Pal117

note: FallowsCat, 501; PopeM, 657-8; CattinR, no.104 (where he suggests an origin of cc. as a carnival song for locksmiths). Music ed. PopeM, 503 (‘Chiave, chiave’--incipit only). Gall2 & CS1545 textual incipits = ‘Alle schiave, alle schiavone’.

note: FallowsCat, 397; WilsonSC, 88; CattinR, no.66; CattinCI, 423. Music ed. CMM1/vi, no.68 (Porto).

note: CattinR,29; CattinNF,202. Settings of Belcari’s text ed. CattinG,no.26 & LuisiLG, ii, 226-7 (Grey, but w/cc text underlaid as well); JeppesenL, p.136 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletii’in suon’e canto, followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’).

note: see CattinR,no.95. Alternate cc. = ‘Non son più innamorato’, ‘La pueril bellezza’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896) & ‘O peccatore ingrato or perché’ (Ch266)

note: see CattinR, no. 95. Alternate cc. = ‘Non son più innamorato’, ‘Più bel viso che’l sole’ (all 3 in M690 & R196). Lauda differs from ‘O peccatore ingrato contempla’ (R2896) & ‘O peccatore ingrato or perché’ (Ch266).

note: FallowsCat, 488-9; CattinR, 37; CattinCI, 423. Music ed. LenaertsN, 2-3 (musical supplement). Cc. listed in index of R2356, but folio with this music is missing from the ms.

note: Carboni-ZiinoLM, 279, where setting of lauda text in PetL/i is noted. Music ed. LuisiLG, ii, 325-7. Cc. text is probably that entered in R2929, no. 191 (‘O Signore dammi la morte’), which was copied by 1448.

note: in M119 cc. incipit is ‘Sempre aro nel chor .’

note: FallowsCat, 100-101; WilsonSC, 86; CattinCI, 421. Music ed. CMM77, 22 (EscA); CMM88, no.4 & HanenE, no.7 (EscB). Alternate cc. in most sources = ‘Pover preson’