Cord

note: see FallowsCat, 522-3 (under variant spelling ‘Hora’); SchavranP, 262-8; CarboniE, 446-7; CattinR, no.94; CattinNR, 226-7. Music ed. ThibaultM (Cord); CMM88, no.58/HanenE, no. 78/ LuisiLG, ii, 276 (EscB); PerkinsM, ii, no.52 (Mel, w/facs., also to be found in JeppesenF, ii, pl.62); SchavranP, ii, p. 29 (Pav362; facs. in LuisiLG, ii, pl.10), ReidemeisterC, no.139 (BerK).

note: CattinR, 32; CattinCI, 419. LA424: ‘cantasi come mosir placer, mandata alle monache delle murate’. The Murate was a wealthy Benedictine convent, criticized by Savonarola for their cultivation of figural music; see MaceyB, 95-6. The association of this lauda and its secular polyphonic cc. link appears to confirm Savonarola’s appraisal.

note: see also ReidemeisterC, 95. CattinR, 32; CattinCI, 419.

note: CattinCI, 419. Alternate cc. = ‘J’ay pris amours’, modo proprio.

note: see FallowsCat, 285-6; CattinCI, 419. Music ed. in ThibaultM, 65 (Cord); HanenE, no. 23 (EscB); LuisiLG, ii, 165 & SchavranP, ii, 25 (Pav362); EMS28, no. 1 (Pix; w/possibly earlier Eng. text, ‘Mi verry joy’, on which see FallowsW); CMM1/vi, no. 90 (Porto), GutiérrezW, 59 (Wolf). For citations of melody, see FallowsCat, 285.

note: see FallowsCat, 554; PrizerF, 12 (“viniziana”); FallowsLG, 255; HaarCM, 51. Music ed. HaarCM, 175 ; CMM42, no. 4 (Cord); LuisiLG, ii, 266 (Cord); ThibaultM, p. 17 (Cord), & lxxxvi (SevP). Alternate cc. = ‘Guerriera mia’. Text ed.Wiese, 79 (‘Perla mia cara, ay dolce amore’). The text of Cord adapts and alters Giustinian’s text, while P4379 is more faithful to it; ThibaultM, lxxxv-lxxxvi.

note: cf. CattinR, 28

note: Chelli closely modeled his lauda on ‘Ben lo sa Dio’, using identical rhyme scheme and words.

note: Belcari closely modeled his lauda on ‘Ben lo sa Dio’, employing identical rhyme scheme and words.