Cas794

note: CattinCC, 214-15; RostirollaB, 704. Alternate cc. = ‘Io ti lascio stolto mondo’ (also in Anim1577, along w/music for ‘Giovanetti’, w/facs. for both pieces in RostirollaTL, 31).

note: see FallowsCat, 189-90; BrownM, 232; CattinCI, 429-31 (with comparison of both texts). Music ed. in CMM37 (Rei; major prolation version); conflated ed. in FallowsE, 64. EscA & Ox resemble the Rei version, but w/perfect time, doubled note values, and a more elaborate discantus. Lauda text in M690 transmitted in 3 stanzas, the middle of which is three lines long (aba), the outer five (ababa).

note: MaceyB, 125-9; RostirollaB, 732. The cc. for ‘Ecco il Messia’ is ‘Ben venga Maggio’ (see above). Ed. w/Lucrezia’s text in MaceyS, 62.

note: Diederichs, 101f.; music ed. 306-9. Text of cc. ed. LuisiLG, i, 297; music ed. ii, 40 (Q15) and 41 (Pav361). Cc. text in Gall3.

note: CattinCC, 214 attributes cc. (a lauda) to Castellani, as well. ‘Deh torna...smarrita’ transmitted as anon. lauda in Gall4, w/cc. = ‘Donne gentil’ di gran siam mercatanti’ (‘Canzona de’ granaiuoli’), w/music in BR230 & RC395. Text ed. SingletonCC, 228-9,

note: lauda re. St. James the Greater

note: lauda re. St. Anne

note: See CattinCC, 195-6. There is a different setting of the Castellani text by Dammonis in PetL/i, 7v-8r.; ed. LuisiLG, ii, 322-4.