MC

note: FallowsCat, 251-4; CarboniE, 461-4; WilsonSC, 87; BrownM, 93; CattinCI, 422. See MSD47 & FallowsD for reaffirmation of ascription to Dufay. Music ed. ThibaultM, 52 (Cord); HanenE, no.67 (EscB); PopeM, 333 (MC); CMM1/vi, no. 92 (Porto), BrownF, ii, 240 (different music in BR229). Widely cited and arranged by Isaac, Agricola, Pullois, Busnois, Hanart, et al.; see FallowsCat. See FallowsOR for discussion of Bedyngham’s (?) unrelated musical setting from Tr90. The lauda text is attributed to Ser Firenze in Gall4, but it appears in Belcari’s own collection, M690, and so must be his.

note: it is unclear in either poem if the tercets are intended to function as refrains and be repeated after the quatrains.

note: FallowsCat, 538-9; CattinR, 36; PopeM, 579-80. Music ed. GerberC, 43, 63 (EscB,Cord), Hanen, no.81 (EscB), CMM42, nos. 5,7 (Cord), ThibaultM, 18 (Cord), PopeM, 185 (MC). Text ed. PirrottaA, 149 (EscB). Cord = version A, EscB/MC = version B. For musically related piece, see Binchois’ ‘Mort en merchy’ (FallowsCat, 288; ed. KayeB, no.26 & RehmB, no. 32). Pirrotta describes the form of Cornago’s text as a ‘piccola canzone’; the sequence of 11 & 7 syllable lines in the first 7 lines of both cc. and lauda are identical.

note: variant ‘peregrina’ in Gall1. See FallowsCat, 544; CarboniE, 457-8; CattinNR, 230. Ed. ThibaultM (Cord, versions A & B), PopeM & LuisiLG (MC, version A in ballade form; see discussion in PopeM, 566), LuisiLG, ii, 245-6 (Pav362, version B, parody of ‘O rosa bella’), LuisiLG, ii, 247-8 (M176, canonic version C). Though ‘O pellegrina’ is not ascribed to Giustinian anywhere, and is probably not by him, it is transmitted in Venetian mss. and belongs to the broader tradition of giustiniane. It is the only strambotto in the cantasi comes sources traceable to a Venetian orbit.

note: lauda re. Sta. Margherita

note: = Bedyngham’s ‘Fortune elas’, possibly an originally English text. See FallowsCat, 521-2, where he also briefly discusses Giustinian’s doubtful authorship of the cc. text; CarboniE, 451-2; WilsonSC, 18; PirrottaMC, 153-5 (ed. of 1st stanza); PerkinsM, ii, no. 46 (ed. of text). Music ed. ThibaultM, p. 8 (Cord); HanenE, iii, no. 101 & LuisiLG, ii, 234 (EscB); PerkinsM, i, no. 46 (Mel); PopeM, 376 (MC). Listed in index of Q16. See PrizerG re. performance of ‘Fortuna’ on organ in 1460 for Rodrigo Borgia. In LA424, lauda sent to ‘Ser Firenze prete in Orto San Michele [Orsanmichele] cantore’.

note: alternate cc. = ‘Quanto più gli occhi mia’ (MC, f.48)

notes: FallowsCat, 537; CarboniE, 444; CattinR, 24; CattinNR, 228; GhisiStr, 56-60; HaarCM, 51-2. Music ed. LuisiLG, ii, 236-9 (with both texts; BU,MC); HanenE, no. 73 (EscB); PMFC11 , 92-5 (BU,MC); PopeM, no. 89 (MC; text ed. and transl. on 617); HaarCM,172-4 (BU); GhisiStr, 58-9 (excerpts from BU,MC). Further information on the cc. sources in part II of Gallo’s facsimile ed. of BU2216 (Bologna, 1970).