Gamb206

note: FallowsCat, 321-2; CattinR, 30; PlamenacR, 70-1; CattinCI, 421-2. Alternate version of cc. = ‘Pover preson’; alternate cc = ‘Ben vengiant matres’ (‘Bien vegnant ma très redoutée’). Music ed. HanenE, no.32 & RehmB, no.35 (EscB); SchavranP, ii, 52 (Pav362). Quoted by Ockeghem in his ‘La despourveue et la bannye’ (M176 & Pix), and D with new T in SevP with text ‘Passio domini’ (from St. Matthew passion), ed. PlamenacQ, 169.

note: alternate cc. = ballo. Lauda re. St. Francis. Alternate cc. = Belcari’s ‘Chi serve a Dio’, w/music a3 in Panc27. Both texts entered in R2929, which was copied by 1448.

note: alternate cc. = ‘O vaghe montanine’ (w/music), rispetti, and ‘S’io t’ò fallito’. Some lauda incipits omit ‘sacro’. Lauda text entered in R2929, which was copied by 1448.

note: see CattinR, no.95. Alternate cc. = ‘La pueril bellezza’, ‘Più bel viso che’l sole’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896), & three laude with a similar incipit in Ch266.

note: in LA424, ‘mandata a Cristofano ottonaio’; this is the lauda poet and singer Cristofano da Miniato, a brassworker who whose first recorded activity is as a singer for the Company of San Zanobi in 1456. He wrote two extant laude with cc. links: ‘Vergine alta Regina’ and ‘Vergine santa immaculata e pura’; see WilsonMM, 176; WilsonHM, 291.

note: CattinR, 32; CattinCI, 419. LA424: ‘cantasi come mosir placer, mandata alle monache delle murate’. The Murate was a wealthy Benedictine convent, criticized by Savonarola for their cultivation of figural music; see MaceyB, 95-6. The association of this lauda and its secular polyphonic cc. link appears to confirm Savonarola’s appraisal.

note: see also ReidemeisterC, 95. CattinR, 32; CattinCI, 419.