Database

Aymè--se Aimè

Music Sources: 
Cantasi Come Sources: 

Avendo tutti il cor pien di letizia BaMz (XyX aBaBBcX)

Poet: 

Feo Belcari

Language: 

it

Lauda: 

Padri cantiam con gaudio et con diletto BaMz (XyY AbAbBcY)

Notes: 

note: see ‘Avendo’ as a lauda, where more correct version of incipt is given: ‘Avendo cor tutti pien...’.

Music Sources: 
Cantasi Come Sources: 
RA2274

Ave tempio di Dio sacrato tanto-f CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Salve regina di misericordia-a
CapT:11 (aba bcb...)

Lauda Poet: 

Feo Belcari

Notes: 

note: See CattinNF, 202. See ‘I’ vedo ben’ as cc. for ‘Ave del cielo’ & ‘Salve regina di misericordia’ for possible musical settings associated with ‘Ave tempio’ (an Ave Maria acrostic). Settings of Belcari’s text ed. CattinG, no.26 & LuisiLG, ii, 152-3 (Grey, but w/cc text underlaid as well); JeppesenL, 136-7 (PetL/i). Different music in each source. Razzi transmits music with text ‘Lodate fanciulletti’in suon’e canto’ (the 1st tercet of which uses the same rhymes as ‘Ave tempio’), followed by six other texts (Belcari’s ‘Ave del verbo’ & ‘Salve Regina’, plus four Razzi laude: ‘Ave stella del mar’, ‘Magnifica il Signor’, ‘Svegliati hormai’, & ‘Riposatevi in pace’), all in the form of CapT:11. Belcari’s ‘Ave Maria acrostic and Salve Regina pair are probably modeled on a very similar pairing by Giustinian; see LuisiLG, i, 356-7.

Music Sources: 
Grey
Rz1563
PetL/i
Cantasi Come Sources: 
Cas794
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Ave tempio di Dio sacrato tanto-e CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Quanti n’ha già la tardità ingannati CapT (aba bcb...)

Lauda Poet: 

Francesco d’Albizo

Notes: 

note: in LA424, sent to Sancti calzaiuolo.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gall2
Gamb206
Inc34
LA424
Pal117
Pal119
Pal120
R193
R196

Ave tempio di Dio sacrato tanto-d CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Nessuno in gioventù ponga’l desio-b BaMn2/8 (XX AbCAbCCX)

Lauda Poet: 

Feo Belcari

Notes: 
Music Sources: 
Rz1563
Cantasi Come Sources: 
R1258

Ave tempio di Dio sacrato tanto-c CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

In nulla si vuol por la sua speranza-a BaMz (XyY AbAbCcY)

Lauda Poet: 

Belcari/ Giovanni da San Piero

Notes: 

note: text and music of ‘In nulla’ ed. Mancuso, no. 88.

Music Sources: 
Rz1563
Cantasi Come Sources: 
R1258

Ave tempio di Dio sacrato tanto-b CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Ave del cielo eterna genitrice-a
CapT:11 (aba bcb...)

Lauda Poet: 

Feo Belcari

Notes: 

note: see ‘I’ vedo ben’ and ‘Lodate fanciulletti’ (as cc. for ‘Ave del cielo’ & ‘Salve regina di misericordia’) for musical settings associated with ‘Ave tempio’ (an ‘Ave Maria’ acrostic). Lauda probably = ‘Ave del verbo eterno genitrice’, which is the standard Ave Maria paraphrase paired with the Salve Regina in most Belcari mss. (incl. M690); see CattinR, no.60.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196 [M690?]

Ave tempio di Dio sacrato tanto-a CapT:11 (aba bcb...)

Poet: 

Leonardo Giustinian

Language: 

it

Lauda: 

Ave del buon Jesù croce diletta-a
CapT:11 (aba bcb...)

Lauda Poet: 

Feo Belcari

Notes: 

note: see CattinR, 36. Cc. = popular ternario (terza rima), formed around an acrostic of ‘Ave Maria’. Cc. text entered in R2929, which was copied by 1448; ed. LuisiLG, i, 381-2. See ‘Ave tempio’ as a cc. for Belcari’s ‘Salve regina di misericordia’ for musical settings that can be linked to the former.

Music Sources: 
Rz1563
Cantasi Come Sources: 
Cas794
CorsD3
CS1545
Gall1
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196 [M690]

Ave Regina celi, istella tramontana Qr:7 (abab cdcd...)

Poet: 

Antonio di Guido

Language: 

it

Lauda: 

Ave verbo incarnato-a
Qr:7 (abab cdcd efef)

Notes: 
Music Sources: 
Cantasi Come Sources: 
R2896

Ave Maria

Language: 

it

Lauda: 

Ave del ciel regina
CapQ:7/5 (ABBc CDDe...)

Notes: 

note: cc. refers possibly to ‘Ave Maria stella matutina’ (BaG:11), transmitted in cc. sources like Gall4 that are more or less contemporary with CS1548. Another source may be the ‘Ave del ciel regina/e de’ celesti’ in 1600/5, with music by Michel’ Angelo Cancino; see RostirollaB, 683.

