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Database

Torna, torna al tuo paese

Language: 

it

Lauda: 

Torna, torna al freddo core
CapQ:8/6/9 (AbbB CbbB DbbB..)

Lauda Poet: 

Serafino Razzi

Notes: 

note: music & text of Razzi’s lauda ed. Mancuso, 608-10. Lauda ‘per i Novizi’. Cc. is probably the original secular model for several laude by Razzi with a similar incipit, and Rz1563 may transmit the original melody associated with this secular text. In Pal173, 32v, Razzi indicates that though he is the author of the text, the melody (‘una vaga canzonetta’) is clearly borrowed.

Music Sources: 
Rz1563 (a1)
Cantasi Come Sources: 
M365

Torna, torna al freddo core CapQ:8/6/9 (AbbB CbbB DbbB..)

Poet: 

Serafino Razzi

Language: 

it

Lauda: 

Torna, torna al tuo Signore
CapQ:8/6/9 (AbbB CbbB DbbB..)

Lauda Poet: 

fra Marco
della Casa

Notes: 

note: music & text ed. Mancuso, 608-10.

Music Sources: 
Rz1563 (a1)
Cantasi Come Sources: 
Rz1563

Temporal fuor di natura-d BaMn:8 (xx ababbx)

Language: 

it-carn

Lauda: 

Temeraria creatura
BaMn:8 (xx ababbx)

Lauda Poet: 

Bernardo Giambullari

Notes: 

note: Carnival song--’Canzona degli uomini d’arme’.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Temporal fuor di natura-c BaMn:8 (xx ababbx)

Language: 

it-carn

Lauda: 

Peccator, venite al porto
BaMn:8 (xx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 200. Carnival song--’Canzona degli uomini d’arme’. See ‘Peccatori Maria’ (music in Rz1563) as cc. paired w/’Temporal fuor di natura’.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
CS1545
Gall4
Pal120
R196

Temporal fuor di natura-b BaMn:8 (xx ababbx)

Language: 

it-carn

Lauda: 

Peccatori Maria noi siamo-c
BaMn2/8:8 (xx ababbccx)

Lauda Poet: 

Clemente Pandolfini?

Notes: 

note: lauda linked to ‘modo proprio’ in M365, with music & text ed. Mancuso, 523-9. Almost certainly a contrafactum of a carnival song, which MaceyB, 56-7 proposes to be Michele da Prato’s ‘Pescatori a lenza siamo’ (Canzona de’ pescatori che pigliono ranocchi); ed. SingletonCC, 386-9. However, the lauda ‘Alla morte horrenda’ is linked to two cc. sources, ‘Peccatori noi siamo Maria’ and the carnival song ‘Temporal fuor di natura’, an indication that Rz1563 may preserve the music not for the carnival song suggested by Macey, but for ‘Temporal fuor di natura’, the ‘Canzona degli uomini d’arme’ (text ed. SingletonCC, 21-2).

Music Sources: 
Rz1563 (a3)
Cantasi Come Sources: 
[see note]

Temporal fuor di natura-a BaMn:8 (xx ababbx)

Language: 

it-carn

Lauda: 

Alla morte orrenda et scura, peccator-b BaMn:8 (xx ababbx)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: cc. = carnival song, ‘Temporal fuor di natura’ (Canzona degli uomini d’arme), ed. SingletonCC, 21-2; BruscagliTCC, 1, 238. See also CattinCC, 196-7. Alternate cc. = ‘Peccatori Maria noi siamo’, w/music in Rz1563, (ed. Mancuso, no. 48) an indication that Razzi’s lauda may preserve the music not for the carnival song ‘Pescatori a lenza siamo’ (BaG), as suggested by MaceyB, 57, but for the carnival song ‘Temporal fuor di natura’. Cc. incipit in Rs424 reads, ‘Temporali fuor di misura’.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall4
M310
Pal120
R196
Rs424

Tempo fu che bene andò BaG4/6:8 (xyyx ababby)

Language: 

it

Lauda: 

Pellegrin, Jesù incarnato, torno-a
BaG4/6:8 (xyyx ababby)

Lauda Poet: 

Castellani/
d’Albizo

Notes: 

note: CattinCC, 207-8, where he notes that the cc. probably alludes to a quatrain (4:7/8, aBBa) sung in Act III of Aretino’s Ipocrito: ‘Tempo fu che bene andò/vissi lieto senza pene/Bene andò che l’andò bene/or va mal quanto la può’. The incipit of the 2nd verse, ‘Pellegrino son tornato’, appears in the index to SevP. However, the probably immediate model is lauda text found in R2988, fols. 91v-93r which is cast in the same barzelletta form as ‘Pellegrin, Jesù incarnato, torno’: ‘Tempo fu che ben’ andò/poi ch’avevo d’ogni bene/hor mi trovo in tante pene/chagion io dal mal ch’io.’ Here, the cc. lauda is titled, ‘lauda del figlio prodigho’, which would seem to resonate with the subject matter of ‘Pellegrin’.

Music Sources: 
SevP--index only
Cantasi Come Sources: 
R196 [R2988]

Teco signora mia BaG:7/5 (XYYx ABABBCCx)

Language: 

it

Composer: 

Alessandro Coppini

Lauda: 

Teco vergine pia sempre fu
BaG:7/5 (XYYx ABABBCCx)

Notes: 

note: CattinR, 21 (with excerpts of both texts edited); Fenlon/HaarIM, 158. Music & text ed. D’AcconeMFR, ii, 17-19. Cc. in R196 is ‘Signora mia’.

Music Sources: 
BR230
BR337
Bas2440 (a4)
Cantasi Come Sources: 
M365
R196

Te deum laudamus

Language: 

lat

Lauda: 

Te dei matrem laudamus
irreg.

