Database

Amor che’n terra il tuo amor-b BaG (XYyX ABABbCcX)

Poet: 

Angelo Bettini

Language: 

it

Lauda: 

Vergin che ’l verbo eterno in te
BaG (XYyX ABABbCcX)

Lauda Poet: 

Serafino Razzi

Music Sources: 
Rz1563 (a4)
Cantasi Come Sources: 
Rz1563

Amor che’n terra il tuo amor-a BaG (XYyX ABABbCcX)

Poet: 

Angelo Bettini

Language: 

it

Lauda: 

O madre di dolcezza et di conforti
BaG (XYyX ABABbCcX)

Notes: 

note: music & text ed. Mancuso, 478-86. For further notes, see ‘Amor che’n terra il tuo amor’ as a lauda which has as its cc. a carnival song by Giovanbattista dell’Ottonaio, ‘Amor che’n terra ogni timore’.

Music Sources: 
Rz1563 (a4) BR337
Cantasi Come Sources: 
R2988

Amar non vo’ te mondo pien di guai BaMn:11

Poet: 

Leonardo
Giustinian?

Language: 

it

Lauda: 

Chi serve a Dio con purità di core-a BaMn:11 (xx ababbx)

Lauda Poet: 

Feo Belcari

Notes: 

note: ‘Chi serve’ performed in context of Belcari’s Rappresentazione di Abrame e Isacco (Florence, 1449), near the end of the play (lines 489-510), following the rubric: ‘...tutti insieme fanno un ballo cantando questa lauda: Chi serve a Dio...’ (3 stanzas, as in Gall1); see OsthoffT, i, 30-3; BecheriniSR, 199. Music ed. Osthoff, ii, 33; LuisiLG, ii, 186 w/lauda text ‘O gloriosa verzene Maria’. Text of ‘Amar non vo’ te’ entered in R2929, which was copied by 1448; ed. LuisiLG, i, 298.

Music Sources: 
Panc27
Cantasi Come Sources: 
Ch266
CN75.1
LA480
M744
R2896

Ama, donna, chi t’ama in pura fede BaMz (XyX ABABByX)

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Ami ciascun cristian con pura fede
BaMz (XyX ABABByX)

Notes: 

note: see CattinSq, 248; WilsonSC, 73; Diederichs, 64; CorsiM, 332. Music ed. PMFC4, no.18. According to D’AnconaPP, 476, title also found in Ch266, and he gives original title of cc. as ‘Ama chi t’ama e chi non t’ama lassa’. The cc. title appears in Simone Prodenzani’s Il Saporecto (ca. 1415), sonnet 48; see CilibertiP, 23-34, and NàdasCR.

Music Sources: 
Sq
FP
Pit
PR
Cantasi Come Sources: 
R2871

Alzando li occhi et vidi una donzella BaMn:11 (xx ababbbx)

Poet: 

Ser Giovanni
Fiorentino

Language: 

it

Lauda: 

Alzando gli occhi vidi Maria-b
BaMn:11 (xx ababbx)

Notes: 

note: Ven preserves à2 setting of another lauda, ‘Alzando gli occhi, vidi nel oriente uno angelo nuovo’ (see Diederichs, 190f; music ed. 378-9). D’AnconaPP, 476 calls the cc. a ‘canzonetta a ballo di Ser Giovanni Fiorentino’. This 14thc. text is ed. in CarducciCBSM, 176-8, where it is attributed to Ser Giovanni Fiorentino, and derived from his Pecorone (1378).

Music Sources: 
Cantasi Come Sources: 
Ch266

Altri n’arà la pena et io ‘l danno BaMn:11

Poet: 

Franco Sacchetti

Language: 

it

Composer: 

Francesco
Landini

Lauda: 

Preghiam la dolce vergine Maria-a BaMn:11

Notes: 

note: CattinSq, 251 cites this link, but indicates it is tentative. The cc. title is not to be found in Ch266, fol. 204r, where the lauda text is copied with a cc. title indicating Landini’s setting of Sacchetti’s ‘Non creder donna’. WilsonSC, 75. Cc. text ed. AgenoFS, 355.

Music Sources: 
Sq
Cantasi Come Sources: 
Ch266

Alto padre no’ ti preghiamo Ba6/4?:8/9 (wxyxzx aaaa bbbb...)

Poet: 

Jacopone da Todi?

Language: 

it

Lauda: 

Aiutatemi tutti se vuoi possi
BaG (XyyX AbAbBccX)

Notes: 

note: lauda text in Rs424 without cc. indication. The poem is also transmitted in the (probably) pre-15thc. ms. BML, Ashburnham 423, 39v, where its form appears to be a six-line refrain (abcbdb) followed by a series of quatrains of varying line-lengths (aaaa bbbb...).

Music Sources: 
Cantasi Come Sources: 
LA480

Alta regina a ti piangendo Str:11

Language: 

it

Lauda: 

Alta Maria a ti cantando io vengo
Str:11

Notes: 

note: BridgmanM, 204-5 (incipits for a4 version in P676). ModF.9.9 version (a3) = P676 (minus alto), ed. CattinCon, 69, with notes on 74. The ModF.9.9 version was copied Oct. 6, 1495. Music ed. BridgmanM, 260-2 (P676; both texts); La Face/BianconiGS, 281-2 (ModF.9.9; text ed. 201-2). P676 transmits the lauda text, which is closely modelled on the original strambotto, with the rubric: ‘hec sunt pro vergine maria’.

