Gamb206

note: CattinCI, 419. Alternate cc. = ‘J’ay pris amours’, modo proprio.

note: See CattinR, no.127, where he links the cc. to a ballo, ‘Ligiadra’. Incipit in Gall2 = ‘Anima ingrata, da che vuoi seguire’.

note: lauda re. St. Francis. In LA424, lauda sent to ‘Frate Francesco Brandi, fra minore observanto’.

note: See CattinR, 41. ‘In su quel monticello’ = ‘In su quell’alto monte’? The imagery of Antonio’s lauda (‘Ave Regina celi, istella tramontana/ogni macula svegli cristallina fontana’) suggests that it was modelled on Bianco Gesuato’s. Differs from the ‘Ave regina celi isposa del Signore’ in Rz1563. Antonio’s text ed. LanzaLT, i, 189-90.

note: RostirollaB, 749-50 (re. ‘Se tu donassi’). Sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 with text ‘Se tu donassi il core’, with slightly varied C & T, and a different CT). See FallowsCat, 560. Rz1563 text & music ed. Mancuso, 739-42, and appears to differ from the music in Anim1570 (see incipit in RostirollaB, 750).

note: CattinR, 31; RostirollaB, 744.

note: see CattinR, 34; CattinS, 269-70; RostirollaB, 705; RostirollaLC, 758. Alternate cc. = ‘La madre tornò dal santo’ (Gall2, R196), though this may refer to the same piece; the first 4 lines of the secular text are: ‘Giù per la villa lunga/la bella se ne va/la ma’ torno dal santo/trovo il figliuol mal.’ Lauda text copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (+facs.). Similar setting, w/slight variants, transmitted in 1589/2.

note: lauda re. St. James the Greater

note: lauda re. St. Anne