M690

Note: lauda re. St. Nicholas of Bari. In Ch266, cc. text repeated on 77v w/rubric: ‘la seguente lada fecie antonio de migliorino ghuidotti intonolla di canto michelino di [lacuna] di forzieri ottimo cantatore: Or che e quel che dentro’. Variant incipit for lauda = ‘Avendo tutti il cor’. See also ‘La vampeggia’ as a cc. for 6 laude; this is probably the same title since the laude for both titles share the same form (BaMz) and closely-related rhyme schemes.

note: lauda re. Sta. Margherita

note: see FallowsCat, 504 (where he suggests, based presumably upon the bipartite musical form in Per431, that the poetic fragment in Per431 is a ballata, but its rhyme scheme and form, as well as the form of the lauda model, suggest otherwise); CattinR, no.100. Music ed. Hernon, 347-51.

note: Vittore Branca has shown that this cc., often attributed to Lorenzo de’ Medici, is a canzone a ballo that refers to a novella in the Decameron, and that it was already circulating in the late trecento; BrancaP, 403-8. The cc. text is also transmitted in RA2435, pp. 138-40.

note: FallowsCat, 515. Music ed. CMM1, vi, no. 8 & ThibaultM (Cord); PerkinsM, ii, no.33 (Mel); SchavranP, ii, 133 (Pav362). Alternate cc. = ‘Madre che festi’, & ‘Se vo’ sape’ matre’ (‘Se vous scaviés ma tres douce maistresse’). Cc. also cited in quodlibet on ‘Mon seul plaisir’, and as incipit for Isaac’s ‘La morra’ in CG. On the hybrid form of ‘Dona gentile’, and its literary traces of Giustinian’s style, see FallowsLG, 255-7.

note: FallowsCat, 370; CattinCI, 419-20 (with a comparison of edited texts). Music ed. G. Reaney, CMM11/i, 26. Ch266: ‘canzona franzese’. In most sources the incipit is ‘Se vo’ sape (savé) matre’.

note: FallowsCat, 560. BR62 & Rz1563 versions closely related but not identical (w/text ‘Se tu donassi’ in Rz). Rz1563 text & music ed. Mancuso, 739-42.

note: FallowsCat, 560. BR62 & Rz1563 (w/text ‘Se tu donassi il core’) versions closely related but not identical. Rz1563 text & music ed. Mancuso, 739-42.

note: according to BecheriniSR, 226, Belcari’s lauda was sung by a chorus of Hebrews after their subjection by Holofernes in the Rappresentazione di Juditha Hebrea.

note: alternate cc. = ‘Anima dolce quanto se’ lontana’