 

O madre santa o vergine Maria
BaMz 3/7 (xyX ababAX)

Music Sources: 
Cantasi Come Sources: 
R2896

Deh volgi gli occhi tuoi piatosi-a BaMn (xx ababab)

Language: 

it

Lauda: 

Di virtù gratie e doni, o magno re
BaMn:11 (xx ababbx)

Notes: 

note: CattinSq, 249 cites Landini’s ‘De’ volgi gli occhi a me, donna’ as the cc. source for ‘Di virtù’, but Ch266 actually refers to a different, extant lauda text that survives in later 15thc. cc. sources, including Gall3 (see ‘Deh volgi gli occhi tuoi piatosi’ as a lauda).

Music Sources: 
Cantasi Come Sources: 
Ch266

Deh volgi gli occhi [tuoi piatosi?]-a BaMn (xx ababab)

Language: 

it

Lauda: 

Deh volgi gli occhi, o benigno Signore 5/10:irreg

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: possible source for cc. is ‘Volgi gli occhi, o madre mia’ by A. Demophon Venetus (a4) in PetL/ii, ed. JeppesenL, no.27. Unlikely as a cc. source for a late 15thc. lauda is ‘Deh volgi li occhi a me, donna’ in a setting by Landini (Sq, FP); more likely is the music associated with the text ‘Deh volgi gli occhi tuoi piatosi’ (see as a lauda with cc. indications), though the poetic forms of the these two laude are quite different. In LA424, lauda sent to Pagholo Moregli [Morelli].

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
LA424
Pal120
R196

Deh venitene pastori-c Qr:8 (abbc cdde effg...)

Poet: 

Lucretia
Tornabuoni

Language: 

it

Lauda: 

Viva Cristo e chi li crede
Qr:8 (abba)

Lauda Poet: 

Filippo
Cioni

Notes: 

note: Macey proposes this link based on similarity of rhyme scheme; music ed. with this lauda text in MaceyS, 33, and MaceyB, 67.

Music Sources: 
Rz1563 (a3)
Anim1563
Cantasi Come Sources: 
[MaceyB
66-8]

Deh venitene pastori-b Qr:8 (abbc cdde...)

Poet: 

Lucretia
Tornabuoni

Language: 

it

Lauda: 

Deh venite figlioline con i passi
Qr:8 (abbc cdde ..)

Music Sources: 
Rz1563 (a3)
Anim1563
Cantasi Come Sources: 
RC395

Deh venitene pastori-a Qr:8 (abbc cdde...)

Poet: 

Lucretia
Tornabuoni

Language: 

it

Lauda: 

Deh venitene fervent’ et devote
Qr:8 (abbc cdde...)

Notes: 

note: RostirollaB, 694; MaceyB, 66-8, 82, 102. Music ed. MaceyS, 32; Mancuso, no. 21. Separately printed text in Rz1563 begins ‘Venitene pastori’.

Music Sources: 
Rz1563 (a3)
Anim1563
Cantasi Come Sources: 
RC395

Deh torna omai pecorella smar- rita-b BaMz: 7/11 (XyX AbAbBcX)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Glorioso e sommo duce
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 198. The forms of cc. and lauda are not particularly compatible.

Music Sources: 
BR230
cf. Donne gentil’ di gran
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196
Rs424

Deh torna omai pecorella smar- rita-a BaMz: 7/11 (XyX AbAbBcX)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Deh torna ormai pecorella al pastore BaMz: 7/11
(XyX AbAbBcX)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 214 attributes cc. (a lauda) to Castellani, as well. ‘Deh torna...smarrita’ transmitted as anon. lauda in Gall4, w/cc. = ‘Donne gentil’ di gran siam mercatanti’ (‘Canzona de’ granaiuoli’), w/music in BR230 & RC395. Text ed. SingletonCC, 228-9,

Music Sources: 
BR230
cf. Donne gentil’ di gran
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196
Rs424

Deh sospirar sovente BaG (xYxY aBaBbCcX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Battista da Dio amata
BaG (xYxY aBaBbCcX)

Notes: 

note: See CattinSq, 248; WilsonSC, 73; Diederichs, 70. Music ed. in PMFC4, 80; music & both texts ed. Diederichs, 288-90. Cf. D’AnconaPP, 480, where incipit is given as ‘Di sospirar’; cc. text published in CarducciCBSM, 132 as ‘Di sospirar sovente/constretto son...’, where it is a male voice in a dialogue between a lady and her lover.

Music Sources: 
Sq
Cantasi Come Sources: 
Ch266

Deh sappiatevi guardare,o garzon

Language: 

it

Lauda: 

Deh sappiatevi guardare da cattive compagnie-b BaG:8 (xyyx ababbccx)

Lauda Poet: 

Piero or Antonio di Mariano Muzi

Notes: 

note: Ch266 version = ‘Sappiatevi guardare, giovani’ (perhaps a different lauda); most readings transmit ‘Deh, sappiatevi guardare, o garzon, di non tor moglie’. On relation to ‘Ora mai’ complex of Florentine youth confraternity laude, see WilsonHM.

Music Sources: 
‘Ora mai che fora son’
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196 (Ch266)

Deh sappiatevi guardare, giovani

Poet: 

D. Arnolfi?

Language: 

it

Lauda: 

Deh sappiatevi guardare da cattive compagnie-a BaG:8 (xyyx ababbccx)

Lauda Poet: 

Piero di Mariano Muzi

Notes: 

note: Ch266 version = ‘Sappiatevi guardare, giovani’ (perhaps a different lauda); most readings transmit ‘Deh, sappiatevi guardare, o garzon, di non tor moglie’ (these 2 octosyllabic lines suggest the cc. text is also a BaG:8). On relation to ‘Ora mai’ complex of Florentine youth confraternity laude, see WilsonHM. Piero was a guardian of the boy’s Company of the Purification at the convent of San Marco around mid-century, for which this lauda and other’s relating to juvenile obedience were probably destined. He was also the author of the sacra rappresentazione, the Festa del vitel sagginato, which was performed within the Purification during carnival of 1449-50, and 1462. The cc. incipit is also transmitted (and attr. to D. Arnolfi) in Benedetto Dei’s Croniche, 91v, where he lists the titles of 30 ‘canzone a ballo’; see LuisiMF, 89-90.

Music Sources: 
‘Ora mai che fora son’
Cantasi Come Sources: 
Ch266
Gall2

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