Music Sources: 
P676
ModF.9.9
Cantasi Come Sources: 
P676

Alma fuggi chi mal fa-b

Language: 

it

Lauda: 

Gaudio e festa sempre sia-a
Ba4/6:8 (xyyx ababbx)

Lauda Poet: 

Niccolò Fabroni

Music Sources: 
Cantasi Come Sources: 
RC395

Alma fuggi chi mal fa-a

Language: 

it

Lauda: 

Alma segui oggi Maria
BaG4/6:8 (xyyx ababbx)

Music Sources: 
Cantasi Come Sources: 
Pal169
RC395

Alma che sì gentile/ti fe’-b BaG (xYyX AbAbbCcX)

Poet: 

Gherardo d’Astore

Language: 

it

Lauda: 

Non ha lo cor gentile-a
BaG (xYyX AbAbbCcX)

Lauda Poet: 

Feo Belcari

Notes: 

note: alternate cc. = ‘O donna del mio core’

Music Sources: 
Rz1563
Cantasi Come Sources: 
Ch266

Alma che sì gentile/ti fe’-a BaG (xYyX AbAbbCcX)

Poet: 

Gherardo d’Astore

Language: 

it

Lauda: 

Alma che sì gentile/sei per-a
BaG (xYyX AbAbbCcX)

Lauda Poet: 

Girolamo Savonarola

Notes: 

note: Savonarola’a lauda modeled on d’Astore’s ‘Alma che sì gentile/ti fe’, a ballata grande w/rhyme scheme identical to ‘Deh dolce redentore’ with music in Rz1563; see reconstruction/ed. in MaceyS, 71-9; text ed. & translated on xlix-l. D’Astore’s lauda had modo proprio and cc. = ‘O benigno Signore’. ‘O benigno’ & ‘O dolce redentore’ [Deh dolce’] are also cc. sources for ‘Signore soccorri aita’ (BNF J.VIII.5)

Music Sources: 
Rz1563
Cantasi Come Sources: 
[MaceyS
228]

Alma che sì gentile/sei per-b BaG (xYyX AbAbbCcX)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Rallegrati Maria, che’l buon Jesù
BaG (xYyX AbAbbCcA)

Music Sources: 
Rz1563
Cantasi Come Sources: 
R2896

Alma che sì gentile/sei per -a BaG (xYyX AbAbbCcX)

Poet: 

Girolamo Savonarola

Language: 

it

Lauda: 

Ave fonte d’amore, Spirito Santo-a BaG (xYyX AbAbbCcX)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: CattinCC, 210. Possible musical setting in Rz1563 w/text ‘Deh dolce redentore’ (ed. MaceyS, 71-9; MaceyB, 112-13). See also ‘Alma’ as a lauda w/ cc. = ‘O rosa mia gentile’, ‘Non à lo cor’, ‘Più bel viso’, & modo proprio. Gall4: ‘Ave fonte d’amore’ has modo proprio.

Music Sources: 
Rz1563?
Cantasi Come Sources: 
Rs424

Allegramente-b

Language: 

it

Lauda: 

Nessuno in gioventù ponga’l desio-a BaMn2/8 (XX AbCAbCCX)

Lauda Poet: 

Feo Belcari

Notes: 

note: lauda text entered into Ch266 without cc.

Music Sources: 
Cantasi Come Sources: 
Gall1
R196
Rs424 [Ch266]

Allegramente-a

Language: 

it

Lauda: 

Ave croce, speranza de’cristiani
CapT

Music Sources: 
Cantasi Come Sources: 
Cas794
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

Alle chiave, alle chiavone Ba4/2:8

Language: 

it-carn?

Composer: 

anon

Lauda: 

Poi che ’l cor mi stringe, e serra-a
BaG:8 (xyyx ababbccx)

Lauda Poet: 

Feo Belcari

Notes: 

note: FallowsCat, 501; PopeM, 657-8; CattinR, no.104 (where he suggests an origin of cc. as a carnival song for locksmiths). Music ed. PopeM, 503 (‘Chiave, chiave’--incipit only). Gall2 & CS1545 textual incipits = ‘Alle schiave, alle schiavone’.

Music Sources: 
MC
Cantasi Come Sources: 
Cas794
CS1545
Gall2
Gamb206
Inc34
Pal117
Pal119
Pal120
R193
R196

All’inferno voglio andare Ba4/6:8 (xyyx abbccx)

Language: 

it

Lauda: 

Al mio Jesù voglio andare
Ba4/6:8 (xyyx ababbx)

Notes: 

note: the cc. text is transmitted in a mid-15thc. manuscript in the Biblioteca Marucelliana, Ms. C.256, and was still known in Florence during the early 16thc., for it was included in a Florentine print dated 1545. See S. Ferrari, Il contrasto della Bianca e della Bruna, «Giornale storico della letteratura italiana», V, 1885, 352-98; the cc. text is ed. on p. 398. The rhyme schemes of the ripresa in both poems are identical.

Music Sources: 
Cantasi Come Sources: 
Cas794
Gall4
Pal120
R196

Al vaglio, al vaglio, al vaglio 5/6:7/11 AbbccX

Poet: 

Fruosino Medici

Language: 

it-carn

Lauda: 

Al vaglio, al vaglio, al vaglio di questa orrenda Ba5/6 (xyyxX AbbaaX)

Lauda Poet: 

Castellano
Castellani

Notes: 

note: Carnival song (mascherata)--Canzona del vaglio, datable to Feb. 3, 1506. CattinCC, 209; OsthoffT, i, 117; CattinNR, 261; PrizerM, 33; S. Carrai, Momenti e problemi del canto carnascialesco fiorentino, in GargiuloLM, 119-29 (the cc. text is edited and discussed on 125-9). Facs. & transcription of music in GhisiCC, 61f.; music ed. in GallucciFFM, no.7. Text in SingletonCC, 221, 478. Maestro ‘Fruosino’ was a Florentine physician and student of Poliziano.

Music Sources: 
BR230
Cantasi Come Sources: 
R196

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