LA480

note: ‘Se vo scaviés matre’ and Dufay’s ‘Donna gentil’ are alternate cc’s for ‘Se vuo’ gustare’.

note: according to BecheriniSR, 228, ‘Madre vergine, isposa’ was one of two laude (the other being ‘Adnunziata pel divin consiglio’) identified in a rubric at the conclusion of the Rappresentazione di Salomone that were ‘fatte per la cappella della Nunziata de’ Servi’.

note: On the musical settings of the cc., see ‘Madre che festi-a’. Independent musical settings of Belcari’s text are transmitted in Rz1563 (a2) and PetL/i (a4), ed. LuisiLG, ii, 180-4 (Rz1563 & PetL/i); JeppesenL, no.57 (PetL/i); MaceyS, 87-9 (Rz1563; refrain & 1st stanza of text ed. & translated lv); and Mancuso, no. 20 (Rz1563).

note: rubric for ‘Beata sono’ same in all but Rs424: ‘beata Villan[a] di Firenze che è sepulta in Sancta Maria Novella’.

note: text ed. Wiese, 21.

note: cc. poem copied in autograph ms. of Florentine cantarino Filippo Scarlatti, LAD759, f.262. PetF/vi transmits settings of ‘Moro di doglia’ (no. 3) and ‘Aimè ch’a torto’ (no. 4), both of which are interior strophes of ‘I’ vedo ben’ (see CattinNR, 284). Music ed. LuisiLG, ii, 254-5 with text of ‘I’ vedo ben’ and Belcari’s ‘Piangi e sospira’ (for which ‘I’ vedo’ is also a cc.). Settings of ‘Aimè ch’a torto’ and ‘Moro di doglia’ ed. and discussed in RubsamenJ and, more recently, HaarPJ. Giustinian text ed. Wiese, 287f.

note: alternate cc. = ‘Alma che si gentile/ti fe’