M1163

note: Dammonis setting (‘Anima che del mondo vo’ fugire’) ed. LuisiLG, ii, 318-21.

note: alternate cc. for ‘Jesu sommo diletto’ = ‘Molto m’annoia dello mio messere’. Lauda setting ed. in MaceyS, 68-9; Mancuso, 688-93. See ‘Jesù sommo’ as cc. for ‘Jesù dolce’.

note: lauda attr. to d’Astore in Ch266. Cf. ‘S’i’ pensassi’ as cc. based on Baccio’s setting of ‘Donne per electione’.

note: WilsonMM, 173-4; Diederichs192ff. Music ed. WilsonMM, 282 (Ven); Diederichs, 380 (Ven); JeppesenL, 126 (PetL/i; music by Innocentius Dammonis); LuisiLG, ii, 60-62 (Ven & PetL/i). Text ed. LuisiLG, i, 260. In most sources, lauda bears rubric ‘facta per la adnuntiata de’ Servi’, that is, intended for performance at the Florentine church of Santissima Annunziata, where polyphonic singing was culitivated during the 15thc. Giustinian text entered in R2929, which was copied by 1448.