Music Sources: 
1600/5
Cantasi Come Sources: 
CS1548

Ave fonte d’amore, Spirito-b BaG (xYyX AbAbbCcX)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Ave del gran’ Signore
BaG (xyyX AbAbbCcX)

Music Sources: 
Cantasi Come Sources: 
RC395

Ave fonte d’amore, Spirito-a BaG (xYyX AbAbbCcX)

Poet: 

Castellano Castellani

Language: 

it

Lauda: 

Ave cella d’amore-a
BaG (xyyX AbAbbCcX)

Notes: 

note: RC395 indicates ‘Ave cella’ also has modo proprio. See ‘Alma che si gentile/sei per’ (and its related musical settings) as cc. for ‘Ave fonte’.

Music Sources: 
Cantasi Come Sources: 
RC395

Ave dulcis, ave pia BaMn:8 (xx aaax bbbx...)

Language: 

lat

Lauda: 

Dolce regina [vergine Maria?]

Notes: 

note: incipit ‘Dolce regina’ transmitted in Panc27; same music in Grey w/text ‘Ave dulcis, ave pia’, & PetL/ii w/text ‘Popule meus’ (ed. in JeppesenL, no.32, based on both sources). See CattinNF, 198.

Music Sources: 
Grey
Panc27
PetL/ii
Cantasi Come Sources: 
Panc27

Ardea tutt’ a voi presso Mad (aBBcDAcDAAFF)

Language: 

it-mad

Composer: 

Jacob Arcadelt

Lauda: 

Maria se’ mai pietosa
Mad (aBBcDAaDAaFF)

Notes: 

note: Fenlon/HaarIM, 165 (concordant sources). Music ed. SeayJA, vii, no. 17. ‘Ardo...’ in M365.

Music Sources: 
M99-102
M122-5
1540/20
Cantasi Come Sources: 
M365

Arda il ciel [e’l mondo tutto] 6:8 (abbaab cdcdda efeffa)

Language: 

it-frot

Lauda: 

Deh benigna madre pia
BaG:8 (xyyx ababbccx)

Notes: 

note: Cc. added to ms. in later hand, dated 1569, though composition clearly predates this. Lincoln, 744 (frottola); 4-part setting in PetF/iii ed. CesariLF, 127 (text on p. 46 of appendix).

Music Sources: 
Panc27
Bas2441
BR337
PetF/iii
P676
Cantasi Come Sources: 
CS1545

Arai tu mai pietà donna crudel BaG (xyyX ababbccX)

Language: 

it

Lauda: 

Volgi li occhi tuoi in qua-a
BaG (xyyX ababbccX)

Notes: 

note: see Diederichs, 54 for a comparison of the two texts, where she shows that a text with a title (‘Avrai tu mai pietà donna crudel di me’) very similar to Landini’s (‘Ara’ tu pietà mai di me, o giovnetta’) is the more likely cc. model, since its rhyme scheme is nearly identical to that of ‘Volgi li occhi’.

Music Sources: 
Cantasi Come Sources: 
Ch266

Arai tu mai pietà [di me] BaG (xyyX ababbccX)

Language: 

it

Composer: 

Francesco
Landini?

Lauda: 

Mercé con gran pietà
BaG (xyyX ababbccX)

Notes: 

note: see CattinSq, 249; WilsonSC, 74; Diederichs, 53-4, 73. Music ed. in PMFC4, no.57 (where the incipit is ‘Ara’ tu pietà mai di me, o giovinetta’). The intended cc. for ‘Mercè’ may in fact be a different secular ballata with a similar title, ‘Arai tu mai pietà donna crudel’; see this title as a cc. for the lauda ‘Volgi li occhi tuoi in qua’.

Music Sources: 
Sq
Cantasi Come Sources: 
Ch266

Appress’un fiume chiaro MadT:7/11 (aBB cDD EE

Language: 

it

Composer: 

Giovanni da Firenze

Lauda: 

Appress’ il volto chiaro
MadT:7/11 (aBB cDD EE)

Notes: 

note: CattinSq, 248; WilsonSC, 73; CorsiM, 329 (where both texts are compared); Diederichs, 58. Music ed. in MFCI 1, 8-11.

Music Sources: 
Sq
FP
Lo
Cantasi Come Sources: 
R2871

Anime siamo ch’a l’inferno tapine-b BaMn:11 (xx aaax bbbx...)

Poet: 

Bernardino
della Boccia

Language: 

it-carn

Lauda: 

Peregrin tutti in questo mondo siano-a BaMn:11 (xx aaax bbbx..)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: carnival song--’Canzona d’anime dannati’. CattinCC, 200; music ed. 222-4.

Music Sources: 
M121 (a3)
Cantasi Come Sources: 
R196

Anime siamo ch’ a l’inferno tapine-a BaMn:11 (xx aaax bbbx...)

Poet: 

Bernardino
della Boccia

Language: 

it-carn

Lauda: 

Anime afflitte e tribolate siàno
BaMn:11 (xx aaax bbbx..)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinNR, 264; CattinCC, 209, music ed. 222-4. Text ed. SingletonCC, 261-3. Carnival song--’Canzona d’anime dannate’. Cattin mentions also that the ‘Canzona di pellegrini trufatori’ (‘Pellegrin, donne, in questo abito strano’) matches closely the meter and rhyme of the lauda text. R196 indicates this lauda has a modo proprio, possibly a reference to the music of Bernardino’s carnival song, though R196 also gives ‘Anime siamo’ as a cc. for the lauda ‘Peregrin tutti in questo mondo siano’. It is possible, therefore, that the lauda ‘Peregrin tutti in questo mondo siano’ is based on the carnival song ‘Pellegrin, donne, in questo abito strano’, though no cc. source testifies directly to this link.

Music Sources: 
M121 (a3)
Cantasi Come Sources: 
M365 [R196]

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