LA480

note: CarducciCBSM transmits at text with the incipit ‘Date beccare all’ ugellino [mio]’, with a poetic scheme similar to the above lauda: 2/4:11 (xx aaab cccb dddb...). The cc. incipit was noted in Benedetto Dei’s chronicle among a list of ‘canzone a ballo’, where it was attributed to L<...> d’
Aghalito (or d’Aghabito); see LuisiMF, 89-90.

note: CattinR, 43, no.70; RostirollaB, 680. There is a monodic setting of the lauda in Ven145, a different 2-part version in Pal472 (ed. Diederichs, 408), & a 4-part setting in Anim1563. All 3 are ed. in LuisiLG, ii, 6-11, with text ed. i, 259-10. Gall3 = ‘Donna esto mio lamento, vinitiana’. The lauda also enjoyed an extended life in early 17thc. lauda prints (Lodi et Canzonette, 1608); see LuisiLG, ii, 147-9. In 1589/2, ‘Anima benedetta’ sung to a3 setting of ‘Jesù nostro riscatto’. The lauda may be modeled on the 14thc. secular ballata ‘Era tutta soletta in un prato d’amore’ (ed. CarducciCBSM, 67-8), which shares the same rhyme scheme of the refrain ‘Anima benedetta’, as well as its BaG:7 form. Cc. text variously attributed to Giustinian, Jacopone da Todi, and Clemente Pandolfini; entered in R2929, which was copied by 1448.

note: lauda text entered in R2929, which was copied by 1448.

note: Text of ‘Ciascun amante’ ed. LuisiLG, i, 290-1; attr. in some sources to Giustinian, but found in 14thc laudarios like BML, Ashburnham 423, 140v.

note: unclear from source whether incipit refers to secular (‘...cotanto dolcemente’) or sacred (‘...e nel peccato mortal’) title, both of which turn up in lauda and cc. lists. Both texts were entered in R2929, which was copied by 1448. According to BecheriniSR, 228, the lauda text was sung in the Rappresentazione di S. Eufemia.

note: lauda text in Rs424 without cc. indication. The poem is also transmitted in the (probably) pre-15thc. ms. BML, Ashburnham 423, 39v, where its form appears to be a six-line refrain (abcbdb) followed by a series of quatrains of varying line-lengths (aaaa bbbb...).

note: CattinR,29; CattinNF,202. Settings of Belcari’s text ed. CattinG,no.26 & LuisiLG, ii, 226-7 (Grey, but w/cc text underlaid as well); JeppesenL, p.136 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’).