Inc34

note: On the musical settings of the cc., see ‘Madre che festi-a’. Independent musical settings of Belcari’s text are transmitted in Rz1563 (a2) and PetL/i (a4), ed. LuisiLG, ii, 180-4 (Rz1563 & PetL/i); JeppesenL, no.57 (PetL/i); MaceyS, 87-9 (Rz1563; refrain & 1st stanza of text ed. & translated lv); and Mancuso, no. 20 (Rz1563).

note: text ed. Wiese, 21.

note: in LA424, lauda sent to ‘reverendissimo relatore del divino verbo Maestro Simone Berti, frate dell’ordine de’ frati predichatori’.

note: lauda re. Sancta Domitilla; in LA424, sent to ‘Suora Domitilla badessa di Sancta Chiara’.

note: Lucrezia’s lauda predates her death in 1482.

note: a two-part setting of Malatesti’s text in Rz1563 is ed. by Mancuso, 445-6. This version is musically unrelated to the other settings of ‘O Jesù dolce’ in north Italian sources (Grey, Wc, Panc27, and PetL/i).

notes: FallowsCat, 537; CarboniE, 444; CattinR, 24; CattinNR, 228; GhisiStr, 56-60; HaarCM, 51-2. Music ed. LuisiLG, ii, 236-9 (with both texts; BU,MC); HanenE, no. 73 (EscB); PMFC11 , 92-5 (BU,MC); PopeM, no. 89 (MC; text ed. and transl. on 617); HaarCM,172-4 (BU); GhisiStr, 58-9 (excerpts from BU,MC). Further information on the cc. sources in part II of Gallo’s facsimile ed. of BU2216 (Bologna, 1970).

note: CS1545--’rispetti a ballo’