Pal120

note: lauda re. Sancta Domitilla; in LA424, sent to ‘Suora Domitilla badessa di Sancta Chiara’.

note: Lucrezia’s lauda predates her death in 1482.

note: in LA424, sent to ‘Messer Philippo Sacramoro, ambasciadore ducale [Milan]’. Lauda re. San Philippo apostolo

note: a two-part setting of Malatesti’s text in Rz1563 is ed. by Mancuso, 445-6. This version is musically unrelated to the other settings of ‘O Jesù dolce’ in north Italian sources (Grey, Wc, Panc27, and PetL/i).

note: See CarboniE, 459-61; WilsonMM, 171-2; CattinNF, 200-1. Music ed. CattinG, no. 21 (Grey), LuisiLG, ii, 88-93 (all); Mancuso, 456-60 (Rz1563); WilsonMM, 271-6 (comparative transcriptions of Grey, Panc27, & Rz1563). Giustinian text entered in R2929, which was copied by 1448.; ed. LuisiLG, i, 255. See also ‘O Jesù dolce’ as modo proprio. In LA424, lauda sent to ‘Messer Philippo Sacramoro, ambasciadore del duca di milano’. ‘Adoriam’ re. ‘pretiosissimo corpo di cristo’.

note: cc. poem copied in autograph ms. of Florentine cantarino Filippo Scarlatti, LAD759, f.262. PetF/vi transmits settings of ‘Moro di doglia’ (no. 3) and ‘Aimè ch’a torto’ (no. 4), both of which are interior strophes of ‘I’ vedo ben’ (see CattinNR, 284). Music ed. LuisiLG, ii, 254-5 with text of ‘I’ vedo ben’ and Belcari’s ‘Piangi e sospira’ (for which ‘I’ vedo’ is also a cc.). Settings of ‘Aimè ch’a torto’ and ‘Moro di doglia’ ed. and discussed in RubsamenJ and, more recently, HaarPJ. Giustinian text ed. Wiese, 287f.

notes: FallowsCat, 537; CarboniE, 444; CattinR, 24; CattinNR, 228; GhisiStr, 56-60; HaarCM, 51-2. Music ed. LuisiLG, ii, 236-9 (with both texts; BU,MC); HanenE, no. 73 (EscB); PMFC11 , 92-5 (BU,MC); PopeM, no. 89 (MC; text ed. and transl. on 617); HaarCM,172-4 (BU); GhisiStr, 58-9 (excerpts from BU,MC). Further information on the cc. sources in part II of Gallo’s facsimile ed. of BU2216 (Bologna, 1970).

Note: text of cc. ed. CarducciCBSM, 150-1 (as ‘Vivo per voi, madonna, in gran pensiero’).