LA480

note: Rs424 = ‘Anzola tu mi fai’. Text of cc. ed. in D’AnconaPP, 93-4. Alternate version in some sources is ‘Angela che mi fai’. RA2435, pp. 112-13, transmits a version of what is probably the original secular text to which the cc. incipit refers: ‘Angiola tu mi fai/cantando, a te, venire/et bellezze ch’ai/non te le posso dire’.

note: WilsonSC, 73. Lauda text ed. VaraniniRS, 31-2, 179f. Gall3 attributes the lauda to Messer fra Giovanni Dominici Cardinale Fiorentino, as does A. Tartaro, Il primo Quattrocento italiano, Bari, Laterza 1971, 105-7 (ed. of text).

Note: lauda re. St. Nicholas of Bari. In Ch266, cc. text repeated on 77v w/rubric: ‘la seguente lada fecie antonio de migliorino ghuidotti intonolla di canto michelino di [lacuna] di forzieri ottimo cantatore: Or che e quel che dentro’. Variant incipit for lauda = ‘Avendo tutti il cor’. See also ‘La vampeggia’ as a cc. for 6 laude; this is probably the same title since the laude for both titles share the same form (BaMz) and closely-related rhyme schemes.

note: FallowsCat, 560. BR62 & Rz1563 (w/text ‘Se tu donassi il core’) versions closely related but not identical. Rz1563 text & music ed. Mancuso, 739-42.

note: Music à4 for ‘Cantar vorrei’ in Q21. Music of EscB (‘Ora gridar’) ed. LuisiLG,ii,276 w/lauda text.

note: sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62, & related version in Rz1563 w/text ‘Se tu donassi il core’, and a slightly varied C & T, different CT ). See FallowsCat, 560. Text of cc. transmitted in Ch266, R2929 (which was copied by 1448), and in 14thc. sources like BML, Ashburnham 423, fol. 69v., where it is attributed to Jacopone.

note: CattinR, 31; RostirollaB, 744.