Cas794

note: LA424: lauda sent to ‘monache di Sancta Chiara’, a Franciscan convent in the Oltrarno to which d’Albizo sent a number of his laude. Rz1563 & M365 transmit a different lauda (BaG) with similar incipit (‘Lodian col puro core, e con la mente/Cecilia sacra’ attributed to Fra. Hilario Buoninsegni da Siena.

note: lauda re. St. Francis. In LA424, lauda sent to ‘Frate Francesco Brandi, fra minore observanto’.

note: text of lauda differs from the ‘Poich ’i lascia’ il mio Dio’ in Gall2. ‘Da poi ch’io ti lasciai’ found in 14thc. sources, like BML, Ashburnham 423, fol. 156v.

note: See CattinR, 41. ‘In su quel monticello’ = ‘In su quell’alto monte’? The imagery of Antonio’s lauda (‘Ave Regina celi, istella tramontana/ogni macula svegli cristallina fontana’) suggests that it was modelled on Bianco Gesuato’s. Differs from the ‘Ave regina celi isposa del Signore’ in Rz1563. Antonio’s text ed. LanzaLT, i, 189-90.

note: Gall2 incipit for cc = ‘En suso in su quel monte chiara vi surge la fontanella’.

note: sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 w/text ‘Se tu donassi il core’, and a slightly varied C & T, different CT). See FallowsCat, 560.

note: RostirollaB, 749-50 (re. ‘Se tu donassi’). Sources agree on alternate cc. = ‘Se non ti guardi amore’ (music in BR62,& related version in Rz1563 with text ‘Se tu donassi il core’, with slightly varied C & T, and a different CT). See FallowsCat, 560. Rz1563 text & music ed. Mancuso, 739-42, and appears to differ from the music in Anim1570 (see incipit in RostirollaB, 750).

note: hunting song set in Rome, ca. 1485. See FallowsCat, 528; OsthoffT, i, 52-69, passim; PirrottaMT, 58-64; GallicoRM, 91; D’AnconaPP, 482. Music ed. OsthoffT, ii, 45-54 [2 stanzas] (SevP, Panc27, BR337); PirrottaMT, 60 (P676); EDM34, 366 (Leip1494); JeppesenF, iii, 75 (melodic incipits). Text of cc. ed. CarducciCR, 86-90, and PirrottoMT, 59. In the Rappresentazione di Santa Margherita (c.1500) hunters sing ‘Iamo alla caccia’ (OsthoffT, i, 39-43); in the Rappresentazione di Santa Uliva hunters sing ‘Su alla caccia’ (PirrottaMT, 59; OsthoffT, i, 42; BecheriniSR, 215). Transmitted in P676 w/incipit ‘A la cazza, a la cazza’ (a4), & with 2nda part incipit ‘Te qui balzan ‘; see GallicoRM, 49. Music differs from the a4 ‘Alla caccia, su su su a cacciare’ in Pix, and the a4 ‘Alla cazza, te te te, sona sona...’ in Q16.

note: CattinR, 31; RostirollaB, 744.

note: see CattinR, 34; CattinS, 269-70; RostirollaB, 705; RostirollaLC, 758. Alternate cc. = ‘La madre tornò dal santo’ (Gall2, R196), though this may refer to the same piece; the first 4 lines of the secular text are: ‘Giù per la villa lunga/la bella se ne va/la ma’ torno dal santo/trovo il figliuol mal.’ Lauda text copied by Savonarola into CB. 1577 Roman version ed. in RostirollaTL, 46 (+facs.). Similar setting, w/slight variants, transmitted in 1589/2.