Database

note: CattinNR, 279; Lincoln, 478 (incipits); RubsamenLS, 26-7. In PetF/i, composer indicated as ‘Micha’ (=Michele Pesenti, or Michael Vicentino?). Music ed. CesariLF, 37; text ed. 17 (appendix), and this in fact is the source of the cantus part applied in Rz1563 to Razzi’s lauda. For musical settings of Razzi’s lauda, see ‘Dolce, felice’ as a modo proprio.

note: lauda text & music ed. Mancuso, no. 18; the simple a2 setting and popular melody preserved in Rz1563 may be the original music for the secular text of the cc.

note: see ‘Ogni giorno’ as cc.

note: see ‘Amore io vo fuggendo’ (w/music in M121 & ModF.9.9) as cc. for ‘Vieni a me peccatore’.

note: Razzi rubric reads ‘cantasi come Tre ciechi siamo’, but provides the music with the lauda text underlaid. Text & music ed. Mancuso, 641-7. In fact the music is from a group of villote alla napolitana that Razzi mined for his lauda settings. ‘Tre ciechi siamo’ was included in da Nola’s Canzone villanesche alla napolitana (Venice, 1545); see MaceyB, 57-8. GhisiCC, 99 lists this pair of titles among his carnival songs with travestimenti spirituali.