Music Sources: 
Cantasi Come Sources: 
LA480

Tard’ il mio core arà quel che disia Ba3/3:11/7

Language: 

it

Composer: 

John Hothby

Lauda: 

Ave madre di Dio virgo Maria
CapT?:11/7 (AbB CDE CDE
BaA)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 563. Music ed. A. Seay, CMM33, 24. This song is found uniquely in the Faenza Codex, in a layer of works copied ca. 1473-4 in Milan; the ms. transmits only text incipits. Lauda shares form and rhyme scheme with two other Belcari lauda, ‘O dolce padre Giovanni Gualberto’, and ‘Abbi pietà beata Verdiana’. The familiarity of Hothby’s work in Florence may be the fruit of connection suggested by Hothby’s correspondence with Lorenzo de’ Medici in 1469, while Hothby (1430-87) was residing in Lucca.

Music Sources: 
Faenza
93v
Cantasi Come Sources: 
Cas794
CorsD3
Gall2
Gamb206
Inc34
M690
Pal117
Pal119
Pal120
R193
R196

Tanto è la donna mia 6:7/11 (ababcC)

Language: 

it-mad

Composer: 

Alessandro Coppini

Lauda: 

Jesù dolce messia, sopr’ogni cosa
CapQ (AAbA BBcB)

Notes: 

note: Fenlon/HaarIM, 158 (concordant sources); JeppesenF, ii, 114, 131, 136. Music ed. D’AcconeMFR, ii,16-17. Lauda re. nativity.

Music Sources: 
BR230
BR337
Bas2440 (a3)
Cantasi Come Sources: 
LA766
Pal169
RC395

Tanta pietà mi tira e tant’amore-f BaMz3/9 (XxY ABABABCcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Venga ciascun divoto et umil core-c BaMz3/9 (XxY ABABABCcY)

Lauda Poet: 

Feo Belcari

Music Sources: 
Cantasi Come Sources: 
R1303

Tanta pietà mi tira e tant’amore-e BaMz3/9 (XxY ABABABCcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Poi che io gustai, Jesù
BaMz3/9 (XxY ABABABCcy)

Lauda Poet: 

Lorenzo de’ Medici

Notes: 

note: on Lorenzo’s lauda, see DucciniL, 120, 156-62 (text edited with extensive commentary); ToscaniL, 76--8 (ed. of text).

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall3
Inc34
Pal119
Pal120
R196

Tanta pietà mi tira e tant’amore-d BaMz3/9 (XxY ABABABCcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

O lasso a me tapino sventurato-b
BaMz (XyX ABABBcX)

Notes: 

note: ‘O lasso amme tapino’ is sometimes the cc., as for ‘Venga ciascun’ in Gall1. Lauda text survives from late trecento sources.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Tanta pietà mi tira e tant’amore-c BaMz3/9 (XxY ABABABCcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Levati su omai, anima-e
BaG (xyyX ABABbccX)

Lauda Poet: 

Gherardo d’Astore

Notes: 

note: stanzas only; rit. draws on ‘Piango il tempo perduto’.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Tanta pietà mi tira e tant’amore-b BaMz3/9 (XxY ABABABCcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Dolce Signor Jesù infinito bene-b
BaMz3/9 (XxY ABABABCcY)

Lauda Poet: 

Feo Belcari

Music Sources: 
Cantasi Come Sources: 
PM480

Tambur, tambur-b ?2/4:7/6 (xY abab?)

Language: 

it-carn

Lauda: 

Oimè, oimè, quanto misero se-b
CapQ:7/6 (ABBx CBBx
DBBx...)

Lauda Poet: 

Bonifazio
Landini

Notes: 

note: Music & text of Rz1563 ed. Mancuso, 549-52, though this is in fact derived from the 4-part setting of ‘Tambur, tambur’, with music in differing versions in M121, CortP, & BR337 (see as a cc. title). See BlackburnTCS, 134-8 (M121 version ed. 154--5; CortP ed. 156-7). ‘Tambur’ & ‘Oimè’ both function as a cc. for the lauda ‘E’ ll’ardera, l’abrucera’.

Music Sources: 
Rz1563 (a2) BR337
M121
CortP
Cantasi Come Sources: 
M365
RC395

Tambur, tambur-a ?2/4:7/6 (xY abab?)

Language: 

it-carn

Lauda: 

E’ll’ardera, l’abrucera-b
CapQ:7/6 (AAAx BBBx...)

Notes: 

note: Carboni-ZiinoLM, 282. See B. Landini’s ‘Oimè, oimè quanto misero se’ as alternate cc. and s.v. modo proprio. In Ferr84 ‘Tambur, tambur’ cc. indication cancelled, but the a2 music in Rz1563 for Landini’s text (ed. Mancuso, 549-52) is, in fact, the music for the soprano and tenor parts of ‘Tambur, tambur’ as preserved in M121 (the a4 version in CortP differs in texture, though is based on the same borrowed popular melody); see BlackburnTCS, 134-8 (M121 version ed. 154--5; CortP ed. 156-7).

Music Sources: 
BR337
M121
CortP Rz1563
Cantasi Come Sources: 
Ferr84 (cancelled)

Sybille sian di pudicitia ornate

Language: 

it-carn?

Lauda: 

Dal sommo cielo el verbo eterno-b 7:7/11 (ABbAaCC)

Lauda Poet: 

Tholosano

Notes: 

note: the cc. is probably a carnival song, to judge from the incipit. Alternate cc. = ‘Dal greggie la smarrita pecorella’

Music Sources: 
Cantasi Come Sources: 
Rs424

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