R196

note: FallowsCat, 508; Diederichs, 90-99. Alternate cc. for ‘Tu che poi’ = ‘La vita della sgalera’ (Gall2). Lauda re. San Lorenzo. The differing versions of the music for ‘Con desiderio’ ed.: LuisiLG, ii, 28-35 (BU, Grey, Panc27, M18); CattinG, no.5 (Grey; w/notes on p. xviii); Diederichs, 296-303 (M18 facs., BU & Panc27). See WilsonMM, 172, 280-1 (BU). A different a3 setting of ‘Con desiderio’ (found in Cord w/lauda text ‘Ben lo sa Dio’ & ed. in ThibaultM, 4-5; see FallowsCat, 504-5) is related to the identical versions in Grey (ed. CattinG, no.22) & Panc27 (LuisiLG, ii, 32 & Diederichs, 302). Text of ‘Con desiderio’ ed. LuisiLG, i, 292-3. Cc. text entered in R2929, which was copied by 1448, and Mgl II.IX.58, copied by ca. 1415.

note: cf. CattinR, 28

note: lauda re. St. Anthony of Padua. In LA424, sent to ‘Pagolo [di Jacopo] vaiaio. Cc. for ‘O dolce Iddio’ is ‘Ben lo sa Dio’, with musical settings in Grey, Panc27, Q18, et al.

note: Chelli closely modeled his lauda on ‘Ben lo sa Dio’, using identical rhyme scheme and words.

note: VB3711 bears no cc., but the rubric ‘fece Feo Belchari et madolla ad papa Pagolo Sicondo [1464-71]’; two surviving letters by Belcari dated Sept. 9, 1467 and July 1 1468 record his efforts to send his lauda ‘de’ fructi della carità’ (the rubric for ‘Chi se veste’) to this pope through his longtime friend Piero dell’Orto, the bishop of Massa Marittima; see FigliouoloT, 269-70. On the cc., see FallowsCat, 504-5; GallicoRM, 54; CattinNR, 274; ZiinoNF, 237-9 (fragment). Music ed. Kottick, CMM42 & ThibaultM, 4 (Cord); CattinG, no.22 with text ‘Cum desiderio io vo cercando’ (Grey); LuisiLG, ii, 32 & Diederichs, 302 (Panc27, also w/text ‘Cum desiderio’). Grey & Panc27 versions (w/lauda texts) based on D & T of Cord. Older version a2 in AT A.5, which presumably forms the basis of the Cord version. On AT A.5, see ZiinoNF (facsimile pl. 3, partial transcription 245). 1513/1 melody (a citation within the context of a barzelletta, ‘Se mia trista e dura sorte’, set to music by Niccolò Brocco) ed. JeppesenF, iii, 53, and compared to the Cord melody in ThibaultM, lxxvi. Different cc. in Gall1 (‘O lasso me’) & M690 (‘Si fortemente son tracto’).

note: CattinR, 31. 4-voice setting of lauda text in PetL/i. See ‘Jesù fammi morire’ as a frequently cited cc.

note: Antonio designated as ‘Ser’ in Gall3.

note: ritornello only; stanze come ‘Tanta pietà mi tira’ (Gall2) or ‘muta come rispecti’ (Rs424). Incipits differ after ‘omai’: anima, e non dormire’/’alma et più non dormire’.

note: cc. possibly alludes to the fragmentary ‘Piango el mio tormento el tempo perso[...]’ in ModF.9.9.